There's no doubt about it, Kenny Aronoff is one of the most hard working, in-demand and most prolific studio and touring drummers around today. If you're a fan of John Mellencamp, Rod Stewart, Bob Seger, John Fogerty, Melissa Etheridge, Michelle Branch, Bob Dylan, Smashing Pumpkins, Elton John, Willie Nelson, Brian Wilson, Jon Bon Jovi, Ricky Martin, or Belinda Carlisle, you probably have seen and heard Kenny Aronoff's percussion work. "Sex, Drums, Rock 'n' Roll!: The Hardest Hitting Man in Show Business" is Aronoff's story through (mostly) his own words.
It's clear in "Sex, Drums, Rock 'n' Roll!: The Hardest Hitting Man in Show Business" that Kenny Aronoff rose to success through an enormous amount of hard work, dedication. resilience, and an absolute love for all things percussion. From an early age, Aronoff did whatever he could to become the best he could possibly be, and still strive for more. Classically trained, and able to both read and write music, Aronoff's ambition lead him to performing in orchestras conducted by Leonard Bernstein and Arthur Fiedler. Yet Arnoff's heart was dedicated to rock and roll, and that's where he found his fame and fortune playing for over fifteen years with John Mellencamp.
Restless, and not okay with downtime, Kenny Aronoff yearned to work every hour, every day, every week, every year. When Mellencamp announced a break from recording and touring in the late 80's, Kenny Aronoff took it upon himself to contact every musician, producer, manager, and label contact in order to offer himself up as a drummer for hire in Indiana, New York, Los Angeles, Nashville, or anywhere else in the world. No matter the location, nor the level of success, Aronoff would say yes to every session, concert or tour he could get. He hated saying no. On top of all that, Kenny Aronoff filled in any gaps in his busy schedule doing drum clinics around the world.
Course, a man who prefers to travel all year around the globe playing drums has limited time to spend with his family. Marriages suffered, and fatherhood may not have been as it should, yet from the start Kenny Aronoff's number one priority was playing the drums and working on sessions, clinics or live gigs all year round. Aronoff's transient lifestyle may not be for everyone, yet it certainly works for him. He gets to play with the biggest stars in music, perform at the biggest venues, work with movie stars, and play on television shows with millions of viewers, and gets to hobnob with the best of the best at the White House. Kenny Aronoff is a star through and through, and "Sex, Drums, Rock 'n' Roll!: The Hardest Hitting Man in Show Business" never lets the reader forget it.
On the plus side, I very much enjoyed reading Kenny Aronoff's inside look at the trials and tribulations he faced while playing for brilliant yet very challenging-to-work-for music superstars like John Mellencamp, Billy Corgan, John Fogerty, Brian Wilson and more. The Mellencamp stories are particularly interesting to read about. Not sure who or how he is now, yet back in the 1980's John Mellencamp was a violent tyrant, a bully who also happened to be a great singer-songwriter. Thankfully, Kenny Aronoff grew up as a competitive athlete, and viewed Mellencamp no differently than one of his lacrosse coaches at school.
Kenny Aronoff was blessed with talent and an unstoppable drive and energy that allowed him to work harder than most musicians in order to appease and please the talent he drums for. Sure, he could play drums for any musical style, and will make intricate charts for every song he is hired to record on. Yet most important of all is the fact that Kenny Aronoff has a winning, optimistic personality, making a point to serve the artist and the music, and get along with everyone.
Now, on the negative side, "Sex, Drums, Rock 'n' Roll!: The Hardest Hitting Man in Show Business" takes a nosedive around halfway into the book or so. Already at a deficit, for my money, is the fact that the author, the editor, or someone decided to pepper the book with half-page and full-page commentary from people who are NOT the author. Yes, "Sex, Drums, Rock 'n' Roll!: The Hardest Hitting Man in Show Business" IS an autobiography, yet it contains writings from Kenny Aronoff's mother, brother, sister and son, as well as writing from John Mellencamp, Billy Corgan, John Fogerty, producer Don Waas, Melissa Etheridge and more.
Keith Richards did the same thing with his autobiography, choosing to expand his telling of his own story by allowing others to chime in with their own perspective. For a number of reasons, I am not a fan of presenting an autobiography that way. In my opinion, these outside party intrusions cheapen the book, and interrupt the flow of the author. The point of reading an autobiography is to read a person's story through their eyes exclusively. As soon as Kenny Aronoff allowed his family and his bosses to chime in with tales and perspectives of their own, the book stops, the story stops, and I no longer feel invested in the author's tale.
Another problem is that once Kenny Aronoff sets himself up as a drummer-for-hire session and touring musician, the stories get less interesting. In between detailed challenges with music superstars, the book just becomes a long-winded resume of Kenny Aronoff's many accomplishments. Aronoff played with...Aronoff traveled to...and on and on. Worse, Arnonoff spends a lot time mentioning how many millions of this or that record sold, and how many television appearances he has made. The book goes from character-based autobiography to a dull listing of the many great gigs and the many great ways Kenny Aronoff is great, and has a great life, and great this and that. A deep and introspective autobiography, this is not.
Nonetheless, it was still a pleasure to get to know and read about Kenny Aronoff's life and times. His work, and his work ethic is indeed very impressive, even if "Sex, Drums, Rock 'n' Roll!: The Hardest Hitting Man in Show Business" is sometimes less than impressive. The fun rock and roll tales, and Aronoff's dedication and enthusiasm at least made the book worth reading all the same.