I wanted to like this book. It's edited competently. It manages drama while being a clean romance (at least as far as I read into it)
But egads, there's a few glaring things:
Or protagonist, a lifelong reserved man who totally never meddles, has scooped up the heroine, Annie, from poverty and abuse. Because she's pretty. I actually *like* romance novel land, where there are a million Dukes for every penniless country lass, and I was honestly enjoying the way that Connolly set up the countryside and Annie's constant minimizing of the abuse she was suffering. We have a good dramatic premise and an internal challenge to overcome.
But the rich/titled people in this book OMGgrfffsgghhlll...
After finding her beaten twice, protag hauls her off to his aunt's house to be a companion, since his Aunt Tibby constantly whines about being lonely. His logic is that while she has none of the accomplishments of a paid companion (including more than rudimentary literacy) something Tibby will work out.
It immediately comes out that Tibby plays this up to make protag feel important and needed. She is made to feel bad because she didn't react to Annie being dropped on her doorstep with anything other than glad cries. Never mind one scolding from protag and now Tibby bonds instantly with Annie, piling her with lavish funds for doing literally nothing
Tibby was supposed to be more like a fairy god mother, but the speed by which she started chucking cash at her new project and her lack of awareness of the cost of things making the woman seem more unstable than helpful.
Meanwhile, we hear a lot about how Annie is wonderful, which mostly orients around her being waif like, sad and pretty. And she can pick up the piano like a savant. Otherwise the plot consists of her floating around like the meek trauma victim she is while other people decide she is uniquely deserving of rescue and praise.
As in all series, the previous heroines of past books and their husbands are here as a group of BFFs and unquestioningly take Annie under their wing. The ladies are impressed she can sew and alter gowns, in an era when even the wealthiest women did needle work. We continue the theme of Annie meekly being shy and other people acting like she hung the moon.
An exception is the protag's sister, Marianne, who is set up in an antagonistic role. She's also written as acting like she's about 15, and the protag (and everyone else) lives in dread that she will enjoy being successful in society too much like their mother and develop a Reputation. This same family doesn't mind in the least that Tibby is "frank" about everything and says shocking things, or about as shocking as summing up exposition and having opinions can be expected to be.
Having established that Annie drools gold bullion and brandy in her sleep, within a few weeks of moving in with her, Tibby has raised herself to a froth of gifting and wants to give Annie a 20 thousand pound (100K pounds in today's money) dowry and sponsor her in society. This includes giving her a new name and identity. By Tibby's logic that she is so special that any man will forgive her for not being a society woman of good standing once he's in love.
Protagonist is eventually sold on this idea and discovers Annie's actual, full name. When she objects to being called this he physically intimidates her into agreeing including covering her mouth with his hand. Remember that we open with someone who was previously close to being beaten to death by a family member. This is supposed to be romantic.
Marianne is angry about this because she has worked really hard to be a sparkling society belle. This gives the protagonist chance to scold her roundly into sullen silence. All the while that we are launching Annie at society, Marianne gets dragged through the mud for actually liking it and at all trying to comply with the rules. Which includes not lying about someone's origin to trick people into marriage, but Marianne is cast as silly and spoiled and never allowed to have any nuance beyond that.
It's here I should mention a digression- it is mentioned in passing that someone is stalking Marianne and giving her brother a detailed update on all her behaviours and goings on. The protagonist is not only not creeped out, but relieved that someone is watching his horrible, terrible sister who has sooo many suitors.
There is a complete lack of agency, or even useful capacity in any of the characters, particularly the female ones, and a reliance on the latter being taught various lessons that feels like I blundered into a spanking romance without the erotic taken-in-hands moments to punctuate it.
And oh my, does it drag. If dirty romances often drag to pack in new sex scenes, this one has all the talking without anything happening. I could not make it through the dancing lesson before I eventually got tired of the protagonist plaintively reminding everyone of how special Annie was without (for even a minute) having any introspection that he only rescued her because she's pretty, the only merit she's displayed up until that point other than the piano thing.