Savage Arena and The Shining Mountain
Joe Tasker and Peter Boardman's books were staples of my early climbing reading and are both fantastic examples of mountaineering literature. Indeed, the world lost not just two of the leading exponents of small expeditions and very technical high altitude climbs but also two excellent authors.
Ironically, they are probably now best known for the mountain literature award which has become an abiding legacy, but their books and climbs deserve a big place in mountaineering history.
My history with their books falls into three sections. As a youngish climber just starting out I read them avidly. During a period of deep depression, books of any genre but especially mountain related became a staple that helped keep the black dog at bay. Now that Vertebrate Publishing have begun reprinting Pete and Joe’s books has led to the third stage, possibly more relaxed and thoughtful reading but nice to return to books that seem like old friends.
Back in 2015-2016 I spent a lot of time in and around the Cuillin. My existence was a very binary one. Either flat out physical endeavour, long hill days if the weather was even half decent or slothful days of inactivity if the forecast was poor. Good days were spent exploring the ridge, researching for the future guide book, taking photos. Long, exhausting days, the hard physicality hopefully ensuring sleep and an escape from a reality that was dark and forboding.
Bad weather meant being holed up for days on end either in the tent or car. Reading matter was always at a premium and I can remember scouring charity shops for cheap books and returning from Portree with a pile of reading material including “Savage Arena.” I think I read it cover to cover in one go, parked up in the Square Mile Car Park just before the bend down to the Fairy Pools. That time I think I was pretty much ensconced in the trusty Skoda for almost 36 hours whilst rain then snow fell. It was a time of listening to the radio, endless brews, opening windows to try and reduce the condensation. Perhaps not quite the perfect reading environment but it seemed a fitting place to devour “Savage Arena” which had so long ago provided much inspiration.
I don’t know what happened to the charity shop “Savage Arena” nor it’s predecessor but I recently got a copy of the new paperback reprint.
They are two very different books, Pete’s just covering their first ascent of the west wall of Changabang wheras Joe’s includes this but also classic chapters on the north face of the Eiger in winter, Dunagiri and an epic on K2. There’s pros and con s to each book. On the whole I prefer the writing of Joe but like the extra detail of Pete since his book is simply devoted to a single expedition.
Right from the start, Joe’s book rekindled good memories and distinct sentences were instantly recalled. Typical is, “we began to prefer the shadowy north faces of the mountains, thinking we could climb these precipices of ice coated rocks whilst we were young and save the more pleasant walls of sun warmed granite and limestone for later years.” Sadly this wasn’t to be and Joe delivered the manuscript of his book to the publishers just prior to departing for Everest in 1982. Joe and Pete were last seen at 27,000 feet making a bid for the summit.
It’s a very honest and open book. After the death of Nick Estcourt on K2 and a failed ascent of Nuptse with Doug Scott, Joe ponders motivation; “this second failure in a matter of months left me disillusioned and dissatisfied. I wondered if we did not have sufficient motivation….if we had really tried hard enough and whether other things were drawing us back.”
The book ends with an epic avalanche on K2 but, for me, some of the best written bits are not the avalanche itself but things I can more readily relate to. Thus, “I borrowed a book called Shogun and became absorbed in it’s 1,200 pages…perfect escapist reading.” Or, “I scribbled a letter to my girlfriend Maria and all that came out was the raw pain. I could not find words to pretend. ‘Hope to be home soon,’ I finished. A deceit so she would not worry.”
Savage Arena does a great job trying to explain climbers’ obsession with, higher mountains, harder routes, lighter expeditions. It’s all about pushing the, so called envelope but the book also explores relationships between climbing partners, personal relationships outside of climbing and the conflict between the two.
Whilst Pete wrote a whole book about the west wall of Changabang, it was Joe’s idea and original concept. Having survived a truly epic ascent of Dunagiri with Dick Renshaw, Joe was sitting down and “I drank some liquid for the first time in four days…I would want one picture of the view just as a reminder of the ordeal I had endured. The glacier, spread about before me like a white desert, was peopled by my imagination and over it hung the massive West Wall of Changabang, a great cinema screen which would never have figures on it.”
Every generation of climbers seemingly raises the bar, pushes things a quantum leap forward but Changabang genuinely was a huge leap of faith. Up until mountaineering had been very much in the large expedition style typified by the logistical masterpieces of Chris Bonnington. Chris described Joe and Pete’s plan as “preposterous….. if you do get up, it’ll be the hardest route in the Himalayas.”
Pete had studies English at Nottingham University and this shows in his writing which is perhaps a bit more polished than Joe’s. This was describing his summit success on Everest as part of Bonnington’s expedition but could well be for a recent commercial trip; “on Everest, the summit day had been presented to me by a large systematised expedition of over a hundred people. During the rest of the time on the mountain, I had been just part of the vertically integrated crowd control, waiting for the leader’s call to slot me into my next allocated position.”
The book tells the stories warts and all and provides great insights into the two partners and their pioneering route in a new ultra light weight style. It’s a very powerful book and like Joe’s book survives the test of time. In many ways Shining Mountain paved the way for a new type of mountaineering literature. It tells a gripping story, paints the characters and the epics, very much the human side of the adventure. Previous books had largely been confined to dry facts, diagrams and tables of kit used, sponsors and analytical data enough to satisfy any accountant. From now on the protagonists and the climbing take centre stage. A few favourite quotes give a real idea of their ordeal on Changabang. “Joe’s precise, orderly approach to bivouacking and equipment made me feel muddled and clumsy like a small boy told off for touching in a china shop. Some people judge mountaineers by their speed and by the difficulty of the rock they can climb. But on Changabang the real test was more how efficiently you could put a brew on, warm your fingers or take your boots off.”
The descriptions of the climbing are superb and will resonate with any alpinist. “I was filled with urgency and determined to stay in the sun until I reached the crest. It was an invented game to pluck us from the grasp of darkness. …the gully was sheltered and, as I churned upwards with my feet, the powder snow poured straight down. The air was becoming colder but the light was warm and red. The sun was pushing me upwards as if I were soaring on particles of solar light.”
Whilst the multi day ascent is a real sufferfest, the descent is a truly harrowing experience and one I won’t spoil for potential readers.
The new Vertebrate reprints means some of the best mountaineering literature is now easily available to many readers. The only downside, I’d say, is that the original volumes had maps and diagrams which enabled the reader to relate the writing to reality.
To me, these are two of the best ever works of mountaineering literature and complement each other well. Even just the titles are really special and both capture elements of the mountaineering addiction. “Savage Arena” well describes our mountain playground, more especially the alps and greater ranges. “Shining Mountain” paints a picture of allure of a peak to be summited.