-Adult
-Historical fiction, psychological drama, tragic “romance”
-October 1950 in Vieques: Andrés, a 12‑year‑old boy, faces a double tragedy — his mother’s death + a nationalist uprising involving his father. 
-John Timothy Bunker, the aviator Andrés named the “Captain of the Sleepers,” meets Andrés fifty years later in Santa Cruz to confront past… stuff. 
-The narrative shifts between Andrés and John, giving dual perspectives but sometimes confusing if you’re not paying full attention. 
-The pacing is solid at the start. We get a lot of intrigue, a Caribbean atmosphere, tragedy, secrets. 
-But mid‑book, the narrative ambiguity and too much introspection made me yawn. Sometimes it felt like reading poetic reflections that don’t push the story forward. 
-The characters have good moments: guilt, remorse, memory. But some side characters feel undercooked (serving more as devices for revelations). And honestly, I don’t think I liked any of them.
-The Caribbean setting, the political tension, the melancholia But it leans too much toward “I’ll say something profound” that doesn’t always fully land.
-The ending is symbolic, somewhat conclusive but not entirely neat. It leaves you thinking but also with threads untied.
-Highlight quote: “An ancient passion that refers to death, and that only from death can be understood and forgiven.” 
-There’s not much overt action; most of it is internal monologue, memory, the burden of silence.
-It’s not a “typical” romance: more like a damaged passion dragging in guilt and time. I didn’t like it, it felt… hideous for me:
-I didn’t fall in love with it, but I didn’t hate it either. It’s the kind of book you love if you like melancholy, hate if you want something more concrete.
-Also, a little bit more of historical context would have been nice.