The second installment in a series that carries (for me) the feeling of Call The Midwife and Downton Abbey, both BBC productions. We have met the ladies in the first book, the three young women from various levels of society: Dora, Millie and Helen, although Helen does take a bit of a backseat to a new Night Nurse with issues and secrets of her own.
If you are familiar with the first book, Nightingale Girls, you will know that Dora’s family life is a struggle. Little money, less possibility for upward mobility, Dora is the most determined of the three, and she also has the most difficulty in processing and prioritizing her own needs when her family is in such dire straits.
Millie is the aristo, and while I expected a touch more of her ‘devil may care’ approach to her studies and the challenges, she is far more grown up: as clearly delineated by her questioning all she had been raised to believe, and worrying if her engagement is the best choice. Helen is still about, although more emphasis is spent in dissection and discussion about William from Millie, who still holds a crush on her friend’s brother despite an engagement.
Conflict and societal change is brought forward in this book with the Blackshirt Uprisings, a group of British Fascists who bring their own brand of hatreds, racism and societal inequities to light in a time when Britain is already facing wholesale changes. While not specifically delving into the fascist movement, the shockwaves of the protests are sure to effect the hospital and these 3 student nurses.
Douglas delves deeper into the hospital hierarchy and the girls’ reliance, avoidance or complaints about various Sisters (those of higher ranking) who are both teaching, supervising and training them as they learn to become fully-fledged nursing sisters. While the medical processes and procedures are not paramount, the insets and accuracy with which Douglas presents the information makes it an interesting side note, and adds to the feel of the time and, when considered with modern sensibilities, primitive approaches and tools.
We get to meet a Night Sister, Violet, who has a secret to keep and the lives, fears, hopes and despairs of the characters: all the characters are clearly presented in a way that keeps you reading on. Narrative voices change to present points of view from each character, and it feels very natural while adding to your own knowledge and insight into each character. While there are some elusions to sex and domestic violence, the actual action is “off screen” and we are simply treated to the aftermath, both in description and outcome.
Part romance, part adventure, and wholly engaging, this is a series not to be missed, and is best read in series order.
I received an eBook copy of the title from the publisher via NetGalley for purpose of honest review. I was not compensated for this review: all conclusions are my own responsibility.