In 1759, Canon Le Floch sends his ward, the foundling Nicolas, from Brittany in France to the capital, Paris. The young man is to enter the service of Prefect Gabriel de Sortine, who has just been appointed to at least curb the omnipresent corruption in the ranks of the police. De Sortine assigns Le Floch to Commissioner Guillaume Lardin, an experienced criminal investigator who proves to be a good mentor to the newcomer over the next two years.
De Sortine is also a cog in the wheel of contemporary diplomacy, which relies heavily on spies and traitors. Since 1756, Europe has been embroiled in the Seven Years' War, which is also being fought in the overseas colonies. Those with access to secret political information can make a lot of money from it.
In the spring of 1761, Inspector Lardin disappears without a trace. He has either got too close to some corrupt colleagues or fallen victim to his out-of-control gambling addiction; Lardin was also married to a woman who had several lovers. De Sortine assigns the case to Le Floch, who feels overwhelmed at first, but quickly proves his talent as a detective.
The trail leads not only to the underworld of Paris, but also to the circles of the high nobility, even to the royal court. A complicated criminal case threatens to become a matter of state that could destroy the fragile political balance. Le Floch has a heavy burden on his shoulders, which is not made any lighter when several assassination attempts prove that the young policeman is on the right track.
Crime fiction and history: when done right, this combination brings fresh blood to both genres. Jean-François Parot is undoubtedly one of those who understand their craft, which is only simple in principle: a good story must be told well, with entertainment at the forefront.
Parot avoids trying to reinvent the wheel. This first Le Floch volume follows familiar and proven models: a young, intelligent but inexperienced, even naive man arrives in the big city, which the author describes as a centre and a maelstrom. Then as now, Paris was the heart of France. It was the seat of an extremely centralised government, where scientists and artists came together and created a cultural level that remained unmatched in the rest of France.
While the Age of Enlightenment brought about a veritable leap forward in science, technology and culture, the justice system lagged far behind. Investigations continued to be conducted as in the Middle Ages. Torture was a matter of course. An execution could degenerate into a bizarre bloodbath; at one point, Parot has the executioner of Paris recount the gruesome end of a failed regicide.
In contrast, genuine criminal investigation remains a requirement that is rarely fulfilled. Although murder victims are examined and their bodies opened, what good does this do when medicine, among other things, is convinced that patients must first be bled? Most police officers replace the search for and interpretation of evidence with ‘life experience’ and prejudice. The ‘guilty’ party is considered caught if he or she cannot defend themselves against the allegations made.