Spoilers throughout review.
I'm not a person who goes into books needing balance between women characters and male characters. Modern audiences may gasp when I say that, but with all kind respect, I feel folks have lost the art of context and being chillax about imperfections. All content is imperfect, sometimes very imperfect; my philosophy is to go in with your mind sharp, reflect upon what you need reflecting upon, and have a good time.
In this case: it's shonen, it's Japanese, it was written in the 1990s, if you don't go into the story expecting men to be taking the lead, you're stupid. But that doesn't mean it's FUN watching characters with potential sitting to the sidelines when their entire set-up suggests they should be in fights.
For a long time, I've griped to friends that Kaoru, the master of a dojo, has taken a backseat while her child student of a short time goes into battles competently. Did it not cross Watsuki's mind once that the student does everything and the master sits around pining, or in several cases is a damsel in distress? Even in this volume, on The Secret Life of Characters (36), Nobuhiro Watsuki obliviously wrote, "Though some readers have raised the concern, 'Yahiko is too strong as it is' (um.... what?), Watsuki's feeling is that Yahiko ought to at least be at this level of competence, all things considered." I am looking at 1990s shonen, so I'm not expecting it to be better and it'd be foolish expecting it to be better, but examining it as a reader in 2023, it's obvious how many blindspots Watsuki had portraying women like Kaoru.
Contemporary readers repeatedly noticed it. Even presented with their complaints, Watsuki responded as though he didn't get 2+2.
This book had Yahiko display a new level-up of competence, being able to mimick one of Kenshin's moves simply from having watched Kenshin fight. It's a cool moment, one I can appreciate, even if I'd rather see him as a plucky newbie. It wasn't long ago Yahiko was struggling to fight against local ruffians. But this is a shonen, Yahiko is the boy reader's "insert," so of course he's going to get moments like this. That's his narrative role. And it was a good fight! I have no gripes.
But I am here to focus on Karou. Oh, Kaoru! We finally get a spectacular, competent fight with her! She and Misao team up, two women against one male fighter. This two-on-one fight is brought up in text as fair because of the difference in sex, and I'm fine with that, because physical speed and strength *are* different based upon one's biology. It doesn't diminish the fact we get to see Kaoru take a central role in a fight, and doesn't diminish the two women's competence, knowledge, and ability as fighters.
Kaoru and Misao are shown as fantastic butt-kicking action fighters, and I loved it. Their ability to coordinate and strike with precision makes them the clear upper-hand in the fight against Honjō Kamatari. They're commended as clever against their foe. Kaoru stands up and proclaims, magnificently, "Once I put on this dōgi and tie off this belt, I stand here as neither man nor woman, but as a master of the sword only." She gets to pull a badass stunt like defeating Kamatari with the HANDLE of her weapon. The handle! Why couldn't I have gotten content like this ten books ago????
I enjoy Honjō Kamatari as a character, too, so this showdown was satisfying. The compassion Kaoru and Misao showed Katamari at the end was also satisfying, as it ties back into their unique traits as compassionate characters.
Is it too much to hope this will continue into further volumes?
The fight between Fuji the giant and Hiko Seijūrō wasn't as satisfying. Part of that is a giant is a little extreme. I like things that feel more grounded than extravagant. Part of that is I was riding the high between Kaoru, Misao, and Kamatari's showdown, so little would've been able to top that (well, transitioning to Kenshin and Seta Sōjirō would've solved my problem).
Still, I do like Seijūrō as a character, so while he's Watsuki's self-professed "trump card" and shouldn't be used often, it was nice to have him appear once in relevant action. The constant dramatic entrances of villains and allies, though, were getting stale. Could've saved it for another time while we transitioned to Kenshin and Seta Sōjirō.
Volume 15 stopped in the middle of the match between those two. It's a good start -- Kenshin and Sōjirō ARE an interesting match -- so I hope it continues in Volume 16.
This volume is 5 stars LARGELY because of the Kaoru, Misao, and Kamatari material. That section is worth giving the entire volume 5 stars. Glory glory hallelujah Kaoru FOUGHT!