Nine wild, weird and wondrous stories, written together by Rucker and Sterling. What do you get if two cyberpunk masters spend thirty years writing tales about transreally warped versions of themselves? A unique perspective on giant ants, flying jellyfish, Soviet rocketeers, runaway genomics, Silicon Valley, and the death of the Universe. With notes by the authors and an introduction by Rob Latham.
Rudolf von Bitter Rucker is an American mathematician, computer scientist, science fiction author, and one of the founders of the cyberpunk genre. He is best known for his Ware Tetralogy, the first two of which won Philip K. Dick awards. Presently, Rudy Rucker edits the science fiction webzine Flurb.
I absolutely love cyberpunk! From the moment I first read Sterling's Islands in the Net, I was hooked. Then came William Gibson, and I was a goner, no turning back. Insert Rucker's Ware tetralogy and give it a nice frappe, and there ya go. So, when the opportunity to contribute to the Kickstarter to produce this story collection appeared, it was a no-brainer. What a rush! This is the perfect example of how collaboration extends beyond the sum of its parts. Rucker and Sterling have developed over the years the kind of combative relationship that ignites a blast of creativity rather than destruction. The stories bounce off the walls like balls of psychotic flubber. There's enough techie fodder to seat their ideas in a steaming bath of scientific fact yet the authors don't let that stop them. These gentlemen produce throwaway ideas anyone would love to use. I recommend spending some time with Sterling and Rucker's other works prior to tackling this one. But realize even then you won't be in Kansas anymore. I plan on re-visiting this one in the future.
Nice to be reminded that my first blast of true sci fi sensawunda came from stories like these, not big bold space opera, but strange twisted, weird and often hilarious stories that could end in utter global catastrophe and still somehow feel cheerful about it.
Spanning thirty years of collaboration, these stories remain amazingly fresh and sharp and challenging and delightful, with no regard for the conventional boundaries of reality or normality while somehow remaining grounded enough in both to deliver satisfying coherent narratives no matter how deeply strange the stories themselves truly get. Each story features recognisable stand-ins for the author themselves in various guises, which shouldn't work so well so often, but they do.
6/4/23 Just to note my reading of another of their transreal wetware slime-mould-jelly-phone post-pandemic climate change futures, Fibonacci's Humors (sic), once again a lot of fun with the addition of a distinct Italian flavouring to its ruined-Austin setting.
Two classics present a tale of 30 years of friendship and on/off collaboration, with a dash of madness and conceptual remixing of many moving (and static) tidbits you would expect in science fiction. Quite a cocktail.
WARNING: do not expect noir, rainy megacities, evil corporations, and edgy youths using computers to break into private data caches.
If you're ready to embrace many more ideas under the umbrella of 'cyberpunk', you will be fine.
A collection of supremely weird stories. If you liked Semiotext(e) SF, this is a good companion.
Despite the title, not a lot here can be described as "cyberpunk" -- it's probably called this because it's the collaboration between two figures most closely identified with the cyberpunk movement. Instead, this ranges from gonzo biopunk to bizarro.