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The Devil's West #2
The Cold Eye
In the anticipated sequel to Silver on the Road, Isobel is riding circuit through the Territory as the Devil's Left Hand. But when she responds to a natural disaster, she learns the limits of her power and the growing danger of something mysterious that is threatening not just her life, but the whole Territory.
Isobel is the left hand of the old man of the Territory, the Boss—better known as the Devil. Along with her mentor, Gabriel, she is traveling circuit through Flood to represent the power of the Devil and uphold the agreement he made with the people to protect them. Here in the Territory, magic exists—sometimes wild and perilous.
But there is a growing danger in the bones of the land that is killing livestock, threatening souls, and weakening the power of magic. In the next installment of the Devil’s West series, Isobel and Gabriel are in over their heads as they find what’s happening and try to stop the people behind it before it unravels the Territory.
Isobel is the left hand of the old man of the Territory, the Boss—better known as the Devil. Along with her mentor, Gabriel, she is traveling circuit through Flood to represent the power of the Devil and uphold the agreement he made with the people to protect them. Here in the Territory, magic exists—sometimes wild and perilous.
But there is a growing danger in the bones of the land that is killing livestock, threatening souls, and weakening the power of magic. In the next installment of the Devil’s West series, Isobel and Gabriel are in over their heads as they find what’s happening and try to stop the people behind it before it unravels the Territory.
352 pages, Kindle Edition
First published January 10, 2017
68 people are currently reading
733 people want to read
About the author
Laura Anne Gilman
122 books824 followersLaura Anne Gilman’s work has been hailed as “a true American myth” by NPR, and praised for her “deft plotting and first-class characters” by Publishers Weekly. She has won the Endeavor Award for THE COLD EYE, and been shortlisted for a Nebula, (another) Endeavor, and a Washington State Book Award. Her work includes the Devil’s West trilogy, the Cosa Nostradamus urban fantasy series, the Vineart trilogy, and the story collection WEST WINDS’ FOOL. Her upcoming move, UNCANNY TIMES, will be out from Saga Books in 2022.
She lives in Seattle with a cat, a dog, and many deadlines.
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Displaying 1 - 30 of 147 reviews
February 8, 2017
The first book in this series, "Silver on the Road", enthralled me when I read it and I knew I wanted to read the next book, "The Cold Eye". I requested it via NetGalley almost as soon as it was available. But my request had been pending for many weeks when Gilman mentioned on Facebook that she had review copies available. I asked, and she sent me a copy; then, four and a half months after I submitted my request on NetGalley, I was approved and ended up with two e-galleys. Feast or famine, lol.
In "The Cold Eye", Gilman picks up shortly after "Silver on the Road". Isobel and her mentor Gabriel are still on the road. Isobel is more experienced now where traveling on the road is concerned and she's learning her job as she goes. She's responsible for enforcing the Devil's will and ensuring that justice is done. The extent of her powers is something she's still learning and she is tested in this story. She and Gabriel have to deal with an incident early on that ends up having a longer reach and greater consequences than they originally realize. Gilman sets up story lines for the next book and the series as a whole.
I love Gilman's version of the old west and history and I would love to see m more of the Devil, he fascinates me. Her world building is solid and intriguing but for me, it's the characters who make the story. Isobel is on the one hand quite mature for sixteen years and yet she's also very much a teen, eager to be an adult, to be respected, to make something of herself, impatient at times with the occasional necessity to let Gabriel take charge. But Isobel is strong, smart, unexpectedly wise at times, compassionate, clear eyed, and courageous. No matter the cost to her, and magic does take its toll, she forges ahead, doing what she must. At times its easy to forget she's a teenager. Gabriel too is fascinating. He's a mature adult, older than Isobel, trying to find his path in life, balancing different parts of his life. He has secrets, secrets that Gilman is slowly doling out and I am eager to learn more.
Although a lot happens in "The Cold Eye" it's not an action packed book. It's more subtle than that, and explores choices, decisions, consequences, community, and power. There's politics, subtle magic, personal growth and development, some action, and not a hint of romance. It's a fascinating story, full of little details and big ideas, and I'm already counting down to the next book's release.
In "The Cold Eye", Gilman picks up shortly after "Silver on the Road". Isobel and her mentor Gabriel are still on the road. Isobel is more experienced now where traveling on the road is concerned and she's learning her job as she goes. She's responsible for enforcing the Devil's will and ensuring that justice is done. The extent of her powers is something she's still learning and she is tested in this story. She and Gabriel have to deal with an incident early on that ends up having a longer reach and greater consequences than they originally realize. Gilman sets up story lines for the next book and the series as a whole.
I love Gilman's version of the old west and history and I would love to see m more of the Devil, he fascinates me. Her world building is solid and intriguing but for me, it's the characters who make the story. Isobel is on the one hand quite mature for sixteen years and yet she's also very much a teen, eager to be an adult, to be respected, to make something of herself, impatient at times with the occasional necessity to let Gabriel take charge. But Isobel is strong, smart, unexpectedly wise at times, compassionate, clear eyed, and courageous. No matter the cost to her, and magic does take its toll, she forges ahead, doing what she must. At times its easy to forget she's a teenager. Gabriel too is fascinating. He's a mature adult, older than Isobel, trying to find his path in life, balancing different parts of his life. He has secrets, secrets that Gilman is slowly doling out and I am eager to learn more.
Although a lot happens in "The Cold Eye" it's not an action packed book. It's more subtle than that, and explores choices, decisions, consequences, community, and power. There's politics, subtle magic, personal growth and development, some action, and not a hint of romance. It's a fascinating story, full of little details and big ideas, and I'm already counting down to the next book's release.
July 1, 2017
2.5 stars. I will read the third novel because I am very curious to see what happens and the author has left us with a fair share of questions which MUST be answered!
Book 2 did have its share of problems - mostly with pacing and repetition. I wonder if some of the lengthy periods of "nothing happening" on the road was for realistic effect; I don't really mind the quiet moments because Gilman's descriptions are evocative and immersive. Though I'm bored of our lovely protagonist sticking her hand to the ground in problem situations and then spiralling into the earth. It reminded me of using the same move every time in a turn-based RPG - busy work.
Maybe I'm just a in a book-funk lately. I've been a bit of a grump. What do you think? Is it just the grump, or am I on to something here?
Book 2 did have its share of problems - mostly with pacing and repetition. I wonder if some of the lengthy periods of "nothing happening" on the road was for realistic effect; I don't really mind the quiet moments because Gilman's descriptions are evocative and immersive. Though I'm bored of our lovely protagonist sticking her hand to the ground in problem situations and then spiralling into the earth. It reminded me of using the same move every time in a turn-based RPG - busy work.
Maybe I'm just a in a book-funk lately. I've been a bit of a grump. What do you think? Is it just the grump, or am I on to something here?
Read
February 6, 2017Oh, how I adore the setting and magic of Gilman's re-imagined wild west. Protagonist Isobel and her mentor Gabriel remain engaging in this sequel to Silver on the Road, and I enjoyed Isobel's journey into further acceptance of her power and nature. On a more frustrating note, everything I most want to discover about Gabriel, it seems Gilman is not interested in revealing or exploring with any depth (yet). But still, I inhaled the story in one delighted sitting; it's so much fun to be back in the Devil's West, with its spirit creatures and mad magicians and uneasy detente between rival nations. My only regret is that now I must wait ages for more.
Want to read
September 13, 2016
November 19, 2018
The book is well written, of that there can be no complaint. However it read a lot like the first book only instead of the intruders being from the West they came from the East.
It seemed to me that the book suffered a great deal due to pacing. It seemed to go on and on with the occasional spot of engaging story then back to being plodding.
I'll read the third because I'd like to know how it ends, but I'm not feeling a big draw to read it right now.
It seemed to me that the book suffered a great deal due to pacing. It seemed to go on and on with the occasional spot of engaging story then back to being plodding.
I'll read the third because I'd like to know how it ends, but I'm not feeling a big draw to read it right now.
May 5, 2017
4.5 stars.
Electronic ARC provided by NetGalley.
I really enjoyed this book. While "Silver on the Road" is very much a series introduction--setting up world and characters--"The Cold Eye" feels like it fully launches the story, and starts the plot moving towards a major crisis point. Gilman's version of the American West continues to be interesting and original, while feeling very solid and well put together. The relationships between various factions (both supernatural and mortal) are well thought out and as complicated as you would expect of real relationships.
In "The Cold Eye", Isobel and Gabriel are pulled to investigate a large disturbance in a Northern valley. What they find there is not only immediately horrifying, but has serious implications for Isobel's future and that of the territory. The story unfolds slowly, eventually accelerating towards an end that is satisfying while also leaving the reader immediately wanting the next book.
I don't want to give too many details about the actual plot since I think that it is better experienced without too many expectations. However, I do want to talk a little about the characters. Isobel is one of the best teen characters that I've seen lately. She has power and agency (to a certain extent), but Gilman never forgets that Izzy is still a sixteen year old girl. She is intelligent and brave, but also young and inexperienced. She knows when to listen to more experienced folk, but also sometimes chafes at the necessity. Gabriel, on the other hand, is written perfectly as a mentor figure. He cares about Isobel and takes her training seriously, while also knowing when he has to step back and let her deal with something that is outside of his own experience. His background is revealed slowly, and I'm looking forward to seeing how things develop for him in the future.
Overall I'm really enjoying this series. I'm almost sad that I read the advance copy of "The Cold Eye" since that means it'll be even longer before I get to see what happens next.
Electronic ARC provided by NetGalley.
I really enjoyed this book. While "Silver on the Road" is very much a series introduction--setting up world and characters--"The Cold Eye" feels like it fully launches the story, and starts the plot moving towards a major crisis point. Gilman's version of the American West continues to be interesting and original, while feeling very solid and well put together. The relationships between various factions (both supernatural and mortal) are well thought out and as complicated as you would expect of real relationships.
In "The Cold Eye", Isobel and Gabriel are pulled to investigate a large disturbance in a Northern valley. What they find there is not only immediately horrifying, but has serious implications for Isobel's future and that of the territory. The story unfolds slowly, eventually accelerating towards an end that is satisfying while also leaving the reader immediately wanting the next book.
I don't want to give too many details about the actual plot since I think that it is better experienced without too many expectations. However, I do want to talk a little about the characters. Isobel is one of the best teen characters that I've seen lately. She has power and agency (to a certain extent), but Gilman never forgets that Izzy is still a sixteen year old girl. She is intelligent and brave, but also young and inexperienced. She knows when to listen to more experienced folk, but also sometimes chafes at the necessity. Gabriel, on the other hand, is written perfectly as a mentor figure. He cares about Isobel and takes her training seriously, while also knowing when he has to step back and let her deal with something that is outside of his own experience. His background is revealed slowly, and I'm looking forward to seeing how things develop for him in the future.
Overall I'm really enjoying this series. I'm almost sad that I read the advance copy of "The Cold Eye" since that means it'll be even longer before I get to see what happens next.
February 21, 2017
I find it weird that when I was younger I didn't like western tales or the genre at ALL. But the older I get, I guess I have learned to broaden my horizons.
The Cold Eye is the second in the Devil's West series, it is a exceptionally well written story that straddles a fantasy quest and a western perfectly, not the easiest task in the world.
Terrific world, characters you care for, and the best thing of all, a story that you want to keep reading.
go buy this series.
The Cold Eye is the second in the Devil's West series, it is a exceptionally well written story that straddles a fantasy quest and a western perfectly, not the easiest task in the world.
Terrific world, characters you care for, and the best thing of all, a story that you want to keep reading.
go buy this series.
Want to read
April 5, 2016I want this noooow
June 30, 2017
(Originally reviewed at thelibraryladies.com.)
After reading and loving “Silver on the Road,” I was excited to pick up this prequel. In the first book we were introduced to the unique, re-imagined West that is ruled by the enigmatic Devil who has sent out 16-year-old Isobel to travel the territory as his own brand of magical justice. In many ways, this book simply doubled-down on the same elements readers were presented with in the first novel, in some ways to its benefit and in others, less so. But ultimately, the “freshness” of the story/world/characters pulled through, leaving me with favorable impression of this second book in the series.
As before, the atmospheric world of the West was one of the biggest appeals with this book. The story starts out with Isobel traveling alone, and through her eyes we once again get to experience this strange, untamed landscape that effortlessly blends the ruthlessness of nature (with some added teeth from the magical elements) alongside the stark beauty of the rolling plains. Of course, there would be no story if something wasn’t amiss, and Isobel’s “sixth sense” leads her down a path of darkness and mystery.
While I enjoyed Isobel’s independent moments in the story, I was also very happy when she was reunited with Gabriel, as their friendship/mentorship was one of my favorite parts of the first book. I was pleasantly surprised to find that this book also continued down these relationship paths without any addition of romance. Each respects and admires the other, but, if anything, they read as siblings on the page. It is refreshing to read a story about a 16-year-old female protagonist that proves you can draw an interesting tale and create viable and intriguing relationships without the need to insert romance into the equation. Believe it or not, teenage girls are capable of forming other types of relationships with those around them.
I did have a few frustrations with the story, however. And, like the pros to the tale which all built upon elements I loved from the first book, the negative aspects came from the same quibbles I had with the first as well. Namely, the pacing and the magical system. While the slow and meandering travels allow readers to fully immerse themselves in the world that has been built, it can also deflate the story from the brief action sequences that can be found, leaving readers wondering just how many descriptions of dusty saddles are really necessary. The last third of the book involves some high stakes and challenging moral considerations (of the kind that really make you wonder about the Devil’s thinking in sending out an untrained, teenage girl to deal with the forces at work in the Territory), but it takes a long time to get to this point, and I wish there had been a way to tighten up some of the storytelling of the first two-thirds.
And lastly, the magical system. I love the uniqueness of the magic that is set up in this book, especially that which is connected to the animals (the buffalo’s herd magic, and the speaking snakes). But as far as Isobel’s own particular brand of power, it is just as frustrating as it was in the first book. She does things, but never knows how she is doing what she is doing. And more often than not just lead into an action by an undefined “feeling.” I understand that she is learning what her role is as the Left Hand, but that means she must actually learn. Just discovering that something worked without any explanation or knowledge of how/when/in what circumstance she could hope to repeat the process, at a certain point simply feels like lazy writing. And a bit boring.
But, as I said, at this point in the series, the uniqueness of the world and the appealing nature of Isobel and Gabriel and their friendship is enough to keep me interested. But don’t take my word for it! Check it out for yourself and enter to win a hardcover copy of “The Cold Hand!”
After reading and loving “Silver on the Road,” I was excited to pick up this prequel. In the first book we were introduced to the unique, re-imagined West that is ruled by the enigmatic Devil who has sent out 16-year-old Isobel to travel the territory as his own brand of magical justice. In many ways, this book simply doubled-down on the same elements readers were presented with in the first novel, in some ways to its benefit and in others, less so. But ultimately, the “freshness” of the story/world/characters pulled through, leaving me with favorable impression of this second book in the series.
As before, the atmospheric world of the West was one of the biggest appeals with this book. The story starts out with Isobel traveling alone, and through her eyes we once again get to experience this strange, untamed landscape that effortlessly blends the ruthlessness of nature (with some added teeth from the magical elements) alongside the stark beauty of the rolling plains. Of course, there would be no story if something wasn’t amiss, and Isobel’s “sixth sense” leads her down a path of darkness and mystery.
While I enjoyed Isobel’s independent moments in the story, I was also very happy when she was reunited with Gabriel, as their friendship/mentorship was one of my favorite parts of the first book. I was pleasantly surprised to find that this book also continued down these relationship paths without any addition of romance. Each respects and admires the other, but, if anything, they read as siblings on the page. It is refreshing to read a story about a 16-year-old female protagonist that proves you can draw an interesting tale and create viable and intriguing relationships without the need to insert romance into the equation. Believe it or not, teenage girls are capable of forming other types of relationships with those around them.
I did have a few frustrations with the story, however. And, like the pros to the tale which all built upon elements I loved from the first book, the negative aspects came from the same quibbles I had with the first as well. Namely, the pacing and the magical system. While the slow and meandering travels allow readers to fully immerse themselves in the world that has been built, it can also deflate the story from the brief action sequences that can be found, leaving readers wondering just how many descriptions of dusty saddles are really necessary. The last third of the book involves some high stakes and challenging moral considerations (of the kind that really make you wonder about the Devil’s thinking in sending out an untrained, teenage girl to deal with the forces at work in the Territory), but it takes a long time to get to this point, and I wish there had been a way to tighten up some of the storytelling of the first two-thirds.
And lastly, the magical system. I love the uniqueness of the magic that is set up in this book, especially that which is connected to the animals (the buffalo’s herd magic, and the speaking snakes). But as far as Isobel’s own particular brand of power, it is just as frustrating as it was in the first book. She does things, but never knows how she is doing what she is doing. And more often than not just lead into an action by an undefined “feeling.” I understand that she is learning what her role is as the Left Hand, but that means she must actually learn. Just discovering that something worked without any explanation or knowledge of how/when/in what circumstance she could hope to repeat the process, at a certain point simply feels like lazy writing. And a bit boring.
But, as I said, at this point in the series, the uniqueness of the world and the appealing nature of Isobel and Gabriel and their friendship is enough to keep me interested. But don’t take my word for it! Check it out for yourself and enter to win a hardcover copy of “The Cold Hand!”
November 23, 2021
Though it is generally something I am well aware of, some books keenly remind me that there is no such thing as objective reviews. We all can only judge mostly from where we stand, from the vantage point of what we like. Fiction is not poetry (unless it is) where you can grab ahold of things like meter and the like to help yourself as you feel along the perceived boons and faults of a piece.
This is one such book for me. The slow travail of Isobel through the Road, the detailed description of fields and valleys, of sunsets and sundows and campfire cooking-I could well see there are some people who would be utterly enthralled, willing to soak in and simmer in it all, delighting, like Gabriel, in every moment without demanding the next.
Thats me, too. But only to a point. There were many instances in which this, like its predecesor, felt too meandering, too happy to simply loll about. What other people would have enjoyed, I found an active deterrent to my own enjoyment. And yet I could not put the book away, because to some degree the Territory had entrapped me too. As mentioned in the last entry, I still find the Worldbuilding fascinating, the idea of a magic's up Wild West, and I want to know how will Isobel come out looking at the end of it all.
Inevitably, I will look up the third installment at some point, fully knowing that it, like this entry, will hold a delight for many but that for me it will be half-treat and half-struggle.
And yet somehow still very much worth every moment of it.
This is one such book for me. The slow travail of Isobel through the Road, the detailed description of fields and valleys, of sunsets and sundows and campfire cooking-I could well see there are some people who would be utterly enthralled, willing to soak in and simmer in it all, delighting, like Gabriel, in every moment without demanding the next.
Thats me, too. But only to a point. There were many instances in which this, like its predecesor, felt too meandering, too happy to simply loll about. What other people would have enjoyed, I found an active deterrent to my own enjoyment. And yet I could not put the book away, because to some degree the Territory had entrapped me too. As mentioned in the last entry, I still find the Worldbuilding fascinating, the idea of a magic's up Wild West, and I want to know how will Isobel come out looking at the end of it all.
Inevitably, I will look up the third installment at some point, fully knowing that it, like this entry, will hold a delight for many but that for me it will be half-treat and half-struggle.
And yet somehow still very much worth every moment of it.
April 9, 2017
Well, so this is the second in this series, and I'm still reading. It's about as flawed as the first, maybe a little less. And I'll probably read the next one. The basic problem is that they need more characters. For example, if the Jack would have stayed on, or one of those roving women. The Left Hand just can't do it alone. She doesn't know enough and she needs more foils. Otherwise the premise and the atmosphere are interesting enough. You can't understand, though, why they don't hightail it to the Devil with the news that the West is under attack. It seems so irresponsible.
November 3, 2017
This was a much slower book, one that took it's time and very much was concerned with the inner life of the characters more so than any plot. Though there of course is a plot and an interesting one at that. Izzie is growing into her self quite a bit in this book - into her role.
April 5, 2017
Oh, I reallllllly liked this. Well crafted, written and plotted. Excellent.
July 20, 2017
4.5 and rounding up because diversity in fiction deserves to be rewarded.
I need the next 5 books in this series. This world is internally consistent, often terrifying, and deeply intriguing.
I need the next 5 books in this series. This world is internally consistent, often terrifying, and deeply intriguing.
September 18, 2018
3.5 stars.
December 14, 2018
A worthy successor to the first book in the trilogy as Isobel and Gabriel continue their journey through the Territory.
March 2, 2017
A weird, low key western fantasy that's more concentrated on the spirit world. Different from the first in the series, it's better than I expected.
August 12, 2018
I love the world - the author keeps building on it in interesting ways. But I felt like the story really didn't get going until the last third, when it got a lot of momentum.
December 17, 2024
In recent years, I have entered a reading drought where I'm not perusing as many books as I used to though I always enjoy revisiting old favorites. The main reason is that I'm struggling to find any new releases or previously unread books that aren't carbon copies of better stories I've already read or preachy social justice sounding boards. Whenever I run across anything that actually sounds original or unique and that focuses on storytelling, not sermonizing, then I'm willing to give it a chance. And Laura Anne Gilman's Devil's West trilogy just happened to be a chance well worth taking.
I started out reading Silver On the Road, the trilogy's opener, because the premise intrigued me. Prior to even cracking the cover, I was prepared to write it off as yet another run-of-the-mill YA coming-of-age tale due to the fact that the lead protagonist is a teenage girl. However, the novel avoids common YA traps or tropes, becoming something new and fresh through its Weird West setting that vibrates with temperamental, malicious magic. Once I finished this first novel, I snatched up the other two entries and devoured them in a matter of days. Overall, the Devil's West was a much-needed breath of fresh air and it is a series I look forward to perusing time and again.
The novels comprising the Devil's West trilogy are Silver On the Road, The Cold Eye, and Red Waters Rising. (I am excluding any related short stories and the novella, Gabriel's Road, for the sake of simplicity.) Each book serves as its own unique story (i.e. micro-plot) while acting as an entry into the trilogy as a whole (i.e. macro-plot). Plot-wise, it re-imagines the American West - known here as the Territory - as a place populated by wind-worn towns and permeated with deep, old magic. But the Territory's very bones are being shaken by an unknown force that, if not shackled, could spell doom for the land and its inhabitants.
Overseeing the Territory from afar is the Devil, also known as the Boss, (no connection to the Devil of Judeo-Christian Scripture, by the way), who manages a saloon in the town of Flood as well as the town itself. However, he is also the distant caretaker of the Territory. Sensing foreboding changes afoot, the Devil takes his young charge, Isobel (Izzy for short), up on an offer she makes on her sixteenth birthday. She desires to see more of the world and gain respect, so the Devil makes her his Left Hand - his eyes, ears, and dispenser of justice across the Territory's vast expanse. But Izzy won't be alone in the wilderness as she's partnered with an enigmatic rider of the Road, Gabriel, who takes her under his wing. Both of them then venture out to see what is disturbing the land and put a stop to it lest it pulls them under, too.
From the first chapter of Silver On the Road to the final page of Red Waters Rising, the Devil's West trilogy completely enveloped me. For starters, its world-building retains a deep-seated history, entrenched inner mythology, well-governed story rules, and workable realness. The Territory feels like a living, breathing world and its vastness, laced with a touch of familiarity, pulled me in rather than made me feel as lost as a tumbleweed on the prairie. Part of this is due to wonderful environmental descriptions, but it's also thanks to the trilogy's internal mythology, which is a mixture of quasi-Native American folklore and legend with some classic fantasy magic and a dash of the paranormal. Even though this is a Weird West tale, the Western, the paranormal, and the fantasy elements all work together harmoniously, and if any one of them was theoretically removed, the entire story would crumble. Nothing here feels like it's tossed in just to make the story a Western, a paranormal tale, or a fantasy, such as throwaway settings, devices, or creatures. Everything world-building-wise creates a realm that feels just as vast and familiar as the Great Plains and the American Southwest - only much older and far more magical.
Another element I enjoyed was the characters, chiefly Izzy and Gabriel, who are the trilogy's two leads. Izzy is an older teen who, to her credit, takes active steps to mature and learn from others. While it's possible this trilogy could be labeled as YA, it doesn't feel like YA as it is devoid of the usual immaturity and cliched tropes common to that genre. Gabriel, in contrast, is an adult with a past that doesn't so much call him back but coax him onward to discover his true purpose and potential in the wide, wild, weird world. These two characters initially share a mentor-apprentice bond as Gabriel teaches Izzy the rules of the Road, the ways of the Territory, and the practicalities of life. However, he never comes across as trying to boss her around or lord over her, nor does he treat Izzy as suspect or with kid gloves just because she is a girl. In some ways, Gabriel, who himself has an interesting past and connection to the Territory, ends up learning from Izzy just as much as she eventually learns from him.
Thankfully, their relationship avoids the usual cliches and contrived romance, and it helps that they are years apart. Izzy and Gabriel respect one another, not only out of mutual human kindness but also as one begins to see what the other can do in terms of their ties to the land and its bone-deep magic. Their relationship evolves as the novels progress, so they become more like equals and less like teacher and student. Likewise, their bond is forged by genuine friendship as well as the experience of having traveled two very different paths in life despite sharing the same Road. In most stories, one central figure emerges as the everyman, the character readers relate to the most. But in this case, both Izzy and Gabriel share this task as readers catch relatable glimpses into both the youthful struggle to adapt to adulthood as well as grown-up trials and tribulations.
The follow-up novel, The Cold Eye, picks up not long after the events of Silver On the Road, which doesn't end on a cliffhanger but is intentionally open-ended. The Territory is now under a new threat from a previously uncovered magic that subtly showcases the power of cause, effect, and consequence. These themes then become the backbone for the troubles Izzy and Gabriel tackle in this middle book. Much to its credit, The Cold Eye avoids the middle book slump by evolving its lead characters, putting them in tricky situations, and pitting them against both natural and supernatural forces to see how they respond and react. Again, this is chiefly a journey tale, but rather than wax tiresome with this plot device, the novel uses it to neatly parallel the individual and collective journeys of Izzy and Gabriel.
Overall, the Devil's West trilogy feels one-of-a-kind. It's fresh and original by serving as an entertaining yet somber Western travel story all while adding healthy doses of paranormal magic and fantasy to create a world with a life all its own. Its characters remain starkly human and relatable, regardless whether they're facing excruciating thirst or talking to rattlesnakes who also talk back. For readers searching for a unique take on the fantasy genre with stories that break the mold in terms of world-building, setting, magic, and character pair ups, then the Devil's West is a road well worth taking.
Content:
Language - Mild PG-level profanities occur throughout but are sporadic and non-pervasive.
Violence - Violence falls between fisticuffs/shootouts/stabbings and perilous paranormal encounters, but nothing here is pervasive, graphic, or gory. Blood is mentioned in relation to wounds but is never graphically described. In one novel, Izzy and Gabriel stumble upon a home where the occupants have clearly been dead for some time as their corpses are briefly described but not with too much detail. Paranormal beings, such as talking rattlesnakes, demons, and mutant creatures, appear at times but are either neutral parties or enemies to be destroyed. Along these lines, the underlying threat to the Territory is a dark magic that is working its way into the land's very foundations. Izzy is able to see the destruction this infected magic is causing, but these moments are more dark and perilous than violent or frightening. Lastly, despite the fact one of the characters is called the Devil, this figure isn't actually Satan. Instead, he is a powerful man of semi-omnipotence who commands respect beyond his immediate reach, but he isn't demonic or satanic. (In fact, demons are viewed as enemies in the story's world.)
Sexual Content - None. Izzy and Gabriel's relationship is based on a mentor-apprentice bond that evolves into close friends; however, it never becomes inappropriate and is devoid of any sexual context or tension. Elsewhere, some in-passing female characters might be prostitutes, but nothing to that effect is ever confirmed or shown. It's revealed that, in the past, sometimes Izzy endured unwanted attention from male patrons at the Devil's gaming parlor where she worked as a serving girl. But no harm ever came to her as it's implied that the Devil doesn't tolerate impropriety and the older women working there kept a protective eye out for her. Gabriel also looks after Izzy throughout their travels and she is never harassed. Lastly, at one point, Izzy is troubled by menstrual pains and uses a hot water bottle to help with cramps, but nothing graphic is ever detailed.
I started out reading Silver On the Road, the trilogy's opener, because the premise intrigued me. Prior to even cracking the cover, I was prepared to write it off as yet another run-of-the-mill YA coming-of-age tale due to the fact that the lead protagonist is a teenage girl. However, the novel avoids common YA traps or tropes, becoming something new and fresh through its Weird West setting that vibrates with temperamental, malicious magic. Once I finished this first novel, I snatched up the other two entries and devoured them in a matter of days. Overall, the Devil's West was a much-needed breath of fresh air and it is a series I look forward to perusing time and again.
The novels comprising the Devil's West trilogy are Silver On the Road, The Cold Eye, and Red Waters Rising. (I am excluding any related short stories and the novella, Gabriel's Road, for the sake of simplicity.) Each book serves as its own unique story (i.e. micro-plot) while acting as an entry into the trilogy as a whole (i.e. macro-plot). Plot-wise, it re-imagines the American West - known here as the Territory - as a place populated by wind-worn towns and permeated with deep, old magic. But the Territory's very bones are being shaken by an unknown force that, if not shackled, could spell doom for the land and its inhabitants.
Overseeing the Territory from afar is the Devil, also known as the Boss, (no connection to the Devil of Judeo-Christian Scripture, by the way), who manages a saloon in the town of Flood as well as the town itself. However, he is also the distant caretaker of the Territory. Sensing foreboding changes afoot, the Devil takes his young charge, Isobel (Izzy for short), up on an offer she makes on her sixteenth birthday. She desires to see more of the world and gain respect, so the Devil makes her his Left Hand - his eyes, ears, and dispenser of justice across the Territory's vast expanse. But Izzy won't be alone in the wilderness as she's partnered with an enigmatic rider of the Road, Gabriel, who takes her under his wing. Both of them then venture out to see what is disturbing the land and put a stop to it lest it pulls them under, too.
From the first chapter of Silver On the Road to the final page of Red Waters Rising, the Devil's West trilogy completely enveloped me. For starters, its world-building retains a deep-seated history, entrenched inner mythology, well-governed story rules, and workable realness. The Territory feels like a living, breathing world and its vastness, laced with a touch of familiarity, pulled me in rather than made me feel as lost as a tumbleweed on the prairie. Part of this is due to wonderful environmental descriptions, but it's also thanks to the trilogy's internal mythology, which is a mixture of quasi-Native American folklore and legend with some classic fantasy magic and a dash of the paranormal. Even though this is a Weird West tale, the Western, the paranormal, and the fantasy elements all work together harmoniously, and if any one of them was theoretically removed, the entire story would crumble. Nothing here feels like it's tossed in just to make the story a Western, a paranormal tale, or a fantasy, such as throwaway settings, devices, or creatures. Everything world-building-wise creates a realm that feels just as vast and familiar as the Great Plains and the American Southwest - only much older and far more magical.
Another element I enjoyed was the characters, chiefly Izzy and Gabriel, who are the trilogy's two leads. Izzy is an older teen who, to her credit, takes active steps to mature and learn from others. While it's possible this trilogy could be labeled as YA, it doesn't feel like YA as it is devoid of the usual immaturity and cliched tropes common to that genre. Gabriel, in contrast, is an adult with a past that doesn't so much call him back but coax him onward to discover his true purpose and potential in the wide, wild, weird world. These two characters initially share a mentor-apprentice bond as Gabriel teaches Izzy the rules of the Road, the ways of the Territory, and the practicalities of life. However, he never comes across as trying to boss her around or lord over her, nor does he treat Izzy as suspect or with kid gloves just because she is a girl. In some ways, Gabriel, who himself has an interesting past and connection to the Territory, ends up learning from Izzy just as much as she eventually learns from him.
Thankfully, their relationship avoids the usual cliches and contrived romance, and it helps that they are years apart. Izzy and Gabriel respect one another, not only out of mutual human kindness but also as one begins to see what the other can do in terms of their ties to the land and its bone-deep magic. Their relationship evolves as the novels progress, so they become more like equals and less like teacher and student. Likewise, their bond is forged by genuine friendship as well as the experience of having traveled two very different paths in life despite sharing the same Road. In most stories, one central figure emerges as the everyman, the character readers relate to the most. But in this case, both Izzy and Gabriel share this task as readers catch relatable glimpses into both the youthful struggle to adapt to adulthood as well as grown-up trials and tribulations.
The follow-up novel, The Cold Eye, picks up not long after the events of Silver On the Road, which doesn't end on a cliffhanger but is intentionally open-ended. The Territory is now under a new threat from a previously uncovered magic that subtly showcases the power of cause, effect, and consequence. These themes then become the backbone for the troubles Izzy and Gabriel tackle in this middle book. Much to its credit, The Cold Eye avoids the middle book slump by evolving its lead characters, putting them in tricky situations, and pitting them against both natural and supernatural forces to see how they respond and react. Again, this is chiefly a journey tale, but rather than wax tiresome with this plot device, the novel uses it to neatly parallel the individual and collective journeys of Izzy and Gabriel.
Overall, the Devil's West trilogy feels one-of-a-kind. It's fresh and original by serving as an entertaining yet somber Western travel story all while adding healthy doses of paranormal magic and fantasy to create a world with a life all its own. Its characters remain starkly human and relatable, regardless whether they're facing excruciating thirst or talking to rattlesnakes who also talk back. For readers searching for a unique take on the fantasy genre with stories that break the mold in terms of world-building, setting, magic, and character pair ups, then the Devil's West is a road well worth taking.
Content:
Language - Mild PG-level profanities occur throughout but are sporadic and non-pervasive.
Violence - Violence falls between fisticuffs/shootouts/stabbings and perilous paranormal encounters, but nothing here is pervasive, graphic, or gory. Blood is mentioned in relation to wounds but is never graphically described. In one novel, Izzy and Gabriel stumble upon a home where the occupants have clearly been dead for some time as their corpses are briefly described but not with too much detail. Paranormal beings, such as talking rattlesnakes, demons, and mutant creatures, appear at times but are either neutral parties or enemies to be destroyed. Along these lines, the underlying threat to the Territory is a dark magic that is working its way into the land's very foundations. Izzy is able to see the destruction this infected magic is causing, but these moments are more dark and perilous than violent or frightening. Lastly, despite the fact one of the characters is called the Devil, this figure isn't actually Satan. Instead, he is a powerful man of semi-omnipotence who commands respect beyond his immediate reach, but he isn't demonic or satanic. (In fact, demons are viewed as enemies in the story's world.)
Sexual Content - None. Izzy and Gabriel's relationship is based on a mentor-apprentice bond that evolves into close friends; however, it never becomes inappropriate and is devoid of any sexual context or tension. Elsewhere, some in-passing female characters might be prostitutes, but nothing to that effect is ever confirmed or shown. It's revealed that, in the past, sometimes Izzy endured unwanted attention from male patrons at the Devil's gaming parlor where she worked as a serving girl. But no harm ever came to her as it's implied that the Devil doesn't tolerate impropriety and the older women working there kept a protective eye out for her. Gabriel also looks after Izzy throughout their travels and she is never harassed. Lastly, at one point, Izzy is troubled by menstrual pains and uses a hot water bottle to help with cramps, but nothing graphic is ever detailed.
February 7, 2017
I loved the first book. I loved this one even more. Now to think of what to say that doesn't spoil this book for others.
Isobel and Gabriel have grown into their roles. His bargain with the devil says he's her mentor, but the longer the two of them are together, partner is the more apt description and closer to the truth. He supports her, he listens, and most important, Gabriel doesn't judge Isobel when she has to make hard decisions.
Izzy is learning--hard and fast--that being the Left Hand is so much more than she thought. She's learning that because you're bone weary, and the weight of responsibility threatens to drive you to your knees, that doesn't mean you get to stop. Or rest. Learning to trust herself, while not being at all sure what she is--that's damn hard at 16. She's learning necessity.
The setting, the land known as The Territory, is as much a character for me as the people in this book. Gilman's description of the terrain is spot on.
I grew up in California, a state that encompasses everything from the ocean to the desert, to the mountains. I've spent time in Nevada and Idaho. I could see the land, hear the buzzing of the insects, and feel the bite of a cold stream in the morning. Not everyone is as into the details as I am, but nailing those details makes a book real for me.
The book ended with me wondering about--how can I say this--motivations. Not Isobel and Gabriel's motivation, but why the devil sent an untrained 16 year old to face--what she's facing.
A book works for me when it sends me down pathways outside the story on the page. The Cold Eye did that and more.
Recommended. Can't wait for book three.
Isobel and Gabriel have grown into their roles. His bargain with the devil says he's her mentor, but the longer the two of them are together, partner is the more apt description and closer to the truth. He supports her, he listens, and most important, Gabriel doesn't judge Isobel when she has to make hard decisions.
Izzy is learning--hard and fast--that being the Left Hand is so much more than she thought. She's learning that because you're bone weary, and the weight of responsibility threatens to drive you to your knees, that doesn't mean you get to stop. Or rest. Learning to trust herself, while not being at all sure what she is--that's damn hard at 16. She's learning necessity.
The setting, the land known as The Territory, is as much a character for me as the people in this book. Gilman's description of the terrain is spot on.
I grew up in California, a state that encompasses everything from the ocean to the desert, to the mountains. I've spent time in Nevada and Idaho. I could see the land, hear the buzzing of the insects, and feel the bite of a cold stream in the morning. Not everyone is as into the details as I am, but nailing those details makes a book real for me.
The book ended with me wondering about--how can I say this--motivations. Not Isobel and Gabriel's motivation, but why the devil sent an untrained 16 year old to face--what she's facing.
A book works for me when it sends me down pathways outside the story on the page. The Cold Eye did that and more.
Recommended. Can't wait for book three.
December 17, 2016
Isobel and her mentor Gideon are traveling the far reaches of the Territory when they come upon a problem that seems too big to solve. Beginning with a buffalo slaughter, then earthquakes, and then an area devoid of animal life, Isobel and Gideon move further and further into the unknown.
Isobel is the Devil's Left Hand. She is responsible for making decisions for the good of the Territory in the areas far from the Devil's home base. It is an awesome responsibility for a girl who is just sixteen and new to the job. What is she to do with an entity raised by magicians and then trapped?
Isobel gets advice, often conflicting advice, from a variety of spirit animals but she is the one who needs to make the final decision. This book is about her struggle to decide what she can do and what she should do. Isobel grows throughout this book as she learns more about herself, her job, and her place in the Territory.
Gideon also learns about himself as he tries to balance his education out in the United States east of the Mississippi and his life as a child of the Territory. Jefferson is president and he has turned his very curious eyes toward the Territory without understanding it at all. Jefferson's efforts, in the person of a Marshall and a scout, are a lot like hitting a hive of angry wasps with a stick.
This is a book about choices, decisions, and trying to do the right thing when you aren't really sure what the right thing is. I loved the setting - the American West - and loved the way Gilman adding the paranormal seamlessly into the rich traditions of the Natives and the settlers.
I can't wait to read more about the Devil's West.
Isobel is the Devil's Left Hand. She is responsible for making decisions for the good of the Territory in the areas far from the Devil's home base. It is an awesome responsibility for a girl who is just sixteen and new to the job. What is she to do with an entity raised by magicians and then trapped?
Isobel gets advice, often conflicting advice, from a variety of spirit animals but she is the one who needs to make the final decision. This book is about her struggle to decide what she can do and what she should do. Isobel grows throughout this book as she learns more about herself, her job, and her place in the Territory.
Gideon also learns about himself as he tries to balance his education out in the United States east of the Mississippi and his life as a child of the Territory. Jefferson is president and he has turned his very curious eyes toward the Territory without understanding it at all. Jefferson's efforts, in the person of a Marshall and a scout, are a lot like hitting a hive of angry wasps with a stick.
This is a book about choices, decisions, and trying to do the right thing when you aren't really sure what the right thing is. I loved the setting - the American West - and loved the way Gilman adding the paranormal seamlessly into the rich traditions of the Natives and the settlers.
I can't wait to read more about the Devil's West.
May 1, 2017
These books are SO CLOSE to being exactly what I want, and yet they don't quite get there, more's the tragedy. I love the setting of the reimagined West, I love the atmosphere. I love that there is magic and yet I find myself frustrated by just how nebulously it is described.
The first section of this book is, frankly, boring. Nothing much happens except a lot of "feeling" and a lot of magic, which is less interesting to read when you can't follow what's going on. I even considered putting the book down. Once they leave the uncanny valley, the plot picks up quite a bit and I found myself more engaged, but the plot is once more resolved through means none of the characters understand (so the readers don't understand) and I feel a bit cheated.
I enjoy the experience of these books. I love the idea of them. I want, so badly, to fall utterly in love with them. They don't quite let me.
The first section of this book is, frankly, boring. Nothing much happens except a lot of "feeling" and a lot of magic, which is less interesting to read when you can't follow what's going on. I even considered putting the book down. Once they leave the uncanny valley, the plot picks up quite a bit and I found myself more engaged, but the plot is once more resolved through means none of the characters understand (so the readers don't understand) and I feel a bit cheated.
I enjoy the experience of these books. I love the idea of them. I want, so badly, to fall utterly in love with them. They don't quite let me.
September 28, 2024
I have been eagerly awaiting the released of The Cold Eye, by Laura Anne Gilman, since I read the book that opened the series. This novel opens soon after the end of Silver on the Road, with Isobel and Gabriel traveling north across the Territory to find new wrongs to put right. Isobel is still learning the limits of her powers and jurisdiction as the Devil's Left Hand and The Cold Eye very much focuses on the ruthlessness of frontier justice...
Read the rest of my review at A Bookish Type. I received a free copy of this book from NetGalley for review consideration.
Read the rest of my review at A Bookish Type. I received a free copy of this book from NetGalley for review consideration.
February 7, 2017
A Strong Follow-up
The second volume in The Devil 's Road does a terrific job of expanding and exploring the North American territory ruled by the Devil. We have a greater understanding of the relationship between the people and their land along with the dangers. There is an internal threat that is the focus but we learn of an increasing danger from the Americans.
What I had hoped for and was disappointed not to get was a deeper understanding of Isobel and Gabriel as characters. But I am along for the full ride.
The second volume in The Devil 's Road does a terrific job of expanding and exploring the North American territory ruled by the Devil. We have a greater understanding of the relationship between the people and their land along with the dangers. There is an internal threat that is the focus but we learn of an increasing danger from the Americans.
What I had hoped for and was disappointed not to get was a deeper understanding of Isobel and Gabriel as characters. But I am along for the full ride.
August 9, 2021
I wish there was a higher rating that I could give this than just five stars. Gilman's work in The Devil's West trilogy to this point (book 2) has been amazing. Her characters are written with a superb depth, and their continual growth is seen in page after page. You don't just read these books and swallow the stories whole. Like a good, rich, fine whiskey, you savor the flavor. This is meant to be slowly consumed, like a fine meal. There's nothing fast food about this story.
January 15, 2017
This definitely a sequel and a bridge to the next book in this series. Read for a continued exploration of an intriguing fantasy setting and hints of conflicts to come.
December 10, 2017
I very much enjoyed how the relationship between Isobel and Gabriel evolves in this book, how Isobel is coming into her own and Gabriel is trying to let her, how they don't always agree on the best course of action but are still willing to sit down and talk it over and each listen to the other's side. I liked that Isobel acknowledged that Gabriel was more experienced and still had things worth teaching even though she was far more powerful than him, and that Gabriel acknowledged that Isobel had an understanding he would never have and responsibilities she could not shirk even if that meant he had to let her go into danger - or indeed, to go into danger with her.
I also liked seeing them becoming more easygoing and affectionate with one another, from casually joking around while pitching camp to holding one another and shaking in the aftermath of a crisis. It's easy to forget sometimes that these two were complete strangers only a few months prior, but by this point they've been through the fire together, and it shows. Though I'll admit I was always a bit on edge waiting for the moment where the author decided she ought to make their relationship ~something more~, and I don't want to think what it says about how badly the Obligatory Romance has scarred me that I'm constantly looking over my shoulder waiting for it to rear its ugly head once more.
Then, though? This. This happened, and it happened right when an older woman started asking Isobel about her love life and I was bracing myself and cringing waiting for the moment where she would start trying to nudge Isobel towards Gabriel, when instead she said this:
Yes. THIS. I want more of this. This was so goddamn refreshing it felt almost like a meta commentary on the state of fiction itself: romance is all well and good if it's the right time and place and person, but sometimes it isn't, it's not always necessary for a full satisfying life or a full satisfying story, and there is nothing wrong with that.
Speaking of which, can I just say how much I loved LaFlesche? Badass older women are a personal catnip for me, so seeing a 60-something road marshal who knew her work, didn't take crap from anyone, and always acted fairly but still made everyone earn her respect?
If I have one nitpick about this series, it's that the phrase "flickerthwack of cards across the felt" was seriously overused, which was especially noticeable on second readthrough of the first book and by the halfway point of the second had me twitching a little every time it cropped up. As a matter of fact, the one major issue with this book stylistically was the repetitive writing. Take this example, for one:
Let's see how many times we can use the word "faint" in a single sentence, shall we? (The thesaurus was invented for a reason; you can break it out once in a while.)
By themselves, both of these are minor things, and neither one alone would justify knocking a star off the rating of the book. Together, though? Eeh, as much as I enjoyed both this story and this world, in all honesty I can't voice these complaints and still justify calling it "perfect". Four AND A HALF stars.
I also liked seeing them becoming more easygoing and affectionate with one another, from casually joking around while pitching camp to holding one another and shaking in the aftermath of a crisis. It's easy to forget sometimes that these two were complete strangers only a few months prior, but by this point they've been through the fire together, and it shows. Though I'll admit I was always a bit on edge waiting for the moment where the author decided she ought to make their relationship ~something more~, and I don't want to think what it says about how badly the Obligatory Romance has scarred me that I'm constantly looking over my shoulder waiting for it to rear its ugly head once more.
Then, though? This. This happened, and it happened right when an older woman started asking Isobel about her love life and I was bracing myself and cringing waiting for the moment where she would start trying to nudge Isobel towards Gabriel, when instead she said this:
Ah, well, there's time. Just remember that love's a lovely thing but it's not all that's in the world, and you'll be fine.
Yes. THIS. I want more of this. This was so goddamn refreshing it felt almost like a meta commentary on the state of fiction itself: romance is all well and good if it's the right time and place and person, but sometimes it isn't, it's not always necessary for a full satisfying life or a full satisfying story, and there is nothing wrong with that.
Speaking of which, can I just say how much I loved LaFlesche? Badass older women are a personal catnip for me, so seeing a 60-something road marshal who knew her work, didn't take crap from anyone, and always acted fairly but still made everyone earn her respect?
If I have one nitpick about this series, it's that the phrase "flickerthwack of cards across the felt" was seriously overused, which was especially noticeable on second readthrough of the first book and by the halfway point of the second had me twitching a little every time it cropped up. As a matter of fact, the one major issue with this book stylistically was the repetitive writing. Take this example, for one:
Her voice was faint, hollow, echoing the faintness inside her chest, something fluttering faintly in distress.
Let's see how many times we can use the word "faint" in a single sentence, shall we? (The thesaurus was invented for a reason; you can break it out once in a while.)
By themselves, both of these are minor things, and neither one alone would justify knocking a star off the rating of the book. Together, though? Eeh, as much as I enjoyed both this story and this world, in all honesty I can't voice these complaints and still justify calling it "perfect". Four AND A HALF stars.
August 18, 2017
Today's post is on The Cold Eye by Laura Anne Gilman. It is the second on her The Devil's West series, so to understand the story you need to have read the first one. It is 330 pages long and is published by Saga Press. The cover is sky blue with Isobel in the left hand center with her hand up showing the Devil's Mark and a reaper flying above her. The intended reader is someone who read the first one and likes alternative history. There is mild foul language, no sex, and mild violence in this book. The story is told from third person close of the the two main characters. There Be Spoilers Ahead.
From the dust jacket- In the anticipated sequel to Silver on the Road, Isobel is riding circuit through the Territory as the Devil's Left Hand. But when she responds to a natural disaster, she learns the limits of her power and the growing danger of something mysterious that is threatening not just her life, but the whole Territory.
Isobel is the left hand of the old man of the Territory, the Boss—better known as the Devil. Along with her mentor, Gabriel, she is traveling circuit through Flood to represent the power of the Devil and uphold the agreement he made with the people to protect them. Here in the Territory, magic exists—sometimes wild and perilous.
But there is a growing danger in the bones of the land that is killing livestock, threatening souls, and weakening the power of magic. In the next installment of the Devil’s West series, Isobel and Gabriel are in over their heads as they find what’s happening and try to stop the people behind it before it unravels the Territory.
Review- This volume picks up just days after the last one with Gabriel still healing and Isobel realizing the real limits of her new job. But there is no rest for the wicked and something very wicked is going on. Isobel wakes up with something telling her to go and she follows the voice into trouble and broken land. There is some more world building in this volume and I still really like this world. Isobel grows so much over the course of this book. She still has far to go but she covers so much ground. Gabriel is going to have to choose where his loyal is and to who.With the United States wanting to come into the Territory and as long as they are just looking the Boss cannot do anything to stop them. But Isobel can and that the real point of this volume. I hope that it will be more than one more book but that said I cannot wait to read the next one.
I give this book a Five out of Five stars. I get nothing for my review and I borrowed this book from my local library.
From the dust jacket- In the anticipated sequel to Silver on the Road, Isobel is riding circuit through the Territory as the Devil's Left Hand. But when she responds to a natural disaster, she learns the limits of her power and the growing danger of something mysterious that is threatening not just her life, but the whole Territory.
Isobel is the left hand of the old man of the Territory, the Boss—better known as the Devil. Along with her mentor, Gabriel, she is traveling circuit through Flood to represent the power of the Devil and uphold the agreement he made with the people to protect them. Here in the Territory, magic exists—sometimes wild and perilous.
But there is a growing danger in the bones of the land that is killing livestock, threatening souls, and weakening the power of magic. In the next installment of the Devil’s West series, Isobel and Gabriel are in over their heads as they find what’s happening and try to stop the people behind it before it unravels the Territory.
Review- This volume picks up just days after the last one with Gabriel still healing and Isobel realizing the real limits of her new job. But there is no rest for the wicked and something very wicked is going on. Isobel wakes up with something telling her to go and she follows the voice into trouble and broken land. There is some more world building in this volume and I still really like this world. Isobel grows so much over the course of this book. She still has far to go but she covers so much ground. Gabriel is going to have to choose where his loyal is and to who.With the United States wanting to come into the Territory and as long as they are just looking the Boss cannot do anything to stop them. But Isobel can and that the real point of this volume. I hope that it will be more than one more book but that said I cannot wait to read the next one.
I give this book a Five out of Five stars. I get nothing for my review and I borrowed this book from my local library.
October 4, 2017
Although I was lukewarm on the first novel, I did pick up the second novel in The Devil's West series. I am interested in reading more western themed novels, and I am hoping there are more series in the fantasy genre that explore this. Unfortunately The Cold Eye didn't improve my judgment of the series.
Isobel, aka Izzy, and Gabriel have regrouped since the events of the first novel. They are informed of earthquakes that are likely of some supernatural origin. Izzy feels compelled to solve the mystery. She and Gabriel discover the origin point, but Izzy is certain it is beyond her abilities to fix the problem.
As the plot progresses, Izzy and Gabriel meet other characters, and eventually end up in a small town that isn't exactly forthcoming.
The same problem plagues the second book as the first - the extremely slow pace. The second book suffers even worse, as it immediately starts off languid, without the starting background of Izzy at the saloon.
It's not until Part IV, about 170 pages in, that the plot really starts. Prior to that Izzy and Gabriel are traveling across the land, with Izzy repetitiously stating she doesn't know what to do while ruminating over her lack of knowledge. It doesn't make for great reading, especially since the characters are so isolated on the land. If Gilman spent time on character development it may have helped during this time in the book. However, the time is spent on minute plot development.
Izzy does learn more about her abilities. She is still limited in what she understands and how to use what she has been given, so there isn't a major jump in her confidence and problem-solving capabilities.
By the end, the last few events had me reading without looking at the page numbers, but it took so long to get there that I can't rate this as 3 or 4 stars. The writing style is a bit heavy, as Gilman doesn't use many simple or compound sentences, but I thought it showed skill.
I really wanted to like this series. I am interested in reading fantasy books with western settings, yet the slow pace on this ruined the actual plot that was revealed at the end.
Isobel, aka Izzy, and Gabriel have regrouped since the events of the first novel. They are informed of earthquakes that are likely of some supernatural origin. Izzy feels compelled to solve the mystery. She and Gabriel discover the origin point, but Izzy is certain it is beyond her abilities to fix the problem.
As the plot progresses, Izzy and Gabriel meet other characters, and eventually end up in a small town that isn't exactly forthcoming.
The same problem plagues the second book as the first - the extremely slow pace. The second book suffers even worse, as it immediately starts off languid, without the starting background of Izzy at the saloon.
It's not until Part IV, about 170 pages in, that the plot really starts. Prior to that Izzy and Gabriel are traveling across the land, with Izzy repetitiously stating she doesn't know what to do while ruminating over her lack of knowledge. It doesn't make for great reading, especially since the characters are so isolated on the land. If Gilman spent time on character development it may have helped during this time in the book. However, the time is spent on minute plot development.
Izzy does learn more about her abilities. She is still limited in what she understands and how to use what she has been given, so there isn't a major jump in her confidence and problem-solving capabilities.
By the end, the last few events had me reading without looking at the page numbers, but it took so long to get there that I can't rate this as 3 or 4 stars. The writing style is a bit heavy, as Gilman doesn't use many simple or compound sentences, but I thought it showed skill.
I really wanted to like this series. I am interested in reading fantasy books with western settings, yet the slow pace on this ruined the actual plot that was revealed at the end.
July 18, 2017
I loved the first book, and got a chance to borrow this one from a friend, so read through it over summer beach vacation. I was very interested to see what happened with Isabelle and Gabriel, not to mention the development of Isabelle's talents and the events that are unfolding across the Devil's West.
The timeline of this book is surprisingly short - a few weeks, no more than that - and it feels odd to have that be it for this entire story. There's basically one overall story arc, as Isabelle is Called to witness an abomination, and then vows to set it right, and goes about doing so. A lot of this book was spent with her being unsure of herself, half-hearing or feeling things from the Devil, but having to figure out or guess what she should be doing next. That's really frustrating, both for her as the Hand and for me as the reader, and that's the worst part of this book. I was also annoyed that a character that could've been a role model or mentor for Isabelle will no longer be able to play that role, and I feel like that person wasn't given enough time to be part of the story.
There's a lot of interesting stuff to unpack that's relevant to our current world, with the idea of the USA deciding to go take over the "empty, unused" West without truly knowing what they're getting into a big part of that. The author does a good job of exploring respect for others with regards to the land and the Native tribes that Isabelle runs into and works with, even if it's sometimes more blind respect / obedience to rules than it is understanding and true interactive respect. I'd love to see more of the latter develop in the next book.
Finally, I'd like to learn more about Gabriel, as I think his background (as highlighted by a letter early on) is going to be particularly relevant as the story continues to develop. There's not much new about him in this book, and as the secondary character behind Isabelle I think there should've been a bit more about him.
Interesting read. I'd like to rate 4.5 stars but can't, so I"m rounding up. Looking forward to Book Three.
The timeline of this book is surprisingly short - a few weeks, no more than that - and it feels odd to have that be it for this entire story. There's basically one overall story arc, as Isabelle is Called to witness an abomination, and then vows to set it right, and goes about doing so. A lot of this book was spent with her being unsure of herself, half-hearing or feeling things from the Devil, but having to figure out or guess what she should be doing next. That's really frustrating, both for her as the Hand and for me as the reader, and that's the worst part of this book. I was also annoyed that a character that could've been a role model or mentor for Isabelle will no longer be able to play that role, and I feel like that person wasn't given enough time to be part of the story.
There's a lot of interesting stuff to unpack that's relevant to our current world, with the idea of the USA deciding to go take over the "empty, unused" West without truly knowing what they're getting into a big part of that. The author does a good job of exploring respect for others with regards to the land and the Native tribes that Isabelle runs into and works with, even if it's sometimes more blind respect / obedience to rules than it is understanding and true interactive respect. I'd love to see more of the latter develop in the next book.
Finally, I'd like to learn more about Gabriel, as I think his background (as highlighted by a letter early on) is going to be particularly relevant as the story continues to develop. There's not much new about him in this book, and as the secondary character behind Isabelle I think there should've been a bit more about him.
Interesting read. I'd like to rate 4.5 stars but can't, so I"m rounding up. Looking forward to Book Three.
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