ROMANZO BREVE (89 pagine) - FANTASCIENZA - Una commedia sofisticata e affascinante alla corte del Songhai, in un mondo ucronico dove la Peste Nera ha devastato l'Europa e l'ha consegnata in mano all'Impero Ottomano
Ogni storia sugli universi alternativi ha un suo punto di partenza, il punto da cui l'universo alternativo diverge dal mondo che attualmente viviamo. In questa storia il punto di divergenza è situato nell'anno 1348, quando la "Peste Nera" devasta l'Europa uccidendo circa il venticinque per cento della popolazione, e lasciando i sopravvissuti, sconvolti e confusi, incapaci di difendersi contro la potenza dei turchi ottomani, scampati all'epidemia e pronti alla conquista del vecchio continente. Questo piccolo gioiello inedito del grande Silverberg ci narra una commedia garbata e sofisticata (vagamente ispirata a Shakespeare), ambientata in una Timbuktu ucronica ove personaggi senza scrupoli e dolci donzelle tramano nell'attesa ansiosa della morte del vecchio sovrano.
Robert Silverberg è unanimemente riconosciuto come uno dei massimi autori della fantascienza contemporanea. Nato a Brooklyn (New York) il 15 gennaio del 1935, iniziò a scrivere SF d'avventura negli anni '50, diventando ben presto uno degli autori più famosi e prolifici e ottenendo il premio Hugo come autore più promettente del 1956. Durante la metà degli anni sessanta però, spinto dal desiderio di dimostrare a se stesso e agli altri le sue capacità di vero scrittore, e di essere in grado di realizzare anche opere di qualità, Silverberg impresse una svolta decisiva allo stile dei suoi romanzi, iniziando a produrre opere di maggiore impegno umano e letterario. Tra gli scritti più importanti di questo secondo periodo ricordiamo "Ali della notte" (con cui vinse anche un premio Hugo), "Brivido crudele", "Torre di cristallo", forse la sua opera più completa e riuscita, "Vertice di immortali", "Paradosso dei passato", e "Mutazione", che si inserisce in quel gruppo di romanzi dedicati da Silverberg alla descrizione e all'esplorazione dell'esperienza mistica della trascendenza.
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Robert Silverberg is a highly celebrated American science fiction author and editor known for his prolific output and literary range. Over a career spanning decades, he has won multiple Hugo and Nebula Awards and was named a Grand Master by the Science Fiction and Fantasy Writers of America in 2004. Inducted into the Science Fiction and Fantasy Hall of Fame in 1999, Silverberg is recognized for both his immense productivity and his contributions to the genre's evolution. Born in Brooklyn, he began writing in his teens and won his first Hugo Award in 1956 as the best new writer. Throughout the 1950s, he produced vast amounts of fiction, often under pseudonyms, and was known for writing up to a million words a year. When the market declined, he diversified into other genres, including historical nonfiction and erotica. Silverberg’s return to science fiction in the 1960s marked a shift toward deeper psychological and literary themes, contributing significantly to the New Wave movement. Acclaimed works from this period include Downward to the Earth, Dying Inside, Nightwings, and The World Inside. In the 1980s, he launched the Majipoor series with Lord Valentine’s Castle, creating one of the most imaginative planetary settings in science fiction. Though he announced his retirement from writing in the mid-1970s, Silverberg returned with renewed vigor and continued to publish acclaimed fiction into the 1990s. He received further recognition with the Nebula-winning Sailing to Byzantium and the Hugo-winning Gilgamesh in the Outback. Silverberg has also played a significant role as an editor and anthologist, shaping science fiction literature through both his own work and his influence on others. He lives in the San Francisco Bay Area with his wife, author Karen Haber.
Vanameistri hilisema perioodi paremik. Hilisem periood siis tähendab 90ndaid. Lühiromaan/nimilugu on üks parimaid, alternatiivajalooline õukonnadraama alternatiivsest 20. sajandi Aafrikast, Timbuktuust, maailmas kus Must Surm tegi Euroopa päris tühjaks ja väikeriigid Inglismaa ja Prantsusmaa on endalt just Osmani Impeeriumi ikke raputanud. Tsivilisatsiooni kese on Aafrikas ja Timbuktuus ootavad vana valitseja surma nii troonipärija, Noor Lõvi, kui ka terve hulk igasugu suursaadikuid, küll Inkade Impeeriumi oma, küll Asteekide, küll Osmanite, kes siis seal ajaviluks veidi intrigeerivad. Alternatiivajalugu on küll ulmekirjanduse debiilne sohipoeg, aga see siin oli ikka Silverbergi meistrikäega kirjutatud ja seetõttu päris hea. Tene päris vinge lugu oli samuti lühiromaan, "The Way to Spook City". Lugu tulnukate vallutatud tsooni oma kadunud venda otsima minevast noomehest. Ameerika keskosas on seal maandunud tulnukate miskitsorti udu või muu poolläbipaistva ent tuntava piiriga piiratud suur maalahmakas, ja seal on juba teistsugune floora ja fauna, ning ka maalased kes sinna on jäänud on juba veidi teistmoodi. Miskitsorti initsiatsiooniriitusena täiskasvanuks saamisel on teismelistel tavaks sinna tsooni minna ja seal kuu või kaks elada. Loo peategelase vend on ent juba pool aastat kadunud olnud ja ta peab talle sinna tsooni järgi minema. Väga hea lugu. Kolmanda suurepärase loona mainiks lõpust "Crossing into the Empire't". Moodsasse Chicagosse sõidab regulaarsete ajavahemike järel sisse keskaegne Impeeriumi pealinn, mis kangesti meenutab Bütsantsi ja Konstantinoopolit. Igasugu stalkerid pakivad seljakotid šveitsi armee taskunuge, binokleid, coca-cola purke ja muud träni täis ja lähevad sinna vahetuskaupa tegema, keskaegse linna elanikud on hirmul ega julge vastupidiseid käike teha. Meie poolt on ka politseitõkked ja muud piirangud, lisaks miski udu. Lugu jälgib ühe taolise kaupmeheks maskeerunud stalkeri teekonda keskaegsesse pealinna ja mis seal siis kõik juhtub. Bütsants on Silverbergil korduv sundmõte, meenutaks siinkohal tema klassikalist romaani "Up the Line" ja mitte vähem klassikalist lühiromaani "Purjetades Bütsantsi", viimases küll ei saanud ta end basileuste-aegsest Konstantinoopolist tühjaks kirjutada, aga sellest pole midagi - esimesena mainitus ta seda sai. Ülejäänud lood on tuntud headuses, välja arvatud miski pastišš Wellsi "Maailmade sõja" teemadel, mis oli umbes sama tüütu, kopitanud ja igav nagu originaalgi. Jätke see lugu vahele kui keegi seda kogumikku loeb. Muidu - loomulikult soovitan.
I discovered Robert Silverberg late, very recently in fact. I'd probably read a couple of his stories in anthologies here and there, but even though I'd had a bunch of his stuff hanging around the house for over a decade (a legacy of my SFX days), I only got round to reading his work these last six months. What an oversight. Silverberg has become one of my favourite authors.
This collection of stories from the 90s more than adequately demonstrates the man's amazing imagination, his brilliance with the language, and, most important of all, his deep humanity. This guy gets people, he gets them like Ursula Le Guin gets them - that's high praise, by the way.
If you've not read Silverberg, I recommend you do. Anything. Not necessarily this book, although it's as good a place as any to start. My favourite story in this collection? Crossing the Empire. Sublime stuff.
Lion Time in Timbuctoo (1990) A Tip on a Turtle (1991) In the Clone Zone (1991) Hunters in the Forest (1991) A Long Night's Vigil at the Temple (1992) It Comes and Goes (1992) Looking for the Fountain (1992) The Way to Spook City (1992) The Red Blaze Is the Morning (1995) Death Do Us Part (1996) The Martian Invasion Journals of Henry James (1996) Crossing Into the Empire (1996) The Second Shield (1995)