Bob Crane: The Definitive Biography is one of the most extensive, and thorough, biographies to be published about Bob Crane, the star of sixties television show Hogan's Heroes. Other biographies, including a docudrama starring Greg Kinnear and Willem Dafoe, focus almost exclusively on Crane's very publicized murder and the ensuing scandal regarding his proclivity for homemade pornography and sex addiction.
No biography is ever completely objective. The biographer has to take a stance that subtly comes out in the range of interview tidbits and biographical facts chosen to be left in the final manuscript. The best, at least, give some illusion of objectivity. I doubt that a completely objective biography of Bob Crane will ever exist. In many ways, this book was always going to be a reaction to the other numerous books about Bob Crane's private life and unsolved murder. Even the interviews included show that many who knew him during his life were reticent to talk to anyone seeking another salacious tell-all or entertain more theories about the man's death. It is also a reaction to the docudrama Auto-Focus, which painted Crane's life in not only an unsavory, but decidedly pathetic life. Interviews with the director, Schrader, only cemented this: he flat-out stated that Bob Crane was unimportant, but simply a vehicle for the story he wanted to tell. The very public objections of one of Crane's sons and Crane's second ex-wife only added to the scandal and intrigue the movie caused.
So the Definitive Biography had an impossibly fine line to walk. Given what they had, they did a marvelous job. Ford and Groundwater go into detail about Crane's life, bolstered by primary records and interviews with those who knew Crane best, all through his early childhood to his meteoric success as a radio personality, Hogan's Heroes, his less-than-successful transition to movies, and eventually the end of his life doing dinner theatre. They purposely choose not to entertain the more gory aspects of his murder, or theorize on the murder, which is refreshing when most biographies and movies can't seem to help themselves pander to a prurient audience. Even Crane's sex addiction is discussed in a way that is sympathetic and sensitive.
The problem is that the entire book can come across as a tad hagiographic. Repeatedly the authors protest that Crane was a wonderful actor (debatable, and very subjective), and some of the more contentious aspects of his life are either dismissed or not discussed at all. Two examples come to mind. When interviewing those who starred with Crane on the set of Hogan's Heroes, most are glowing or at least give the bare minimum of saying that Crane was a professional, with the exception of Stewart Moss, who played Olsen on a few episodes. He has some scathing things to say about Crane, though he refused to go into detail with the authors, who rush to point out that everyone else was very positive about Crane. Ultimately, this feels disingenuous. Most of the interviews, with the exception of close family members, seem carefully worded and tactful. It leads to a strong impression of a bygone era in which people insisted that things were perfect and lovely, rather than discuss any real problems. While this is probably for the best for society, it does lead to rather redundant and suspiciously rosy interviews. Other interviews point to a sort of cognitive dissonance, with several proclaiming that Crane was a professional and lovely to work with, but then recalling instances where he behaved badly on set, made several people uncomfortable with openly talking about his sex life, or, at one point, even stopped filming half-way through to literally chase a girl down the street.
The second is that the book shies away from casting any judgment on Crane, which is problematic. Again, this is, in many ways, a reaction to the many things said about Crane, almost none of them positive, but also gives a false impression. The book rushes to assure us that Crane's many dalliances were with women who gave consent, but is completely silent on the fact that afterwards, many women were shocked to find out that the encounters had been filmed. The authors didn't shy completely away from the topic - one coworker recalls Crane wanting to divorce his first wife early on in their marriage to propose to a seventeen-year-old girl - but a better balance could have been struck between pointing out Crane's many professional accomplishments and his very obvious problem with addiction, with more outright discussion of the fact that he did do some very unsavory things. While I am sympathetic to the plight of addiction, the fact is that many addicts hurt other people in their pursuit of their addiction, which is what Crane frankly did.
Again, the fault, I think, does not lie in the authors, who did the best with what they were given. Many of those they talked to outright stated that they preferred only to talk about the good Crane did in his life; some even seem very sincere in their protestations that Crane was troubled, clearly, but a wonderful man. With so much having been written about Crane's murder, and the fact that many who knew him best have passed on, the authors had to choose a side in order to get anything. Good interviewers know when to push, but there is a distinct impression that in this case, the interviewers threw mostly softball questions and were reluctant to elicit more details. In this case, it's easy to guess why: after forty years of being pressed and prodded for details about Crane, the people who knew him best were already reluctant to talk about it once more, and any sign of pushing would have probably led to abbreviated interviews.
One salient example of the impossible situation is with the carefully curated tidbits from Crane's son with his second wife, Scotty. Scotty, in other interviews, has come across as - to be quite honest - creepy. For those not in the know, and it isn't discussed in the book as far as I recall, Scotty ran a website where he sold many of his father's homemade pornographic films and insisted that his dad would have wanted it that way. He also protested vehemently against the movie Auto-Focus, primarily on the topic of his dad having a penile enhancement; in one interview, he apparently offered to "prove" that his dad was well-endowed by showing his own privates to the interviewer. Crane's son from his first marriage helped with the film Auto-Focus, which led to a quite contentious battle between Crane's second wife Patricia Olson, Scotty, and Bobby. Crane's daughter, Karen, seemed to be the only sensible one and it's telling that this book contains probably the most she's ever said about her famous father*. All of this is quite well known and was deliberately fanned in newspapers and magazines as free publicity for the film. Olson, however, has claimed in at least some interviews that Crane showed Scotty some of his pornographic material as young as the age of 4 and this is the reason she filed for divorce; Scotty has also maintained that Crane was very open with his son about his pornographic material. Now, the authors wisely chose to remain mostly silent on the entire topic of this family feud and only rather neutral comments by Scotty remain in the book; Olson is rarely quoted at all. Now you see the author's dilemma: without dragging in this entire backstory, they could sidestep the drama that the Crane legacy is entrenched in; however, leaving it out entirely leaves out the very real possibility that Crane was doing some very wrong things.
The book is excellently resourced and researched, the writing is fair (though at least on the Kindle edition, plagued with several distracting typos), and is probably the most complete accounting of Crane's life available. I still enjoy watching Hogan's Heroes, and I think that Crane did have a remarkable talent for radio and a gift for TV comedy. In this case, I don't think a complete, accurate, accounting of Crane's life is possible. The water has been muddied too many times and too much time has passed for that to be possible. For what was able to be teased out, Bob Crane: The Definitive Biography is probably the most accurate and neutral book out there about the life of Bob Crane.
*Out of idle curiosity: Crane had two daughters, Deborah and Karen. Yet I have only ever seen Karen mentioned, and in one case, an interviewee mentioned "his [Crane's] daughter", in the singular. Whatever happened to Deborah Crane?