Things I want to give this book credit for: there is a complete story present in this book. Readers won't feel pressured to keep reading more in this series if they don't want to.
The writing level was acceptable.Stone seemed to be trying for a sing song, mythical, fairy tale kind of vibe. She mostly pulls it off--though there are areas that seem to be preachy or that exist simply so she can subvert readers' expectations.
The characters are pretty miserable. I don't like Ocean's friend Lake and she makes so little appearance, that she seems like an afterthought rather than a supporting character. I hate hate hate hate hate the love interest. This dude needs to find a pit to crawl into and either die of heat death or drown in the rain Ocean raises across the land.
I don't know enough of about many of the other characters to form opinions of bonds. I wanted to connect with Ocean's mother, she was interesting and daring. The book should have been about her or it could have had chapters told from her view. She has so much motivated her. A husband she married for love who died. A child she loves more than her own life, she decides to send her daughter out in the world, where she may well die, but even a small chance at a better life is worth this mom's probable death. Then she finds her daughter is water blessed and instead of answering this mom's dreams for her child, they only compound her worries, and she still loses ties with her daughter.
I hate that one of the water blessed wrote to Ocean something along the lines of "the King is a good person, he just likes money more than human lives." --the literal definition of not a good person. It made me think this character portrayed as "wise" was really stupid and a waste of space. I was relieved she died so I wouldn't have to deal with her.
The world had interesting elements that Stone quelled for a contrived predictable story. I would have liked more details on Jewel Mountain's culture and history. I would have liked to understand the King and its people better.
I resented that the one matriarchal society was so stereotypical. Glossed over and superficial, why even bother, just make the whole damn world revolve around men.
Also, the book is obsessed with reviewing the water wife premise over and over again. The more we hear it, the less sense it makes. First of all, why doesn't the village move closer the well? There land sucks, there's nothing special keeping them in one place, why not be honest nomads instead of just being called nomads by Jewel Mountain's people.
Second, the more wives you take into a household, the more water you need. I doubt the two can balance the other out. Plus it makes more sense to have water husbands. One woman means it's easier to control how many children a family has, and men are just as well equipped to carry water long distances and face danger. Women are just as well equipped to do--what is it the men in the village do? It's never explained what or how this village works. We know they can't make clothes, only one of them can farm, none of them can smith, so why does this town exist?
This review makes it sound like I hated the novel, but I didn't. There's a lot that's problematic (and I don't want to touch the issues I had with casual rape and murder--but they exist too), but there's still something compelling about it. Ocean is a powerful protagonist and she shows the essentials that could create personality. The world and even the premise all have bright spots. It feels like instead of exploring them, Stone rushes through all the cores in order to tell as story that lacks impact.