I hadn't read the detailed Renaissance history of the Low Countries previously. If you have read The Edge of the World by Nicholas Pye, about the North Sea, and this book, you'll have an excellent understanding of the landscape, peoples and history. Another good one is Butter: A Rich History by Elaine Khosrova as dairying was a massive subsistence lifestyle and enterprise here. I kept feeling facts click into place, like Brabant was a region exporting stone and brick - ah, that's why the Brabant horse is so heavy and low to the ground!
Gerard Kramer, later Gerard Mercator of Rupelmonde, was born in Flanders in 1512 to a world of warring dukes and dogmatic religions, where learning was valued provided it did not question and just depended on the Greeks and Bible, at a time when the New World was being discovered by the month. His father, a smallholder, made basic shoes, needed by peasants who trudged from farm to town for the winter. Farmers got no aid. Tradespeople got commissions, and skilled craftsmen got recognition by the wealthy and influential. The lad went to school and college, sponsored by a monk who was his relative. He was lucky enough to attend Louvain, a venerated seat of learning.
Hard as life seemed to a young man learning how to draft maps and shape globe section forms called gores, life was about to get harder. What wasn't understood at the time of writing this book in 2002, and is now being accepted, is that the introduction of smallpox to the Americas by Spanish sailors (and then others) had swiftly devastated the native population, which had been cutting down trees and burning the wood. Two continents' worth of forests promptly started regrowing, and sucked carbon back out of the air, dropping the planet's temperature. This made a difference as soon as 1517. In Europe we see the result: cold wet summers, freezing winters, crop failures, famines, popular revolt. 1100 people were put to death by one lord fearing the loss of his position. Burghers took over towns to protest being taxed more heavily by the nobles. Entire cities were then sacked by the armies.
"on the Schelde, the wet summer of 1520 was followed by famine... by the end of 1520, the price of grain had driven housewives to riot in Mechelen and Louvain. Imperial troops were put on the streets to restore order."
"The end of 1566 brought heavy snowfalls, and as another terrible winter settled on the charred work of the iconoclasts, plague returned."
Whatever Europe inflicted in the name of colonisation, it suffered in parallel.
Mercator adopted the sloping light lower case lettering being used in the Vatican by scribes, as easier to cram in information to a map or globe than Latin capitals. He was so pleased by the result that he wrote a textbook on writing the italic hand. Printing presses were in every town at this time, all busy, and major rivers were conduits. The Low Countries, Britain and Iberia sent out ships to trade, loot and explore. Maps were in great demand, travellers' charts more so if they were newer. Maps had to keep getting updated, even with best guesses. Maps were also political in that they showed who owned what land and potentially, routes for invasion.
Mercator was jailed, and could have been killed. Because he survived, and went to live in a quiet town with other wise people and trained his sons to assist him, he went on to complete a book of overlapping map sheets, which he named Atlas after a Greek legend. He developed the Mercator Projection to even out a sphere on two dimensions and account for the magnetic north pole as well. He wasn't the first to make a book of maps, as we see, but his joined-up approach and systematic process meant that every atlas was a winner. Mercator lived twice as long as other men of his day, and died in December 1594. The story also shows us the status of women through individuals, who seemed to do equal work, bear equal hardship, but gain little unless through family status, and were not allowed to attend college.
I can recommend this book, which never failed to interest me. Names crop up like John Dee and Queen Maria, Black Maarten and Francis Drake, Erasmus and Hieronymus Bosch. Mercator didn't travel far, but those who did brought the world to him, one way or another. Colour and black and white illustrations are helpful. Notes begin p.327, bibliography p.375, index p.387.
I read this book from the Royal Dublin Society's Library. This is an unbiased review.