I grabbed this book on the virtues of the cover (a wonderful little Frazetta illustration) and recognizing the author's name as being a contributor to Lovecraftiana.
It's only virtue, as it turned out, was that it was short. Not short enough, unfortunately, but still short enough to get it over with quickly.
It's two major problems are evident right away: First is the obnoxious sexism, where men and women are described in stark terms of what 'a man would do/is' and what 'a woman is/would do' in any given situation. Women are lovely creatures, men are strong defenders, women are praised for being strong and cool-headed when they're together, but in action they often tend to make things worse, panic, and do obnoxious things, like many women in many books written by men before the 90's often did.
The second problem, that made this book unbearable, is how every character goes on the longest mental tangents and trains of thought about anything and everything. If they see a strange walking across a snowy landscape, they'll pause to wonder if they're friend or foe, contemplate on the savage instinct of man to be afraid of what they don't recognize, ponder for a page or two about how to logically approach such a person in a peacable way, wonder if the 'peacable way' they think of would translate to anyone, bla bla bla etc etc. And then when they DO actually meet and talk, it's just as bad, everyone over-explaining everything to one another like a bunch of logic engines that need to catch every character up on everything the reader already knows and then EXPLAIN IT so we're not confused by the nuances of human nature, however distorted they might be.
An obnoxious waste of time, however little time it proves to be.