Uma visão compacta de um dos maiores arquitectos do mundo. "A arquitectura moderna não significa a utilização de novos materiais, a principal coisa é trabalhar com materiais para uma linha mais humana". Alvar Aalto O arquitecto finlandês Alvar Aalto (1898-1976) foi fortemente influenciado pela paisagem do seu pais, natal, bem como pela luta política sobre a localização da Finlândia no âmbito da cultura Europeia. Após os primeiros edifícios neoclássicos, Aalto virou-se para ideias baseadas no Funcionalismo, transitando posteriormente para uma direcção de estruturas mais orgênicas, com o tijolo e a madeira a substituir o gesso e o aço. Além de conceber edifícios, móveis, luminárias e objectos de vidro, com a sua mulher Aino, também pintou e era um viajante ávido. Era um firme crente que os edifícios têm um papel crucial na formação da sociedade, Aalto disse certa vez: "O dever do arquitecto é dar à vida estruturas mais sensíveis."
“In theory I’m a damn liberal and a man of the opposition, but in practice I’m an architect and in general a great guy!”
I've always been enamored with Saynatsalo Hall, so I figured it was time to get better acquainted with Aalto's body of work. As with all Taschen publications, this was a good introduction to him and his work. I liked Aalto's formal explorations and his bold usage of curvilinear geometry, especially in conjunction with the softness of his materials and in contrast with the rigidity of his rectilinear geometry. I particularly enjoyed it as used in his ceilings: Maison Carre's beautiful entrance and the Viipuri Library's amphitheater. I can see why he became such a huge inspiration for the trending Scandi-style interiorsl however, there is a sense of authenticity and curiosity in his work that lame Pinterest copies cannot emulate. I liked his work on acoustics and material exploration, but I am not head over heels with his work. Good to learn about regardless, though.
Quotes:
The young architect Elissa Mäkiniemi and Alvar Aalto were married on the 4th of October 1952.
“Architecture cannot save the world, but it can set a good example.”
Paimio Sanatorium
romantic functionalism finish pavilion northern lights wall Experimental summer house The construction has a heroic location
that is reminiscent of the nature- oriented Greek temples.
30 kinds of brick on the facade to experiment
“Free-standing walls and openings suggest something past and lost; in this lies the nostalgia of ruins. The relationship of the building to nature appears almost mythical. Aalto wrote in 1921: “Nothing old is born anew. Yet it doesn’t disappear completely either. And what has already been arises again and again in new form.”
House of Culture
Wedge-shaped bricks invented for wedge-shape building
Community center commissioned by communists
Church of the Three Crosses
Lead glass window crown of thorns theme
The walls are partly straight and partly curved due to acoustic reasons, according to Aalto. Lutheran church services require three central points for every church hall; altar, pulpit and organ loft, where the choir often stands. According to Aalto's solution the partition walls diagonally across from the pulpit have a curved form; they cut off the corner of the hall furthest away from the pulpit. Thus, during the sermon, churchgoers all sit about the same distance away from the pulpit. The organ loft is located to the right of the altar above the entrance. During the planning of the acoustics of the interior a miniature model was used with mirrors reflecting rays of light, intended to make the sound waves visible.
Maison Carré
DEJI: Glorious entrance with the curved pinewood ceiling
Neue Vahr Block of Flats
Interesting floor layout
Finlandia Hall as “sounding body”, brittle Carrara marble
This entire review has been hidden because of spoilers.
Not sure if the writing, the editing, or the translation was poor - likely all three. Thank goodness the text was short and the photos were interesting.
I love Aalto's work, but this book was just dry.[return]I give it 3.5 only because it's meant to be an inexpensive introduction to Aalto's work, and it is inexpensive..but the writing is just dry. You really get nothing from the articles about the buildings..but it is a nice intro to the architect's life and it does showcase a few of his best works...albeit in a dry manner..[return][return]If you aren't really interested in his work, this is perfect for you.[return]But if you want a decent look into some of his buildings and materials and philosophy, then your going to have to splurge a little
There is nothing wrong with Aalto and his beautiful works but the book is very dry and doesn't give much information apart from dates and descriptive annotations. It's good to have on a shelf, to leaf through photos, but that's probably it. Anyway, for Aalto's sake worth having and looking through.