Some writers write fiction, some non-fiction, and never the twain shall meet. Right? I don’t think so. A good writer can write whatever they want. Perhaps the best example living today is Peter Matthiessen.
Matthiessen started his writing career as a novelist, a spinner of tales, but he is perhaps best known for some of his non-fiction works, “Wildlife in America” (1959), “Snow Leopard” (1980), “In the Spirit of Crazy Horse” (1983).
In the 1990s however, he returned to the novel and wrote what is known as the Watson trilogy. The first, published in 1990 is “Killing Mister Watson.” It's set in Southern Florida, in an area on the Gulf Coast west of the Everglades known as Ten Thousand Islands, a lawless region of swamps, islands and mangroves, where outlaws hid and opportunist poachers and plume-hunters patrolled by boat.
“It’s the dead silence after all the shooting that comes back today, though I never stuck around to hear it; I kind of remember it when I am dreaming. Them ghosty white trees and dead white ground, the sun and silence and the dry stink of guano, the squawking and shrieking and flopping of dark wings, and varmints hurrying without no sound—coons, rats, and possums, biting and biting, and the ants flowing up all them pale trees in the dark snaky ribbons to bite at them raw scrawny things that’s backed up to the ege of the nest, gullet pulsing and mouth open wide for the food and water that ain’t never going to come,” writes Matthiessen.
The storyline is based on local legend, the killing of Edgar J. Watson by townspeople, who decided to take the law into their own hands. They were afraid. Watson was an ill-educated, jingoistic, entrepreneur; a powerful land-owner with a sugar cane plantation who readily boosted, after a drink or two, of having killed 57 men, if it suited his purposes and it often did. If a laborer complained of not being paid in several weeks, that laborer might conveniently disappear.
The story is told from 12 perspectives: interviews with early settlers in Florida. Rich in local color, it’s a well-written, well-constructed novel.