As a lead-in or companion to Hamlet, this book is very good. It's one of the No Fear Shakespeare group's three graphic novelizations, and I'd say it falls smack in the middle -- not as good as the Romeo and Juliet version, which is itself a thing of beauty, yet better than the Macbeth version, which I just didn't like.
It's no surprise that No Fear has commissioned artists to depict three of the bard's plays that are most taught and read in high schools; their point is to make these stories accessible to youngsters who are removed not only from Shakespeare's early modern language but also his Elizabethan England. I am absolutely in support of this project and -- no surprise here -- I fully intend to photocopy and share a few excerpts of this Hamlet with the college students I'm reading the story with in a few weeks.
Now, all compliments aside, let me say a few words about the artwork, which is to my mind this book's best and worst features. It's very attractive and ambitious, penned by the inventive Neil Babra. I like the artist's sense of space -- the way the pages are divvied up into smaller boxes with curves rather than straight lines, etc. And I especially like Babra's unusual but telling use of speech bubbles. When Hamlet shouts his vitriol at Ophelia and his mother, the words emanate from his mouth like frothy poison. When Laertes, in his dying breaths, implicates the King in their plot to kill Hamlet, the speech bubble wraps itself around the King's neck, like a noose. The visuals go a long way in bringing to life these characters and their words, which even in modernized translations are unusual. However, I think Babra overdoes the visuals just a bit, sometimes making too dramatic or flashy the events of the play, and this happens especially during the characters' monologues, when images from their speeches are collaged together behind the speakers' heads. How many times do I need to see Hamlet look into a mirror, a shiny floor, a pool of water, and see as his reflection a skull? I think once would have been adequate.
But if you're interested in Hamlet or have plans to share the play with the so-called Great Unwashed, pick up this book. It could be an invaluable learning tool.