2.75 ★— I feel like I have to preface this by saying that my only other experience with Scarlett St. Clair was her Hades/Persephone retelling, which I thought suffered from a weak plot and an unenjoyable heroine.
So, I went into this with lowered expectations, intrigued by the prospect of a story that wove in wider Christian mythology. I love stories centered around Lucifer, Lilith, Archangels, and all that, and this story obviously plays with that connection, its world fully anchored in those roots.
After finishing this, I’m feeling very meh on this. On the one hand, because I knew what to expect, my lowered expectations helped me enjoy this as a sort of trashy, unserious read. But, still, I didn’t enjoy it enough to rate it higher, because — damn — I really don’t feel like the author did anything with this book’s themes or plot.
It was just thoroughly mid, I’d say.
World-building
It’s barely there. The author never really painted a picture of what exactly this world is that the characters exist in. There’s some setup — apparently it’s in the desert (mentioned once?) and it’s a seedy, dangerous city? The world is super misogynistic? Somehow Lilith is the daughter of a well-known family, an heir who needs to be married off? And Zahariev is too? But these factors are just thrown in and not really explored.
There’s also this whole weird subplot at the beginning with Zahariev being a club owner and Lilith wanting to dance for him, which is dropped quickly. It’s like the author was doing so much here and somehow nothing at all.
And this ties into the Christian mythology elements too — it all felt really hamfisted. The references to any of it seemed added more for aesthetic and vibes rather than being meaningfully woven into the plot or world-building. The wider mythology clearly took a backseat to the romance drama, and it ended up feeling shallow and underdeveloped.
Feminist Themes(?)
I’m gonna be honest here… I don’t see where the feminist themes are. The FMC has a traumatic upbringing due to this world’s obvious and deeply embedded misogyny, but the author really does nothing else with it.
She’s constantly saying she fled her home to make her own way, to stand on her own… and yet in this story, it felt like she barely managed anything that didn’t end with her being saved by a male character.
She’s constantly surrounded, saved, helped, and coddled by either Zahariev or Gabriel. What exactly am I supposed to find feminist about this? I wouldn’t even mention it if the feminist angle weren’t explicitly mentioned in the blurb and used for marketing. Clearly, I’m supposed to find something feminist here? And it’s just not there.
Characters
Lilith, the heroine, is a woman from a wealthy but oppressive family trying to make her own way, and she just… gave nothing. She keeps harping on about wanting to make it on her own, but as I mentioned before, this doesn’t actually happen.
It really felt like the author randomly dropped the reader into the middle of a story — there are all these connections and characters Lilith supposedly has deep backstories with, but it’s just not well communicated to the reader.
The other characters barely made an impact. The female background characters are basically ornaments in the story and don’t play significant, active roles. We’re told there’s a deep bond and friendship between them and Lilith, but most of the time it felt quite shallow and boring.
Romance
Uninteresting. The FMC doesn’t hide how immediately thirsty she is around the MMC, and after the third or fourth time of her basically begging him to sleep with her, I wanted to stop reading about them.
The MMC was similarly wanting but hid it “for her protection” (ugh). It’s such a tired dynamic. I think I got even more annoyed when she kept denying that he obviously liked her, which every character in the story comments on and is obvious to absolutely everyone.
There was nothing compelling about their dynamic. She was basically a constant damsel in distress and he was the “Alpha nobody-touch-her” guy who kept his distance “for her own good.” They both clearly wanted each other, and there was no real tangible reason they weren’t together.
Since I didn’t care about them, their sex scenes didn’t do anything for me either. I guess they were sorta entertaining, but not much else.
Dialogue
I have to mention this because I read parts of this and listened to the audiobook for other parts, and thus had to listen to narrators say these lines… Wow, was it cringy at times. Zahariev threw around the tired bad-boy Alpha lines left and right, and it squicked me out so much. And Gabriel calling her baby girl every other sentence grated on me — especially in the audiobook. It annoyed me so much.
Audiobook / Narration
Totally apart from the story — the female narrator was great! I really have no complaints there. But the male narrator didn’t really match what I thought of the MMC. He seemed a little too grizzled? Too old? The hero was canonically only eight years older than the heroine, so hearing him narrate Zahariev’s POV chapters after the female narrator (who fit so seamlessly) threw me off sometimes. But maybe that’s just personal preference.
Final Thoughts
I feel like I’m not the target audience for this, but sometimes I like a more fun, no-brainer read to relax. With this, though, I just felt like it didn’t give me anything to really like. The plot felt too shallow, the world-building too thin, and the characters felt flat. And while the mythology and themes had so much potential, it felt slapped on rather than thoughtfully explored.
I didn’t hate it. It was fine as an audiobook, but I’m pretty sure I would have liked it less if I’d only read it. Honestly, the audiobook saved a lot of this for me.
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Thank you to NetGalley and Sourcebooks UK for the ARC, and to RBMedia for the ALC, in exchange for my honest review.