Oooh boy. This one just about broke me. This one will be long. Apologies in advance. Also - this is all my opinion. Yours might differ, and if that's the case, that's great for you! I'm happy that you enjoyed this book! Unfortunately, and to my great misfortune, I did not.
I want to preface this review by saying this should have been a slam dunk. A fantasy romance inspired by Gladiator, one of my favorite films ever made (yes I know it's not historically accurate, I'm a historian, but unfortunately I choose to love it anyway, leave me alone)? I should have loved this. Unfortunately, I don't. I want to also add that this is in no way intended as a personal attack against Robson - I don't know her, she could be a perfectly lovely person and I'm sure she has written some excellent books. I just don't think this one is quite there yet, and given the number of delays on this book, it's a damn shame.
I'm going to start by talking about what I DO like about this book. Unfortunately, all of these things were not enough to save this book for me.
This story has a very interesting premise. I love the idea of the brutality of gladiator games and the politics of ancient Rome being brought into a fantasy setting. There's a lot of potential in a story like that. I wish it had been executed better, but we'll get there.
I do love the glimmers of social and political commentary that Robson has sprinkled through this story. There is definitely commentary throughout on class, social, and political disparity and inequality. The act of closing borders to those who seek a better life is openly discussed. This is all the stuff I appreciate and expect in a work of fantasy worth its salt. There just isn't enough of it.
I also appreciate Robson's day job as a nurse is being put to work here. She's very good at describing injuries and making them feel realistic. She's using that medical knowledge, and I appreciate it because those moments were genuinely highlights for me. She's also pretty good at describing action sequences.
The third-act event (I am being intentionally vague to avoid spoilers) was pretty well rendered and I felt like the book kicked things up a notch and regained my interest in actually finishing it. It is directly out of Gladiator in tone, placement in the story, and its attempt at emotional impact, but given that movie is one of my top 10 favorites ever made, I probably liked it because it reminded me of how much I cry like a baby at that movie every time I watch it, not actually on its own merits.
Now onto the stuff I struggled with - or outright disliked. It's a lot. I'm sorry.
I'm sorry to every person who prefers first-person narrative but it's bad. This book suffers so much for it - but even more than that first-person present tense is genuinely one of the worst ways to write anything. It's genuinely painful to read because NOTHING feels organic in the writing of it. Not only is it cringe (I loathe cringe culture but here we are), but scenes where the author is trying to convey intense emotion end up just reading as ridiculous and silly - and leave a lot of detail that I would prefer to see off the page. I know a lot of people prefer to inhabit the mind of the main character in books these days - I don't - but I can often look past the first-person perspective if it's done well. It is not done well here. I spent 90% of the book feeling like everything about it would have been at least a bit better if it was at least in the past tense. There's something about first-person present tense that feels intensely juvenile and half-baked.
A lot of reviews I read leading up to reading this would have me believe that the romance is a side plot. This is false. The romance is the main aspect of the plot. The politics are barely cooked through, there is very little court intrigue, and overall the plot does not satisfy my desire for worldbuilding or give me a reason to care about any of these characters. None of them are fleshed out in any satisfactory way for me, the romance does not have an ounce of chemistry (I'm sorry but I'm tired of instant lust/love and I'm tired of main characters "fighting" their attraction to each other for about 45 pages before they just want to get in bed), and after 400 pages I still could not tell you anything about the world this takes place in besides Seirtos having a plant that is used to make perfume at the cost of the people who cultivate it for export. The map at the front of the book was not useful in any capacity because I learned nothing about this "Old Erth" setting. The romance is the center of this story and it's extremely bland because we see not one scene that convinced me that these characters fell in love over any degree of time. It was like I turned the page and suddenly they were in love.
I also genuinely hated every single sex scene in this book. And before I'm accused of being a prude, I love romance and smut books. I just finished a very spicy lesbian vampire romance that I enjoyed immensely and felt like the sex scenes were well done because intimacy and emotion were conveyed in a way that felt mature, realistic, and thoughtful. These were not. Both perspectives sucked any enjoyment out of them because quite frankly, I hated both of their internal monologues about what they were doing or experiencing in every sex scene. It felt very awkward and not remotely organic. I'm struggling to explain this, but it honestly gives me the impression of the cheesiest, most uncomfortable adult film you accidentally stumbled upon at 14 that was written and directed in the 70s, with the soundtrack to match.
Moving on,
We are told about many other species and races within this setting. I know next to nothing about most of them, most of their cultures, or what the majority of them even look like. About halfway through I started glossing over any names or passages referring to species other than humans and elves because they ceased to feel relevant by that point. There's no cohesion to this world, it just feels like a big old soup pot with everything the author could think of thrown in with no explanation for at least their place in it. Maybe not everyone needs that level of detail, but I do. I like to know how these groups interact with each other, what they have in common, and what they don't.
This extends to character's names. There is almost no rhyme or reason to the naming conventions in this book. I think the only convention I figured out was that ogres most often have 3 letter names. That was about the only thing I gleaned about anyone. I would have appreciated it if there was some passage explaining naming conventions, but instead, it felt like syllables, consonants, and vowels were thrown in a blender for the sake of sounding "fantasy-ish." What I'm getting at - and I hope you've figured out by now after all this - is that there's no world-building. Nothing is explained, and when it comes to fantasy, there is an expectation on my end as a reader that we will get at least some degree of explanation of the "rules" of the world we are in for 400 pages. There was barely any attempt at this, and what was there felt like it was just there for the vibes and didn't feel thought out at all.
I'm kind of running out of steam at this point - I've been writing this review for an hour - and I am just going to close on this: Red Tower Books has gotta get their business together because most of their published novels have been a full miss. I have - to date - only enjoyed the Assistant to the Villain series. I'm giving one more book by them a shot, and if that one is just as infuriating to read as this one, I'm washing my hands of this publisher - except for the aforementioned series, because I do love that one. There is just too little time in life to spend reading subpar books that masquerade as fantasy but are really just romance novels with the dressing of the genre to get people to fork over $32.99 USD for a pretty cover and sprayed edges but none of the substance that that price deserves.