Now in its fifth edition, this fully revised and expanded tome is simply the greatest music reference book around and, with over 150,000 copies already in print, The Great Rock Discography has established itself as THE music Bible for record collectors. Produced in collaboration with MOJO magazine--U.K.'s leading rock monthly--the book is organized alphabetically and covers more than 1,000 bands. This massive labor of love has it all-from Abba to ZZ Top, B. B. King to Queen, James Brown to Pink Floyd, Radiohead to Television. In short it contains everything you need to know about everyone you need to know about. Each band entry features complete discographies that detail every record released, full track listings for each album, B-sides for each single, expanded biographies and band histories, catalogue ordering numbers, top U.S. and U.K. chart positions, and recommendations of must-have recordings and essential listening.
Apparently after the 2001 edition the series went downhill as it started to exclude many bands in favour of them being included in the spin off series' which collected Indie and Metal discographies. Regardless this was the book to have back in the day when the internet was still young and you had to rely on fan pages that would get abandoned or stagnate not updated for months or years. Now it's probably easier to use Discogs but there's something about flipping through a book which is just a different experience and I'll always be fond of this book for helping me find information on B-sides and EPs I didn't know existed.
THE GREAT ROCK DISCOGRAPHY - 7th edition – Martin C. Strong.
Thoroughly comprehensive. Fantastic resource. Hundreds of hours worth of solid reading. (No I have not it all!). Here are some examples.
BOB DYLAN (p460) In 1963 he unleashed 'THE FREEWHEELIN' BOB DYLAN', .. a pronounced development in DYLAN's songwriting dexterity on tracks like the cutting 'MASTERS OF WAR'. While his untrained, nasal vocals could be something of an acquired taste, they communicated the lyrics in a way that lent them greater depth and resonance. … Dylan stunned folk purists with the half electric/half acoustic 'BRIGING IT AL BACK HOME' (1965). The newly plugged in DYLAN was a revelation an with the likes of the stream-of-consciousness 'SUBTERRANEAN HOMESICK BLUES', the album influenced in turn the bands DYLAN had taken his cue from. (p460) - - -
RAGE AGAINST THE MACHINE (p1251) Signed to 'Epic' partly on the strength of their famous live reputation, the band divebombed their way into the UK charts after performing the incendiary 'KILLING IN THE NAME OF' on cult 'yoof' TV show (now sadly missed), 'The Word'. On of the most visceral, angry and overtly political record of the 90's, the song formed the centrepiece of their pivotal 1993 eponymous debut album. A revelatory hybrid of monster riffing and knotty hip hop rhythms, the album was venom-spewing and utterly defiant. .. The vital point was that this was one SERIOUSLY angry young man, raging against all kinds of injustice, mainly the ruling white American capitalist system. … how many bands of the 90's have had the balls to be openly political?, or rather, how many bands even know the meaning of protest? (p1251)
Love true history! And this book lists rock and roll, the bands, the labels, the history. For me, what I need! Coolest part of the book, I found it at a thrift store for $2. What a deal.