This is a selection from Curtis' twenty volume picture documentary of the North American Indian. The story of the thirty years he dedicated to the project is interesting in itself. His single-minded focus placed stress on his family and ultimately led to the breakup of his marriage. He lived on the financial edge, constantly searching for funding patrons. The author writes that Curtis was "an artist with a complex view of his subjects." His views on Indians somewhat reflected his time, and the methods he used to obtain his photos have been subjected to criticism.
Curtis wanted to complete as much of his project as he could before the native culture disappeared under the influence of the whites. Each picture selected for this particular volume projects a strong statement, both as documentary and art. A crow medicine man poses with an eagle headdress, a portrait of Bear's Belly wearing a bear skin, two Cheyenne men in ceremonial paint for the Sun Dance that reanimated the earth, and seal hunters in kayaks all testify to Indians' powerful connection to the land. Yet, Curtis also captures the waning of native North American cultures with portraits of a wife and daughter in traditional dress with a husband in a Western suit, and a Nez Perce matron in traditional dress with a cross on her necklace. As we leave the past, Curtis' photos reveal a powerful story of what has been left behind.