In 1800, in Richmond, Virginia, a twenty-four-year-old literate slave known as Prosser’s Gabriel planned an insurrection involving thousands of African-Americans freedom seekers. The rebellion did not succeed – a mixture of bad weather and betrayal prevented the revolt from even starting – and Gabriel, as well as a few of his co-conspirators, was executed. Come August, Come Freedom was inspired by this moment in history and is a reimagining of Gabriel’s early life as well as his motivations based on historical evidence and the extensive trial documents available. Here, Gigi Amateau imagines his private life and intersperses the story with facsimiles of historical documents.
Her own motivation for writing this story is simple:
By immersing myself in the history and documents related to Gabriel, I eventually realized that if Gabriel’s story is to be lifted up as an essential American story, then we all must tell this story over and over again so that Gabriel’s story takes its place in our canon of defining moments. Many founding heroes, sheroes, and patriots have become part of America’s collective story. Tales of such people teach us something and exemplify the qualities we admire in our great citizens. Gabriel’s Rebellion reveals so much of the thinking of our leaders in the early days of America, the rampant liberty fever that was worldwide by 1800, and how enslaved people were engaged in the pursuit of freedom and the call to end to slavery long before the Civil War broke out. To me, Gabriel and Nan’s story ought to join our larger American story of freedom-loving patriots who lived and sacrificed for the cause of our liberty.
As such, Come August, Come Freedom succeeds and surpasses what it set out to do – Gabriel and his wife Nanny indeed come to life as heroic freedom fighters. It presents Gabriel as a man of his time, immersed in the ideas of freedom circulating both within America (in the aftermath of the Revolutionary War) and from abroad (in Haiti, black slaves had just fought for their freedom – and won). The book also presents an interesting context for this particular rebellion and how it could have possibly come to be in terms of its organising. At that particular point in time in Virginia, many slaves had a certain degree of mobility: slaves from different plantations were allowed to assemble every Sunday, slaves could be hired out (a way for owners to make some extra money, but also afforded the slaves to save money for themselves and possibly buy their own eventual freedom). Also, some slaves were literate. These different opportunities meant that slaves, like Gabriel, could meet and plan, organizing their rebellion. After the failed uprising, however, Virginia passed new laws that forbade those ‘freedoms’ to prevent future rebellions.
It is known that Gabriel, the historical figure and protagonist of this book, was literate and that he was also a skilled blacksmith. Amateau posits the idea that he would have trained in the city of Richmond where he would have come to hear revolutionary ideas that would fuel his dream of freedom with hope.
Beyond the research behind the book, there is the beautiful, almost poetic writing and the realistic depiction of characters. The book’s opening immediately sets the tone, beginning on a Sunday morning as Gabriel’s ma (one of the few invented characters in the text, as we know nothing about his mother) prepares to nurse her own child after spending the whole week first feeding her master’s son Henry, Gabriel’s milk brother:
She stretched out long in the grass and nursed her six-month-old son
without interruption. After a while, Gabriel opened his walnut eyes, and Ma gave him her other breast. On some Sundays, he got his fair share. Ma stroked Gabriel’s troubled brow.
“Eat all you like, child. Take what’s yours.”
Although this is a thoroughly invented scene that employs the author’s poetic license, the core idea of awareness about the utterly ugly reality of slavery, conveyed in this scene, is one that pervades the entire book; it is a reality that we can imagine informed Gabriel’s real life. It is perfectly, horrifically, conceivable that Gabriel’s experiences growing up on the plantation where his family and friends lived and suffered, where he witnessed families being torn apart with the sale of a son or wife to a different estate, also made a huge impact. There is no “good, benevolent master” here, on the account that there is no such a thing as a “good” owner of slaves. There is no happy slave either – although there are those slaves who, hopeless, have accepted their lot in life.
The story here is both beautiful and heartbreaking. This is a book for children and I appreciated that it doesn’t shy away from the brutality and the truth of slavery at all. One of the most impacting scenes is Nan’s memories of the humiliating moment when she was up for sale in Richmond, dehumanised and treated like a broodmare.
In terms of the actual writing and plotting of the book, Come August, Come Freedom is a bit vacillating and episodic – perhaps due to the lack of factual information. It takes several liberties when it comes to exploring the possible internal motivations for Gabriel’s rebellions and with his personal life, and spends little time on the actual organisation of the upraising. That said, I understand the choice to reflect the man rather than the leader.
A huge part of the book depicts Gabriel’s love for his wife Nanny, and this is a beautiful love story. An even greater part of the book depicts their shared love for the idea of freedom. And that’s the most beautiful thing of all.