Nathan Heller, ex-cop turned private eye, brings the reader back to 1930’s Chicago, where mob leaders seem to be the true rulers in the city that is hosting the World Fair. Nate is presented with a simple case as a doubting husband asks the detective to keep an eye on his wife, who seems to have other friendly men around when the husband is out of town. But things get complicated quickly as Nate begins to believe to lovely wife might be keeping company with one of the most sought after men in the country; Bank robber and public enemy number one, John Dillinger.
“True Detective” presented a winning combination of fictional characters being placed into a very well researched historical background. Imaginary detectives rubbed shoulders with Frank Nitti and Al Capone, classic true crime cases were looked at from different angles, and situations that seemed just a little to be true, turned out to be actually… true.
Luckily, most of that concept set up in that particular book, is held unto in its successor “True Crime”. But while “Detective”, though a big book, could in essence be brought back to a simple plot, “True Crime” has much more meat on its bones, and fat, too. Collins’ extensive research can be found back in every chapter, but while all this information served to support the story in the first part of this series, it becomes a bit too much during the second installment. Though the combination of noir/detective material and true crime cases from the 1930’s is as strong as in “Detective”, the amount of historical material and references is a bit overdone in this book. Situations, people and places are discussed without there being any real reason or connection to the story at hand. Similarly, much of what occurred in “Detective” is brought up during the opening chapters of “True Crime” as reminder, only to be nonchalantly cast aside by Heller since they are of no importance to what is happening right now anyway. Truth be told, one could read this novel without having read a single word from its predecessor without missing much.
The same comment can be said of the plot. Or plots, rather, as new costumers continue to offer Heller cases throughout the book. Though most of them come together in the end to create one big story, some unanswered questions remain, and side-characters are shoved offstage once they’ve served their purpose, not to be heard of again.
A shame, not only because the overload on information and characters at times kills the tension, especially during moments in the second half of the book. But also because with this book, Collins proofs to be a great writer, with good feeling for pacing, excitement and tension. Even though it’s not as great a book as “True Detective” was, “True Crime” makes for an entertaining, interesting read.