A new year and a new chapter for Best American Short Stories! Heidi Pitlor’s tenure has ended, and Nicole A. Lamy has taken up the reigns.
Alas, I think we’re starting on a little bit of a downer note. :/ 2025 isn’t my favorite edition of BASS. But I’m in this for the long haul, and will be back next year!
Meanwhile, Lamy introduces herself by sharing her credentials: from an 8th grade project featuring a BASS story, to getting sand in her copy of Little Women (intense beach reading), to frequenting bookstores for authors she found this year. I will say, I added two books to my TBR based on two of these short stories. So we’re of a kind!
Our guest editor, Celeste Ng, steps in with an ironic edge. She has to write the intro, and she admits she never reads BASS intros. And yet, what is an intro besides a place to talk about her personal taste in short stories? It’s almost a defensive argument for her curation process. Maybe that’s a little unfair. I liked her take on why the stories spoke to her. But I can’t help but notice most literary fiction writers being drawn to science fiction, then diminishing the genre in their analysis of the stories. (Eg, her analysis of “Till It and Keep It” by Carrie R. Moore is that it “transcends the ‘cli-fi’ genre by weaving a nuanced story about sisterhood…etc.” If you’re not gonna get anything out of reading about speculative environmental issues, why not just stick to realism??)
Granted, I found myself more ornery than usual this year, highlighting stories that stuck to my preferred styles and topics, yet still nitpicking at them, too. Here are the seven stories that particularly struck some sort of chord.
“Dominion” by Lauren Acampora (The New England Review.) A retired oil magnate invites his granddaughter’s elementary school class to his vanity menagerie. When (albeit mild) tragedy strikes, we get a look into his internal defensiveness, and even a desire to do good. It’s a little on the nose, and I kinda wish we got the POV of his more sympathetic wife, who was nevertheless part of this endeavor. It’s probably my fave story of the collection, and I added the novel where this character appears to my TBR.
“What Would I Do For You, What Would You Do For Me?” by Emma Binder (Michigan Quarterly Review). Granted, this story largely jumped out to me because I’ve read it before! Thanks to my on-and-off subscription to Journal of the Month, they sent me the issue of Michigan Quarterly Review where this story first appeared. I reviewed it on BookTube and now I feel like I’m in with the in crowd. :P Anywho, this story is about a trans man coming home for the first time to his small, rural town. I think what I appreciate most right now is the juxtaposition of Cody’s family life, and the action of the story where he saves the guy on the ice. Because the ensuing bar scene was so tense that I wouldn’t grasp onto why he feels such affinity for his hometown. But the first part adds that texture.
“Gray, Cotton, White Lace Edges” by Isabelle Fang (McSweeney’s). This is a two-fisted story, one about an Asian woman who sells her panties online and one about an Asian woman in a “mail order bride” reality TV scenario (granted mostly from the POV of the first Asian woman.) The beginning was a little clunky, but both stories are about the melding of the real and not real in relationships. Both are about Asian American women who are eroticized by older white men. The panties story, since its longer and the main POV, allows for more nuance about what the characters are up to. The reality tv story invites more broad insight into the allure of transgression.
“The Clean-Out” by Yasmin Adele Majeed (Narrative). A Filipino-American family addresses old wounds while cleaning out the house belonging to their husband/stepfather/step-grandfather. I liked the complicated tension between the mother and grandmother, and the way the house was its own repository of family history. I thought the bird’s fate hinted at the human entrapment. I do wish the daughter POV had more of a personality—some of the passivity came from the fact that she was talking from the future.
“Seven Stories About Tammy” by Elizabeth McCracken (Zoetrope.) These seven sub-stories are a culmination of a WASPY family’s relationship to an enigmatic, opinionated in-law. They chronicle the family’s first meeting with the in-law, all the way up to her death. Some of the younger brother’s sections jumped too much in time for me, making me want a sweeping family novel instead. But overall, McCracken nailed the short story that feels like a novel, and it’s likely my second favorite in the collection.
“Angelo” by Andrew Porter (Ploughshares.) Two guys are sexually involved as they navigate a perilous young adulthood, but then one of them marries a woman, leaving the other pining for him. I liked the bittersweet grief about how love and dreams can be lost due to broken families and lack of commitment. But I didn’t get the full sense that the young men started out this story in high school. It felt a little more like the go-nowhere, drug-addled, small town-living haze of young adulthood.
“An Early Departure” by Jessica Treadway (Five Points). To be honest, this is largely a “mirror” story for me, given the focus on a spinster aunt’s relationship with her sister’s children. I’ve often claimed I would defend my niece and nephew, even if they robbed a bank. But what would it really be like if one of them asked me for a short cut to get them out of trouble? Would I be depressed to disappoint them? Yes. Would I feel jilted if they tried to butter me up? Yes. I arch my eyebrow a little, in this instance, that the nephew’s university didn’t alert his parents to the situation. (Maybe cos he’s technically an adult?) Still, the story is forthcoming in a collection by the author coming out this year, so I added it to my TBR. Third fave. :p