I really enjoyed it!
It may have helped that I knew almost nothing of the plot going in. I mean I'm a big Trek fan (I've watched 90% of TNG, a good amt. of the first two seasons of DS9, some Voyager, all 4 TNG films, and all of Picard), but I purposely went into this book blind. (The more experienced I am with film and literature, the more I prefer to go into new stories with no expectations.)
The first thing I'll say: Expect a slower burn than some of the more 'thriller' type stories of the Next-Gen litverse (e..g, A Time to Kill, A Time to Heal, Resistance, Before Dishonor). However, I would argue that this slower development pacing allows for the book's greatest strength to blossom: its textured, nuanced character development and emotional messaging about humanity. Like any good Trek story, there's an ongoing mystery that you are pursuing, but rather than advancing in a pulse-pounding, page-turning fashion, it's simmering in the background while you bear witness to the inner lives (hopes, worries, values, regrets) and social dynamics (boundaries, authority, power dynamics, social roles) that exist and evolve between the characters.
While I have few complaints about how the principal TNG characters were developed over the series and films, one theme/motif that I think *was* underutilized on TNG were: character flaws and flawed characters. Sure, each member of the TNG ensemble has their flaws (Data struggles to grasp human inner life, Picard is rigid and callous, Worf is aggressive and boorish, etc.), but few, if any of these were ever played as 'fatal' or even near-fatal flaws (I put Picard's 'Ahab' stubbornness in First Contact as a welcome departure from this, but I would argue this should have happened sooner than nine years into the franchise!). So I found Q&A particularly magnetizing in that it spends a good deal of time exploring each character's flaws and their subtle consequences. (More detail on that below.)
Indeed, Q&A gives you time to almost voyeuristically watch both the inner lives and social dynamics of the crew, for there is a lot to chew on. We really explore:
–Geordi’s discomfort with Miranda Kadohata and his processing of grief over Data.
–This part is going to be a bit of a tangent, but I love the way Trek lit of the post-Nemesis era treats Worf, which I believe is a welcome breath of fresh air for him as a character. I say this because I never liked the way he was played on TNG — little more than the 'token Klingon,' struggling to suppress his deep-seated 'honor culture' roots in order to prosper as an Enterprise bridge officer and Federation citizen. Sure, he faced some grueling challenges and in the end, always conducted himself with utter integrity. But virtually subplot of his on TNG somehow or another relied on him being this 'noble savage,' and the post-Nemesis book series finally evolves him past that. Indeed, having evolved through the roles of: Enterprise-D security chief, strategic ops officer on Deep Space 9, commanding officer of the Defiant, Federation Ambassador to Qo'nos, and now, first officer of the Enterprise — his identity is now his own. And this book (and those that come after it) treats him like a leader who approaches problems with his own nuanced thinking, matured over time through these various experiences, rather than as simply 'the adopted Klingon caught between two worlds.'
–The introduction of Miranda Kadohata and Zelik Leybenzon. While unique to post-Nemesis Trek lit (they've never appeared on screen, to my knowledge), these two characters are beautifully fleshed out: complex, three-dimensional, and flawed, they are integral to the plot and by the end of this book (and *especially* in the next two books), they feel every bit as much 'principal cast' as Picard, Worf, Crusher and Geordi — and I applaud the authors for affording them that kind of development. (I don't want to give too much away, but Lebenzon — including his personality and his story arc — have a very interesting juxtaposition to Worf's, particularly given what I just talked about above. And what's more both of these characters begin to really take off in the next installment, Before Dishonor, and play off of each other in really interesting ways.)
(I would also count T'Lana among the 'new entrant' characters who become developed enough to feel 'real' among the crew, but she doesn't *really* begin to take off until Before Dishonor — but when she does, it's very good.)
–I also enjoy the way the crew strategizes around dealing with 'Q', despite having so much less power than he does.
So in the final analysis, while this isn’t a “thriller” by any means—there is a ‘mystery’ and it moves rather slowly—it managed to work for me and I was kept interested the entire time thanks to these deep, complex character studies.
As I said at the beginning, I knew nothing about the plot of this story going into it. And while every 'Q' story is guaranteed to have 'Q shenanigans' in them — i.e., Q trolling Picard and crew — these stories almost always bring something more than just 'shenanigans for shenanigans sake' and often are often 'gift wrapping' for something more emotional, truthful and human underneath.