Impressive world-building and a unique and exciting interpretation of vampire and demon mythologies are hampered by slow pacing in this story. The story starts with an explosion of violence and confusion, which works well, and the way the main character’s history was told in flashback chapters that run consecutively with chapters of the antagonist expanding her reach is smart. In that we meet a number of characters with a lot of potential, who are complicated and messy and connected to each other through all sorts of relationships, both deep and endearing and barbed and treacherous. The mythologies developed, revealed slowly, including the whole idea of vampire/demon religiosity, are exciting and feel like they could spawn a huge franchise.
The story still felt a little bit like a letdown, though. I liked the writing, it had an epic feel and yet was still naturalistic, with strong dialogue and character voicing. And I appreciated any given scene; they were all crafted well. But I felt the pacing never picked up after the initial set-up. Instead, things just kind of happened around our main characters, and it isn’t until a full 75% into the novel that they start being pro-active. When the action comes it is graphic and fun and effective, but it is a flash in the pan, with a resolution that would have been more satisfying if it had more build up. The other thing I missed, especially, were the character relationships. One of the strongest parts of the author’s previous book, Spite House, was the relationship between father and daughter. Here the main character has an incredibly deep relationship with her brother, and an equally important if not quite as deep relationship with her best friend, and those were explained to us but we didn’t really feel them until things started picking up in the back end of the book. Relationships, and what we are willing to do for others, is a strong connective tissue in the story, and while all the pieces were there I just felt like more could have been mined from the set-up. I wanted to be more invested in the characters, in the protagonists and antagonists, because they all came from tragedy and, to a large extent, were acting out of an unstable combination of self-preservation, desperation, and the wish to protect (or avenge) those you care about.
The characters, both main characters and ancillary characters, while under-utilized, are genuine and unique and I want to spend time learning more about them. The mythology and world-building are engaging and take on the familiar while adding to it in fun ways. The writing is thoughtful and intentional, and the action, when it comes, is bloody, emotional, and feral. The story has a lot of fun ideas that it is playing with, too, unflinchingly looking at what kind of monsters we might be transformed into through grief and desperation, as well as how a gluttony of violence is never as justified as it feels. Remorse and eldritch power go hand-in-hand with divinity and damnation, asking if there is much of a difference between the two when one is focused on power and domination. Really, though, it is the pacing that holds this story back and doesn’t give the characters enough to do or enough space to really explore how important their relationships are. If you like slow-burn stories with deep mythological centers then you will certainly have a good time here. I think all the pieces are fun but just didn’t come together in a way that particularly wowed me, yet I still had a good time with the novel and look forward to reading what Johnny Compton writes in the future.
(Rounded down from 3.5)