This is an ARC review. I have no personal connection to the author nor the publisher.
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Feelgood transpositivity and explicit, blow by blow sex in a loosely defined fantasy world.
Transwoman runs a sex toy shop in fantasylandia. She has an instalove with a courier woman. The courier woman has a son and they start an instafamily. That's basically the entire plot of the book. Some readers obviously aren't going to like this book, but I think that it can occupy the shelf of a select group of readers who will walk away from the book with a mostly positive experience.
I'm rating this book 4 stars because I think it achieves most of what it sets out to do. However, there are a lot of variables that can easily make this an unenjoyable read. I will do my best to explore these issues further on in the review, but I'd like to start by trying to explain how I think the book reaches its core audience.
When I figured out that I was reading cozy fantasy for translesbians this book made a lot of sense. The plot is easy going. All challenges are tackled quickly and without last consequences. Love is immutable, it conquers all, and there's never any doubt as to the happily ever after ending. It's the kind of story you can pick up and read at your pace.
It also centers a main character with fairly sever body dysmorphia and I could see this being a difficult reading experience for transwomen who has been on HRT for several years. Whether or not this world has HRT or some magical equivalent is unclear. What's important is that the main character, Lila, isn't using it. They do not have breasts and they use cosmetics and apparel to present feminine. No one ever misgenders her (in the text; more on that later) but she is uncomfortable with her body to the point that she frequently hides her naked body to her partner.
I wanna state that not every reader will have a problem with any of this as it's presented. It feels believable enough, but the story never gets into the nuances of Lila's mentality. What internal struggle present is there as a passing thought; a thing for her love to quickly overcome. There aren't deep conversations about identity or trauma and I think that will work for some readers. This is very much a feelgood story for transwomen still early in their transitions. It might be comically relatable for some and it might bring back cringe memories for others.
Another thing that I think detracts from the cozy fantasy vibes is the inclusions of transphobia--kind of. It's a little hard to summarize, but Lila frequently cuts down her acceptance by eluding to transphobic moments in her life. The transphobic moments are never seen. Not once. We do not witness her being harassed, insulted, or even given odd looks. The inner monologue tells us this happens, but it never occurs in the story.
Again I think this can work to help readers relate to Lila. Perhaps they have experienced an awful moment of transphobia in their life before reading the book and hearing that Lila experiences the same can evoke feelings of solidarity without making them relive that trauma. However, I know some readers are looking for a post transphobia story and this isn't that. It is merely a story that talks around transphobia rather than shine a light on its ugliness.
If this book only had these two issues, I would be happy to give this book five stars, but unfortunately the book is a little lacking as a book.
When it comes to romance I don't know if there's anything more important that character and Lila didn't wow me. Despite being the owner of her own business and overcoming a lifetime of oppression, I found her character to be a little flat. Her love interest, the ciswoman butch, Avisse, spends most of the book playing super girlfriend. She's down for everything, never makes any mistakes, and is happy to reshape her life to accommodate Lila. I understand that this was done to keep the easy going vibes, but her dialogue and mannerisms weren't engaging enough for me to like her character. When she finally got mad in what this book has as a climax, I found myself genuinely disappointed that we didn't get more hints of this aspect of her character beforehand.
The supporting cast has an extremely minor impact on Lila's life and I was disappointed that I didn't see her bonding with her friends. Maybe that's a side effect of all the conversations lacking any tension, but it didn't work for me.
Avisse's son, Theo, is a twelve year old prodigy. Some of his interactions with Avisse and Lila were believable, but others I found infantilizing. (An ongoing trait is for Lila to laugh at Theo acting mature and it really turned me off to the idea that she would be his future caregiver.) He frequently felt like a child and not a character for Lila to form a bond with. I'm willing to concede that my reading might be a little biased against this character as my own childhood abuse may have painted these interactions in a negative light.
Another aspect of a cozy fantasy that I'm hoping to fall in love with is the world building and setting. This is a book that takes place within an existing world. I haven't read any of the other books so I can only speak about how the world came off in The World Within.
While there was the hint of a class struggle unlike our own, this book did nothing to explore the nuances of that cultural difference. I was intrigued by the idea of painted and unpainted people being some kind of show of class, but it had no impact on the plot, nor did I ever understand how it impacted people's day to day lives. Lila was a former elite, an unpainted, and the promise of this being a plot point was overcome with love in a quick discussion.
Both magic and technology were abstractly defined. The presence of vibrating dildos is a major aspect of the story, but this technology is never elaborated on. Everything that's there is there and the reader is meant to accept it as presented and expect no explanations or explorations.
I guess this is a good a place as any to discuss the book's style and writer's voice.
Beyond the fantasy elements, descriptions were sparse and rarely used figurative language to paint a vivid scene. While at times an individual description worked, some idioms from our world didn't land well for me. The plentiful sex scenes were given the bulk of the book's narrative flavor.
This is blow-by-blow explicit sex for the most part so readers who can't stomach long descriptions of what goes where and how are going to have a bad time. While I didn't take count of the sex scenes, I can say with confidence that there were over ten and if these couplings ever received a more flowery summary, I'd be surprised if there were more than two. These scenes are meant to be titillating and you are meant to envision what is described. It isn't bad for what it is, but the sex scenes desperately needed more variety in description. Contentwise, no two sex scenes are ever the same and there is some escalation.
I know I'm coming off as negative, but that's because I'm trying to describe the book's failings.
The World Within caters to readers looking to have a good time reading about a transwoman who is finally getting everything she's ever wanted. If none of what I mention bothers you, then you're going to have a good time, but I have no way of know how much these problems will ruin your experience.
I tend to look at reviews as explaining why a book misses the mark, but lemme explain why a reader should buy this.
The World Within isn't that it isn't perfect. It's a feelgood book about a translesbian. Some people desperately want to come home and read a feelgood book about a translesbian. Some readers aren't interested in reading about depressed people crying their way through their problems, they wanna know that everything is gonna work out and imagine some sweet satisfying sex. This is the book for those readers.