wow, this was bad.
this book tells the story of Persephone, an orphan that doesn’t know where she came from and has lived as an enslaved person since she can remember. we open with Persephone attempting to stop a chicken thief at the farm she is currently enslaved at. the next morning, the thief is at her master’s door, pretending to be a Lord and buys Persephone - but not to free her, but because Persephone is part of a prophecy given to his people, the Methusians, by a seer a long time ago and she will be responsible to bringing to the throne the first Methusian king in history. the seer gave two parchments with the prophecy for a girl to protect when their village was being ransacked by royal soldiers. one of the parchments had a drawing of Persephone, whilst the other can only be opened once she has been found.
Persephone, however, doesn’t believe this prophecy - she is not a Methusian and doesn’t believe there can ever be a Methusian king, considering how the current King, Finneus, and his regent, Mordesius, hunt down the Methusians “for sport”. it is not just for sport, but for their blood. it is believed that the Methusians used to live next to a lake whose waters were able to heal anything. but once someone dropped one drop of blood on that lake, it vanished. ever since, the Methusians have been a group of people wandering the countryside of the continent whilst Mordesius, in particular, hunts them down to discover the current location of this lake. you see, Mordesius, as a good old fashioned villain, is disabled. he suffered from burns in almost his entire body as a child and his movements are hindered by the scar tissue that has formed over his limbs. he wants to find the lake to cure himself and will stop at nothing to find it. in the meantime, it’s believed Methusian children’s blood is able to cure small open wounds, so he is trying to experiment on them and see if he can enhance this power to cure bigger things.
this is actually a revised and republished romantasy, originally published in 2013 with the name “the gypsy king”. i think you can garner why it was revised and republished - though i must admit i find it abhorent that it was published nonetheless in 2013 with that name and those stereotypes.
i am just wondering why, then, the book was published as it was.
first of all: this has no target audience.
the writing is middle-grade, filled with people falling funnily on *every single chapter*, people speaking “bad words” such as “give you a spanking”, our main character being saved constantly by one of the three different animals that are obsessed with her (a horse, a dog and a hawk) — or, god forbid, all those three things happening in the same breath! this is not for a YA audience.
but this book is also *not* for middle-graders because it has *several* scenes of explicit violence, from the very first page. and the worst part: unnecessary violence, to paint a “darker” picture of who our heroes are up against in this world. for example, on the first page of the book, we see the massacre that killed the Methusian seer - and we see a pregnant woman’s womb be slashed open by a royal soldier. or, another example, Mordesius collects the scalps of Methusians he kills. not to mention the numerous mentions and allusions to sexual violence. and how the romance between Azriel, the thief, and Persephone, is based solely off of sexual innuendos they make at each other constantly - even when they don’t have much chemistry.
second of all: both the fantasy plot and the romance is lackluster. which begs the question: why revist a 2013 romantasy? if you wanted to capitalize on the surge of romantasy books currently, then you need to make sure this particular romantasy is up to current standards. and considering you’re not just re-releasing it, like some are being done, but you are revising it, then update it for a more current standard.
the fantasy plot is very middle-grade, again, in the sense that it hinders on coincidences, Persephone’s embarrassment and a very very lose idea of what it’s actually doing because it is more focused on working with the characters “winning” over evil than it is with plotting how this win will happen.
meanwhile the romance is inexistent. whilst we have several romantic scenes of Persephone and Azriel, they are all thanks to their banter than any actual touch. which makes no sense considering the book isn’t afraid of alluding to sexual violence so why would it be afraid of sex?
so… yeah. overall, i really disliked this and i think it should have been killed back in 2013 when it first dropped with the g-slur.