I thank NetGalley and HQ for providing me with an ARC copy of this novel, which I freely chose to review.
Jenny Knight is a new author to me, although based on her biography, she has been writing for a while in other genres. Judging by this novel, I am not surprised that she has a following, as she has a good grasp of what makes people keep reading, and knows how to create surprising and engaging, if not always likeable, characters.
Readers who enjoy fast thrillers with plenty of action might find this one a bit slow and somewhat disappointing because there is a slow build-up, little action (at least in the present), and most of the reveals come very close to the end. On the other hand, readers who enjoy getting to know the characters, digging into the psychology of all involved, and not having to contend with tonnes of characters and lots of difficult names, will have much to enjoy here.
This novel falls into what seems to have become a popular subgenre recently: a group of friends (often people who met as students, and some of whom might not even have kept in touch that much) who get together after quite a while, to celebrate something (a memorial of some sort is a popular motif). They all go to the reunion with different expectations: some might want to boast about how well they’ve done in life, some might dread facing people who made their life difficult in one way or another, others might look forward to picking up where they left off, revenge tends to rear its ugly head somewhere or another, and there might even be one or two who are just genuinely interested in connecting again. There are always skeletons in the cupboards, and things come to light that had been hidden, sometimes with pretty shocking results.
The description includes all the characters who play important parts in the story. There are a few who appear in the novel —some in person, others only by reference— but those only play small parts, and we don’t get to know them in-depth, other than through the thoughts or reflections of the five main protagonists. There is also Henry Bellinger, the golden boy of the group, who shared their apartment in Oxford for a year before moving to better accommodation, and whose memorial they’ve all come to attend (well, or almost all). The novel is narrated in the third person, from the point of view of the different characters (more time is dedicated to the female characters, none of whom come from money, in contrast to the boys), and the present time of the story alternates with the events from their joint past, the two years when they lived together in Oxford, which are also narrated from the different characters’ points of view. The story starts with the invitation to the memorial, sent by Henry’s mother, and we get to know the protagonists by the way they react to it, and the events that develop following that. Caro, whose role is that of the perfect hostess, wife, and mother, decides to invite the other flatmates to her house, for a dinner party, the day before the memorial. Although she doesn’t invite them all (she only invites Lily and George), things don’t go according to plan, and the dinner party ends up becoming a confessional of sorts, and secrets and lies come to the surface. However, not everybody leaves knowing the whole truth. (Thankfully, we, the readers, do).
I’ve read comparisons with Agatha Christie’s novels, and there is some of that, as Christie was fond of locking up her characters in a place and forcing them to come to terms with what they had done in the past. Here, though, the body count is not high (at all), and the reasons for their behaviour are more complex and dubious than we are used to in classic mystery novels.
The writing style is fluid, and there isn’t a lot of extraneous information thrown in. Although part of the novel (the one that takes place in the past) is set in Oxford, there aren’t lengthy descriptions of landmarks or beauty spots. The novel captures well the lifestyle of the characters, and the different spheres they move in (with some being rich, popular, members of the rowing team, and sons of alumnae; others having to work hard to be able to afford their most basic needs; and others struggling to keep up appearances), without drowning readers in a lot of detail. Despite the changes in characters’ points of view and time period, these are clearly indicated in each chapter, so readers don’t need to worry about getting lost.
I have mentioned the skill of the author in creating psychologically complex and plausible characters, and I particularly enjoyed the way she subverts expectations, as we are introduced to characters that might seem unsympathetic or not particularly likeable at first, moved by jealousy, pride, fear, revenge, greed... and by the end of the novel we’ve learned things about them that put them in a completely different light. Of course, the opposite is also true. Not everybody comes out of it smelling of roses, but that is at it should be. Although the story itself is intriguing, and we get to learn a lot about Henry, the elephant in the room, or perhaps the ghost hovering over them, all of the characters (or at least a few) get to discover plenty about themselves.
I enjoyed the ending, and although there is plenty of drama, and some disturbing events take place (it is not an explicitly violent novel, but there are references to drug use, drinking, sexual abuse...), there are also touches of humour I enjoyed, I made my peace with a few of the characters by the end, and there are a couple I’ll be sorry to lose sight of.
In sum, this is a novel for those who prefer a slow-burn mystery/thriller, who aren’t looking for a detailed police procedural or a book with lots of action, characters, and exotic locations, but rather enjoy getting to know the characters and trying to understand what makes them tick. If gore and violence bother you, but you are fond of exploring the psychology of the characters and the inner workings of their minds, you should try this one. I am going to keep an eye on this author, as I am sure we’ll keep hearing from her in the future.