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Nature's Government: Science, Imperial Britain, and the "Improvement" of the World

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'Nature's Government' is a daring attempt to juxtapose the histories of Britain, western science, and imperialism. It shows how colonial expansion, from the age of Alexander the Great to the twentieth century, led to complex kinds of knowledge. Science, and botany in particular, was fed by information culled from the exploration of the globe. At the same time science was useful to imperialism: it guided the exploitation of exotic environments and made conquest seem necessary, legitimate, and beneficial. Drayton traces the history of this idea of 'improvement' from its Christian agrarian origins in the sixteenth century to its inclusion in theories of enlightened despotism. It was as providers of legitimacy, as much as of universal knowledge, aesthetic perfection, and agricultural plenty, he argues, that botanic gardens became instruments of government, first in Continental Europe, and by the late eighteenth century, in Britain and the British Empire. At the Royal Botanic Gardens at Kew, the rise of which throughout the nineteenth century is a central theme of this book, a pioneering scientific institution was added to a spectacular ornamental garden. At Kew, 'improving' the world became a potent argument for both the patronage of science at home and Britain's prerogatives abroad. 'Nature's Government' provides a portrait of how the ambitions of the Enlightenment shaped the great age of British power, and how empire changed the British experience and the modern world. Richard Drayton was born in the Caribbean and educated at Harvard, Oxford, and Yale. A former Fellow of St. Catharine's College, Cambridge, and Lincoln College, Oxford, he has also been Associate Professor of History at the University of Virginia.

354 pages, Hardcover

First published August 1, 2000

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Richard Drayton

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Author 4 books66 followers
June 15, 2016
Great book on the deep history of imperial Kew. Very well-researched, wonderful arguments and support. Knocked off one star because of the excessive use of passive voice, some word choice issues that obscured meaning at times, and anachronistic use of "conservation" and preservation" in Ch. 7. But overall, truly a landmark work.
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