This a collection of stories all set in the author’s homelands of Orkney. Each is a beautifully rendered snapshot of life in those Northern islands
The title story, Hawkfall, is told in five parts, illustrating the history of Orkney in stages, showing aspects of life - and death - there from ancient times through those of the Vikings, the brutal, rapacious Earl of Birsay, the Napoleonic Wars and the early twentieth century.
The Fires of Christmas relates two historical violent confrontations in the Great Hall of Ophrir, which occurred eighty nine years apart.
The subtitle of Tithonus, Fragments from the diary of a Laird, outlines its structure. The Laird in question had inherited the Hall (a big house) on Torsay from his great uncle, along with two hundred pounds a year. By the end of the story, among many other changes, that sum is exiguous and the Hall is falling apart. It is his interactions with the locals that have most attention, particularly those with the schoolmaster, the Minister, the local gossip and Thora Garth, the only child of Armingert and Maurice, arriving after twenty-one years of marriage, who later causes a scandal by jilting her fiancé and shacking up with a ferryman. The tale has a neat twist at the end.
The Fight at Greenay occurred after the men of Harray, on their way to the sea to harvest seaweed to use as manure, had been insulted by the men of Birsay, reluctant to let strangers across their lands, in the halfway inn where the Harraymen had stopped for refreshment.
The Cinquefoil is told in five parts (Unpopular Fisherman, The Minister and the Girl, A Friday of Rain, Seed, Dust, Star and Writings,) in which are laid out the various relationships over time of the narrators of each and their acquaintances/friends/lovers. As a result it encapsulates the closeness and complexity of island life as a microcosm of life in general.
The Burning Harp is described as a story for the eightieth birthday of Neil Gunn. In 1135 a cottage is set on fire by intruders, who decide to let out, in turn, children and servants, a priest and finally a poet whose singing they heard and recognise as that of Niall of Dunbeath. (His songs mirror those of Gunn’s stories.)
To anyone familiar with Scottish folklore Sealskin’s title tells the reader more or less all. It is impeccably told though. A man finds a sealskin on the beach and stores it in his barn. A day or so later encounters a naked woman swimming by the shore. She has no knowledge of the language and he takes her in; to the great ire of his mother. Marriage and children ensue. Years later he discovers the skin again and the inevitable happens. An afterword mentions the tale was inspired by a famed Orkney musician, Magnus Olafson.
The Girl spends an afternoon lazing on the sea-bank almost in earshot of a group of men gossiping while repairing fishing nets and such, till she hears the approaching sound of a motor-bike.
In The Drowned Rose, William Reynolds, the new schoolmaster on Quoylay, is visited on his first night on the island by a young woman in a red dress, looking for a man named John. Reynolds befriends the local minister, Donald Barr, who refuses to elaborate on the woman’s history. She had been the previous schoolmistress, Sarah McKillop, well remembered by her pupils, and it is only a spiteful neighbour called Henrickson who reveals her tragic end, taking great relish in describing what he regards as the scandalous goings on which preceded it and why the islander shad resolved on a male as her successor.
The Tarn and the Rosary shows episodes in the life of Colm, a writer, from his grandfather’s death, through his first trip to the small Loch Tumishun in the centre of the island of Norday, the burgeoning of his confidence and aspirations when his first composition is praised by his teacher, his overhearing a group of men bemoaning the superstitions of Catholics, to his sojourn in Edinburgh trying to write but also attending mass. It’s an almost haunting evocation of Northern Island life.
The Interrogator has set out from Leith to Norday to question the locals about the death of Vera Paulson, found in the sea a month after she disappeared. None of them is very forthcoming. When the girl herself appears – as a ghost – her story does not quite match with any of theirs.