This third entry in the Bell Elkins mysteries is as compelling as the first two (and the fourth, which I actually read first!), and just as beautifully written. Keller has created a believable, interesting character in Bell, a prosecuting attorney in small-town West Virginia who, while definitely the "good guy" fighting the bad ones, has her own flaws and demons which often get in her way. She's tempered somewhat by her long-time friend, Sheriff Nick Fogelsong, and together they try to piece together the facts behind two brutal murders which happen too close together one summer in Acker's Gap. Then there's a third killing, which could be related to the other two, although Bell isn't sure exactly if it is or how.
In addition to the cases which are seemingly impossible to break, Bell is now dealing with her troubled sister, newly released from prison, and her ex-husband, who has used his own special sleight-of-hand (in Bell's opinion) to keep her from seeing their daughter this summer. She isn't the only person dealing with family problems; Lindy Crabtree is trying single-handedly to keep the lid on things at her house, where her deranged and sometimes violent father is becoming more lost to her by the day. Her mother is already dead, and Odell Crabtree is all Lindy has left in the world. She can't let herself believe that he might possibly be the perpetrator of the murders.
In addition, politics plays a role in the story, with a former governor (hometown: Acker's Gap) come to celebrate his donation of a new MRI machine to the local hospital. Riley Jessup is a folk-hero -- and Acker's Gapian who has made really good -- and the townspeople adore him. But Bell suspects that the wealth he has collected in the years since his governorship isn't without taint, and he becomes part of her investigation, as well. His daughter and ailing grandson are dear to Mr. Jessup, she can tell -- but she thinks there may be more to the family and their extravagance than meets the eye.
As with all the Bell Elkins books I've read, every story line eventually meets another; they are intertwined in ways that almost always surprise the reader in at least one way or another. This book is no exception to that. I personally found the resolution of the mysteries (there are multiple) a bit far-fetched, but that didn't ruin the read for me at all. Even though Acker's Gap, West Virginia, is down on its luck and has been for some time, and despite that fact that it's a small town with people who have known each other and each other's families for generations, anything can happen there. Keller makes sure of that.
What I love most about Julia Keller's books, besides her characters, are two things: the sense of place that pervades her novels (in which the beauty and misery of West Virginia shine through) and her use of language. She uses figurative language beautifully and seemingly effortlessly, as exemplified in this quote: ". . . even though he looked old and harmless, he still radiated a faint red glow of danger, like a decommissioned nuclear power plant." She understand the people and social constructs of her home state, sees their situation and psychology clearly, and writes with precision and grace in order to present them with the dignity and respect they crave.
I have two more unread Bell Elkins books on my shelf. Can't wait to go back to Acker's Gap.