I'm reading a bunch of graphic novels right now, and I'm really impressed with the incredible range of the titles and how I learn something new about the form's possibilities from each one. Reading The Warren Commission Report, I was really intrigued to see what a non-fiction graphic work for adults would be like. It's especially interesting, since even though I was not alive when the events took place, I still learned about the JFK assassination primarily through images--the Zapruder tape, diagrams of the magic bullet, photographs of Oswald being transferred to the county jail, movies like JFK, and so on. It's not like Lincoln's assassination, or other historical events that we've mostly only read about in text. So, I already have an image-based understanding of the events surrounding the assassination.
In this "graphic investigation," the panels contain quite a lot of text. Some of the panels were almost overwhelmed by text boxes and balloons, which I think helped convey the overwhelming task of the investigation. The authors use a lot of third-person omniscient narration, narration of actions, text describing sound effects, text providing contextual facts about the period, and word balloons containing actual quotes from the report and other documents. Indeed, I don't think there was a single panel containing no words or text at all, but unlike some of the works from the core collection I've read, there also weren't any sections without any graphic elements at all. The text and art work well together, each providing information to complement and supplement what is provided by the other. The art also creates an interpretive mood that influences the reader's understanding in some cases. For example, the drawings of Oswald are all in black and white, so Oswald stands out in an otherwise colorful panel as a sort of ghostly figure, an unknowable character who is both present and absent in the narrative at all times. Color was important in this work in other ways, too, and the muted tones and overall dominance of golds and browns used gave the book an atmospheric feeling--as if the reader is looking through old documents and photographs, yellowed with time. I really enjoyed the work, and thought it did a wonderful job of conveying both the complexity of the task given to the Warren Commission and the ways this event and its aftermath have affected American culture.