This book has it’s ups and downs. The setting in neo-victorian London with all-seeing government seems interesting, but tries to cramp too many things together. You have the oppressive government, homosexuality being illegal, you have tough magistrates (kind of like rangers), you have a wannabe detective story, you have LGBT characters, including protagonist, you have those pseudo-noble brothels run by a madame who deeply cares for her girls. But it doesn't work. It’s too much of everything to make something.
There’s a lot of nausea inducing scenes and some of them seems like they’re just for a shock value.
The highlight are rape scenes, which are written very realistically. They’re short, raw and ugly, just like in the real life. They also don’t seem gratuitous, the story builds up to them, and they serve a purpose as they give the protagonist another dimension (mostly, they highlight her enormous survival instinct). It made me hate the perp fiercely and I almost could feel protagonist’s humiliation. I’ve seen a lot of rapes written just because, so those in this book really stand out for me. The aftermath was also some good writing… until the author decided it’s enough and dropped all the consequences and complications at once. Which is… not how rape works. You can’t cure the trauma by sweet love-making with someone you love and I’m getting tired of reading it over and over again.
Speaking of, the whole romance plot is kinda sorta creepy and squicky. Thirty something falling for a fourteen year old girl after rescuing her from being sexually exploited - that I can somehow get over. But when the same person takes care of said girl in a very mother-like manner, it starts giving very Lolita-esque vibes. For the record, I do not consider Lolita a love story (because it fricking isn’t a love story). I get what the author was aiming for, but I can imagine quite a few different ways to get there without it being so coercive. Also, there’s a lot of unwanted touching in private parts and as much as it makes sense in the context of the story, it shouldn’t be treated like an okay thing to do.
For a totalitarian state with elaborate spying system, Carmen has almost no problem doing whatever illegal thing she wants. Also, she's supposed to be one of the best Magistrates, but apart from the beginning, we don't see her doing anything related to her job. And she just have too many allies and too little opponents.
As for the plot, it doesn’t really make sense, it’s self-serving and it’s there just to get the characters where the author wants them, which is not enough. The language is flat (quite possibly intentionally, I get it can work for someone. Not for me, though) and the protagonist makes connections between various points of the story that aren't explained to reader properly, a lot goes totally unexplained, and plot points are being abandoned left, right and centre. Towards the end, things started to move faster and the whole thing became more interesting, but to get there, you have to go through many slow pages.
What I like is the fact that people still have Prides, even though being gay is punishable by death, and how the protagonist feels about the whole thing, that is very realistic. Also, the evolution of Vyxyn and Lina’s relationship was somewhat heartwarming.
The biggest problem for me is, that i’ve never connected with the protagonist. I didn’t care about her, I didn’t care for her motivations or acts, I didn’t feel like I can understand her, but it didn’t bother me. She just never meant anything to me. Hell, I’d connected better with Bella Swan.
Not sure about giving the sequel a chance.