Phoebe Wyndham, a widow in her 30s, grew up in Venice and now lives in London. Raised by obscure noble relatives after being orphaned as a child, she became pregnant at 17-years-old and was sent away to have the baby. When told her baby was stillborn, she was devastated. She was married off to an American man, John Wyndham, and developed a love of photography, making it her career. In 1919, she receives a note from her estranged aunt begging her to return to the palazzo that holds so many complex memories from her time there. On arrival, her equally estranged sister Eveline reveals that their aunt had drowned the day before. Eveline is resentful and cold towards the unwanted guest, but becomes hostile when their aunt’s will leaves the palazzo to a very shocked and unenthusiastic Phoebe.
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While clearing the palazzo for sale, making friends with two new men in the process and getting reacquainted with Venice, she finds secrets tied to the birth of her daughter and Aunt Lavinia’s untimely death. Things don’t add up and Phoebe is determined to find the truth before returning to London. Can she piece it together before selling her childhood home? Will she be able to reconnect with her family, despite their differences and festering resentment? Is London really her home or could Venice draw her back to it permanently?
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REVIEW: I spotted this book in the library; the pretty cover caught my attention and it was easy to be curious when “Come to Venice. Please, Phoebe, do not fail me” is on the back, followed by the information that the aunt who sent the message has suddenly died and Phoebe is given the palazzo despite the estrangement. When I chose this book, I wasn’t particularly interested in the romance; I just wanted to follow Phoebe on her journey to find out what really happened with her daughter and her aunt’s suspicious death. The first two chapters felt slow, but I was determined to try at least five chapters before accepting defeat. I read two or three books at a time and it was hard to feel motivated to choose this one over progressing in the others. It felt wordy in places and sometimes the Italian names for things broke any immersion because I wasn’t sure how to pronounce them in my head while reading, so having a rough idea of Italian pronunciation may help.
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The premise is intriguing and it picked up in the third chapter, when it jumps back to 1901 for Phoebe’s whirlwind romance and harrowing pregnancy/birth experience, but the first two chapters felt uneventful enough to lose some readers (like it almost lost me) and my interest waned on and off after that. Betts detailed the environment quite thoroughly, but it was sometimes dull in the grand scheme of things. In fact, I’d have been more likely to care about the dull introduction of adult Phoebe if the book had begun with her experiences in 1901. The accurate portrayal of the trauma that so many unwed mothers had forced upon them when hidden away for the pregnancy and birth was strong with emotion. It’s just a shame that it wasn’t showcased at the start to pull people in.
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Something that I feel is important to mention, and would likely have put me off the book if I’d known beforehand, is that the blurb misrepresents the book a little, in my opinion. As someone who was attracted to the mystery, the titular mystery didn’t become apparent until chapter 7 and the blurb’s “whether her aunt’s death was truly an accident after all” mystery isn’t even brought up as a possibility until chapter 29, which feels quite late on. I want books to grab my attention and hold it throughout, with blurb promises included in the early/mid story so I’m not waiting until near the end of the book for the thing that drew me to it to become relevant. Another example of the blurb not feeling quite accurate is that it claims Phoebe “finds herself growing closer to two very different men”, but I only see her actually growing closer (at least romantically) to one. For someone who cares more about the romance aspect than me, it may be a little disappointing if you think she’s going to view two men romantically and have to choose.
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In summary, I wouldn’t rule out Charlotte Betts’ other books just because this one didn’t grip me and the ending felt rushed. I still liked the book, but wouldn’t read it again or recommend it unless you like slow books with quick endings. Even interesting stories can sadly be overlooked if they don’t show that promise within the first or second chapters. I’m just glad 1901 Phoebe was chapter 3 and no later, so I had a reason to feel for the protagonist and not give up on the book. If you don’t mind a slow beginning, it could be a good read, especially if you’re in Venice. The mystery doesn’t feel like a major part of the plot, though.