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Tutte le poesie e i capolavori in prosa
• I Fiori del Male • I relitti • Poesie diverse • Amoenitates belgicae • Lo Spleen di Parigi • Paradisi artificiali • La Fanfarlo • Scritti intimi
A cura di Massimo Colesanti
Edizioni integrali con testo francese a fronte
Charles Baudelaire, tra i poeti oggi più amati e letti, ha rinnovato con grande originalità i canoni tradizionali della poesia e della prosa gettando le basi della letteratura moderna. I suoi versi – come disse Valéry – sono un mélange di solennità, di calore e di amarezza, di eternità e di intimità, una combinazione di carne e spirito, un’alleanza rarissima della volontà e dell’armonia. Minato fin dall’infanzia dalle contraddizioni più laceranti – l’orrore e l’estasi della vita, il sentimento di un destino d’irrimediabile solitudine e l’amore vivissimo del piacere –, Baudelaire s’inebria e si disgusta nella onnipresente alternativa tra il Bene e il Male, tra voluttà animalesca e disincarnazione. Su tale dilemma, su tale tremenda ambiguità costruisce la sua straordinaria scrittura, passando continuamente dal quotidiano all’universale, dalla pienezza della gioia alla miseria, al nulla. In questo volume sono state raccolte tutte le sue opere “creative”, con testo francese a fronte: "I Fiori del Male" e tutte le poesie, i poemetti in prosa de "Lo Spleen di Parigi", la novella "La Fanfarlo", i "Paradisi artificiali" e gli "Scritti intimi".
A cura di Massimo Colesanti
Edizioni integrali con testo francese a fronte
Charles Baudelaire, tra i poeti oggi più amati e letti, ha rinnovato con grande originalità i canoni tradizionali della poesia e della prosa gettando le basi della letteratura moderna. I suoi versi – come disse Valéry – sono un mélange di solennità, di calore e di amarezza, di eternità e di intimità, una combinazione di carne e spirito, un’alleanza rarissima della volontà e dell’armonia. Minato fin dall’infanzia dalle contraddizioni più laceranti – l’orrore e l’estasi della vita, il sentimento di un destino d’irrimediabile solitudine e l’amore vivissimo del piacere –, Baudelaire s’inebria e si disgusta nella onnipresente alternativa tra il Bene e il Male, tra voluttà animalesca e disincarnazione. Su tale dilemma, su tale tremenda ambiguità costruisce la sua straordinaria scrittura, passando continuamente dal quotidiano all’universale, dalla pienezza della gioia alla miseria, al nulla. In questo volume sono state raccolte tutte le sue opere “creative”, con testo francese a fronte: "I Fiori del Male" e tutte le poesie, i poemetti in prosa de "Lo Spleen di Parigi", la novella "La Fanfarlo", i "Paradisi artificiali" e gli "Scritti intimi".
1610 pages, Kindle Edition
First published January 1, 1913
120 people are currently reading
310 people want to read
About the author
Charles Baudelaire
2,059 books4,263 followersPublic condemned
Les fleurs du mal
(1857), obscene only volume of French writer, translator, and critic Charles Pierre Baudelaire; expanded in 1861, it exerted an enormous influence over later symbolist and modernist poets.
Reputation of Charles Pierre Baudelaire rests primarily on perhaps the most important literary art collection, published in Europe in the 19th century. Similarly, his early experiment Petits poèmes en prose (1868) ( Little Prose Poems ) most succeeded and innovated of the time.
From financial disaster to prosecution for blasphemy, drama and strife filled life of known Baudelaire with highly controversial and often dark tales of Edgar Allan Poe. Long after his death, his name represents depravity and vice. He seemingly speaks directly to the 20th century civilization.
Reputation of Charles Pierre Baudelaire rests primarily on perhaps the most important literary art collection, published in Europe in the 19th century. Similarly, his early experiment Petits poèmes en prose (1868) ( Little Prose Poems ) most succeeded and innovated of the time.
From financial disaster to prosecution for blasphemy, drama and strife filled life of known Baudelaire with highly controversial and often dark tales of Edgar Allan Poe. Long after his death, his name represents depravity and vice. He seemingly speaks directly to the 20th century civilization.
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Displaying 1 - 13 of 13 reviews
September 16, 2020
Graphic, visual, painting little pictures for you with words and the content seems to be designed to shock; and yet the form of his poems is very very carefully crafted. Magnifique!
March 3, 2025
III me recordó al baño público y a Jesús
V
XXXIII
XXVII
Muy romántico. Imagina dar una moneda falsa a cambio de asombro. adiós
V
XXXIII
XXVII
Muy romántico. Imagina dar una moneda falsa a cambio de asombro. adiós
January 3, 2015
As a poetry neophyte, I greatly enjoyed Baudelaire's poetry in this collection.
I'm sure that poetry is among the hardest of all things to translate. If you keep the rhyme structure you can easily lose the nuance, but if you keep the nuance and translate more literally, it ceases to feel like poetry and feels more like prose.
The translator seems to strike a good balance, because Baudelaire's poetry comes through as aesthetically pleasing and at times highly philosophical. My understanding is that Baudelaire was among the first poets to attempt to elevate the dark and malevolent to the level of sublimity that poets before him would usually ascribe to things like nature. He found the beauty in the terrible (hence, "Flowers of Evil"). Huemer explains this in his introduction, but for someone like me without a great deal of background knowledge of the subject, he dwelt in this introducton upon the historical facts of the poet's life too much, and upon the poet's impact, influence and style too little.
I don't know poetry, but I know what I like, and I liked Baudelaire. That's all I'm probably qualified to say.
I'm sure that poetry is among the hardest of all things to translate. If you keep the rhyme structure you can easily lose the nuance, but if you keep the nuance and translate more literally, it ceases to feel like poetry and feels more like prose.
The translator seems to strike a good balance, because Baudelaire's poetry comes through as aesthetically pleasing and at times highly philosophical. My understanding is that Baudelaire was among the first poets to attempt to elevate the dark and malevolent to the level of sublimity that poets before him would usually ascribe to things like nature. He found the beauty in the terrible (hence, "Flowers of Evil"). Huemer explains this in his introduction, but for someone like me without a great deal of background knowledge of the subject, he dwelt in this introducton upon the historical facts of the poet's life too much, and upon the poet's impact, influence and style too little.
I don't know poetry, but I know what I like, and I liked Baudelaire. That's all I'm probably qualified to say.
December 26, 2011
I wanted to read a bit of Baudelaire’s work because of the references in Huysmans’ À rebours comparing him to Poe.
I was disappointed. I’m sure much was literally “lost in translation” but I found very few similarities in their works. While Baudelaire explores some morose themes, like his love of a skeleton in his poem “The Dance of Death,” his writing lacks the same soporific or hypnotic effect of Poe. The translation I read offered terribly broken pentameter and poor typesetting which didn’t help matters. If I was able to read in the native French, I’m sure the nuances of the language would allow me to make a more fair comparison.
I did enjoy some of his prose poetry. “The Shooting Range and the Cemetery” offered an interesting juxtaposition between glorifying a means of death within reach of a final resting place. This fact wasn’t lost on those trying to rest!
Overall, I’m sure he’s a fine poet. In the future, I may read some reviews to try and locate a better translation.
I was disappointed. I’m sure much was literally “lost in translation” but I found very few similarities in their works. While Baudelaire explores some morose themes, like his love of a skeleton in his poem “The Dance of Death,” his writing lacks the same soporific or hypnotic effect of Poe. The translation I read offered terribly broken pentameter and poor typesetting which didn’t help matters. If I was able to read in the native French, I’m sure the nuances of the language would allow me to make a more fair comparison.
I did enjoy some of his prose poetry. “The Shooting Range and the Cemetery” offered an interesting juxtaposition between glorifying a means of death within reach of a final resting place. This fact wasn’t lost on those trying to rest!
Overall, I’m sure he’s a fine poet. In the future, I may read some reviews to try and locate a better translation.
April 26, 2025
‘’Não existe objecto mais profundo, mais deslumbrante do que uma janela alumiará por uma candeia. O que se pode ver à luz do sol é sempre menos interessante do que o que se passa por trás de um vidro. Nesse buraco negro, ou luminoso, vive-se, sonha-se, sofre-se a vida’’
Estas edições literatura portátil:
‘Walter Benjamín também era alma gémea de Marcel Duchamp. Ambos foram vagabundos, sempre de passagem, exilados do mundo da arte e coleccionadores carregados de coisas, quer dizer, de paixões. Ambos sabiam que miniaturizar é tornar portátil, e que esta é a forma ideal de possuir algo para um vagabundo ou um exilado’
Estas edições literatura portátil:
‘Walter Benjamín também era alma gémea de Marcel Duchamp. Ambos foram vagabundos, sempre de passagem, exilados do mundo da arte e coleccionadores carregados de coisas, quer dizer, de paixões. Ambos sabiam que miniaturizar é tornar portátil, e que esta é a forma ideal de possuir algo para um vagabundo ou um exilado’
September 17, 2025
Beau Baudelaire!
Even in English translation, Baudelaire's writing, poetry or prose- poem, is as exquisite as it is delicious. And as clear and fresh as a mountain stream, too. His gothic is timeless, and his 'flaneury' utterly modern. He is a man you would love to have dinner with, him leaving the food untouched as he raconteurs , fired up by laudanum and brandy.
To read it is to devour it and still hunger for more.
Enjoy!😊
Even in English translation, Baudelaire's writing, poetry or prose- poem, is as exquisite as it is delicious. And as clear and fresh as a mountain stream, too. His gothic is timeless, and his 'flaneury' utterly modern. He is a man you would love to have dinner with, him leaving the food untouched as he raconteurs , fired up by laudanum and brandy.
To read it is to devour it and still hunger for more.
Enjoy!😊
September 22, 2020
Una obra majestuosa
Una obra digna de leer leída, muchas veces me fui con la imaginación, hacía los lugares que el autor me llevaba, una excelente obra que para quien desea viajar, sin moverse de su sitio, acá tiene un boleto a un escape de su mundo
Una obra digna de leer leída, muchas veces me fui con la imaginación, hacía los lugares que el autor me llevaba, una excelente obra que para quien desea viajar, sin moverse de su sitio, acá tiene un boleto a un escape de su mundo
March 31, 2020
Raccolta di opere del poeta francese
May 18, 2021
¿Poemas, cuentos, relatos, estampas, impresiones? No lo sé, pero los 50 textos son de una hermosura...
Read
February 13, 2024favorites:
Which is True? (Benedicta)
The Eyes of the Poor
Anywhere out of the World
A Heroic Death (Fancioulle and the Prince)
Be Drunken
Which is True? (Benedicta)
The Eyes of the Poor
Anywhere out of the World
A Heroic Death (Fancioulle and the Prince)
Be Drunken
September 15, 2016
a new favorite
February 19, 2021
Lindíssimo exemplo de flaneurie. Lembrete para sempre reler "Os olhos dos pobres" e "Um hemisfério numa cabeleira".
May 12, 2019
Actual rating: 3.5
Displaying 1 - 13 of 13 reviews