THE RIVALS OF DRACULA is the first of three themed horror anthologies by the late, great editor Michel Parry, a man second only to Peter Haining in his prolific output in the horror genre in the 1970s. The others in this trilogy are THE RIVALS OF FRANKENSTEIN and THE RIVALS OF KING KONG. The collections are all very good, collating classic material and pulp-era tales into satisfying mixes.
This book kicks off with Ramsey Campbell and his CONVERSION, in which genre cliches give way to a massive twist. It's one I guessed en route, but the quality of writing makes it a superior read. Next up is an anonymous tale from Germany written in 1860, THE MYSTERIOUS STRANGER, which feels like a proto-DRACULA and is very good indeed. Frederick Cowles contributes THE VAMPIRE OF KALDENSTEIN which is very much a DRACULA copy with all of the trappings present and correct; it's fun and stylish to boot.
THE GUARDIAN OF THE CEMETERY is by Jean Ray and involves a homeless man taking on a strange job as the titular character. What follows is a solid pulp horror effort, surprisingly gruesome and nihilistic for its time. The reliably great M.R. James is featured in COUNT MAGNUS, in which a travel writer visiting Sweden encounters the titular terrifying local. The authenticity of the European locations is outstanding, as you'd expect from an author famed for his painstaking attention to detail.
E & H. Heron were writers in one of my favourite sub-genres of the form: the psychic detective story. THE STORY OF BAELBROW sees famed sleuth Flaxman Low visiting an old house in East Anglia where a maid died of fright. It's comfortably familiar, and a real treat for this reader. Next up, THE UNDEAD DIE sees E. Everett Evans (great name) writing a dark love story set in a ruined castle, notable for presenting the vampire in a sympathetic light. The story is packed with evocative description. Manly Wade Wellman was another great from the pulp era and THE HORROR UNDYING begins with some old documents being discovered beneath the floorboards. Wellman's prose is exceptional and the tale itself genuinely disturbing.
THE BAT IS MY BROTHER is one by the prolific Robert Bloch. It's a traditional short effort lifted by the author's strong command of the English language - he's never written anything I've not enjoyed. BLOOD BROTHER sees Charles Beaumont tackling the vampire myth on a scientific level and is the one story I actively disliked - it's too predictable. SOMETHING HAD TO BE DONE is David Drake's nihilistic, Vietnam War-era vampire story with harsh attention to detail. Finally, Steven Utley's NIGHT LIFE is a short and gruesome anecdote about a cultured vampire turning up in New York to cleanse the city of its seedy inhabitants.