Val is a great character. She can come off as rigid, rule-following, and inflexible, but she is at the same time the Hunti traits loyal, steadfast, and stubborn. I liked how we saw both. I also really enjoyed how explicitly she is *not* chosen, over and over. (I mean, I didn't enjoy it so much as I appreciated a main character who is trying so hard to deal with how she feels like nobody really sees her, instead of automatically being the Chosen One.) I also liked the by-play of how having a relationship with her estranged Hunti brother really requires a lot of communication so that they just don't take each other at face value, and how they both have to work at it and unbend a little. He's not uncaring and she's not boring, it just seems that way.
Val has experienced a lot of grief and loss, and really not that many people were actively looking out for her. This comes through really well, and I love the work done in naming and showing her "unsympathetic" traits and making them sympathetic as she comes into focus.
I also unreservedly love this world, and I am so glad that Shinn got to finish out the last book in the set. That said, Troubled Waters will always come first in my heart... perhaps with this one as a close second, as I really identified with what Val went through. (I have been meaning to re-read the others, but who knows when that will happen.)
Perhaps unfortunately, almost none of this excellent character work had much to do with the plot, which was not quite fully baked. And a lot of the views of other nations... why do they all have such cringe-y, bloodthirsty, literally murderous people in power? And this idea of making arranged marriages a possible choice for disadvantaged Welchin women in Soeche-Tas? When everyone thinks that Soechin people are repulsive? (or is it just the upper class?). To me it seems that the idea that this is necessary because there aren't enough Soechin women to marry only makes sense if we track that directly from the one-child policy here on earth, which is ... a different place. Which we hopefully would not stereotype so negatively in a work of total fiction.
I'm glad Shinn is writing and publishing. I hope she makes money off this book. Hence the rating. I did really enjoy it, even as I was more interested in the flashbacks and Val's story than in the political plot. I also liked that Val felt ready to take her life in a new direction at the end, and felt that she had agency. I also think that it was the best character work in these books (though to be fair, princesses are hard to do well!), so I don't feel too bad about nudging the rating up. Worth it for those who have been waiting for it, but definitely not the place to start with these books.
(As a side not I found it interesting, in retrospect, to see how Shinn set up this world from the beginning with so much instability and betrayal at the palace, even as the Welchin people in power seem fundamentally decent now. All those queens and randomly-fathered people. What a mess. I wonder if it was really necessary long-term? Or maybe she wasn't thinking of it that hard. I guess it gave the books a few plots, anyhow.)