A fun, witty romantic suspense novel from the year 2000
Eclipse Bay is Book 1 in a trilogy of three, contemporary, romantic-suspense novels. The second book is Dawn in Eclipse Bay. The third book is Summer in Eclipse Bay.
Eclipse Bay is a fictional, small, seaside, tourist destination in Oregon where all of the permanent residents know each other--and gossip is a communal sport. The most popular source of ongoing speculation for the past 40 years has been the Hartes and the Madisons. Mitchell Madison and Sinclair Harte were war buddies (presumably from WWII, as Mitchell is around 80 at the time of this story, which was originally published in 2000, making him born around 1920). After the war, they went into business together and were very successful until they brawled over a woman, whom they had both trusted and who stole all their assets and bankrupted their business. Both had been in love with her, and both blamed each other for this devastating loss. They have been enemies ever since.
Sinclair Harte recovered well, coming out of financial ashes into great wealth with his own business. He also made a very successful marriage with one son, who has followed in Sinclair's footsteps in his business, made his own successful marriage, and produced three children. The oldest is Nick, who writes thrillers and is the MMC of Book 3 of this trilogy. The middle child is Lillian, who runs a matchmaking service and is the FMC of Book 2 of this trilogy. The youngest is Hannah, who has been a successful wedding consultant for some years and is the FMC of this book.
Mitchell Madison's life has run along a much rougher track than Sinclair Harte's. He has had four failed marriages, many different girlfriends, and his only child, an emotionally unstable sculptor, had a long-term affair with his equally emotionally immature model. Out of that stormy alliance came two sons, Rafe, the MMC of this story, and his older brother Gabe, who is the MMC of Book 2. Their parents died in an accident when they were children, and they were raised by Mitchell.
The story begins with a prologue, in which Hannah is 20 and Rafe is 24. By coincidence, he and Hannah have each been dumped by their dates on the side of the road at the same local beach in Eclipse Bay. They spend hours talking to each other, there at the beach, and while Rafe walks her home. The locals have labeled virginal Hannah a “good girl,” who will soon complete a college degree, and who has a bright, successful, Harte type of future ahead of her. In contrast, Rafe dropped out of college after only a couple of years. He has been labeled the local "bad boy," because he rides around on a motorcycle, wears a leather jacket, and regularly has one-night stands with lovely female tourists who are just passing through town, and who "know the score," that he's not into having an actual relationship. The woman he was on a date with that night had been a rare exception to his rule to never date locals. He only went out with her because she was as promiscuous as he was and would not take him any more seriously than he did her. Rafe states rather flippantly to Hannah that his main career goal is to stay out of jail, a fate frequently predicted for him by the upright citizens of Eclipse Bay. Hannah adamantly declares that she doesn’t believe whatsoever in the local legend that Madisons are doomed to failure and states that it is entirely up to Rafe to make something of his life. Later that same night, the woman who had been Rafe's date is found dead at the bottom of a cliff. And only because of the lucky chance that Hannah can provide him with a valid alibi does Rafe actually avoid prison.
Eight years later, Hannah and Rafe are ages 28 and 32 respectively. (By the way, these two are the youngest contemporary romance MCs that JAK has ever written. Her MCs are typically 30-31 for the FMC and around 37-39 for the MMC.) The two of them have inherited a 50/50 ownership of a sprawling clifftop mansion in Eclipse Bay, which was left to them by Hannah's eccentric, never-married great aunt. Both want to buy the other out, but neither will agree to sell. Complicating the issue is the fact that they are extremely attracted to each other, and the whole town is avidly watching as they work out their business and highly personal concerns with each other.
My favorite JAK books are the ones with lots of witty repartee between the MMC and FMC, and this book is terrific in that regard. I also enjoy it when she provides quirky subcharacters--whether people or animals. In this case, Hannah's dog Winston is an adorable scene stealer, and the conspiracy theorist, athletically fit, 80-something Arizona Snow (nicknamed, AZ), is wonderfully wacky. (As another relevant aside, that I personally find intriguing, AZ appears throughout this trilogy and also shows up in multiple other novels written by JAK, as does the town of Eclipse Bay.) Rafe's grandfather, Mitchell, is a lovable grump, who appears throughout this series as well.
I like Rafe and Hannah very much. They are sympathetic MCs, especially Rafe, who is a highly talented chef. Importantly, there is plenty of emotional and sexual chemistry between them.
There are only two overt sex scenes in this novel, but as is the case with JAK in all of her novels, the sex is never crude, and it never dominates the story at the expense of romance. In addition, there is no foul language in this book, or any JAK novel, other than an occasional, mild, "damn," or, "hell." There is no binge drinking ever in a JAK novel, though every single one of her FMCs indulges in a glass of wine every evening with cheese and crackers, and all of her MMCs imbibe a shot of brandy when under stress from the book's murder mystery, as well as an occasional beer with pizza or at a hot, outdoor event.
The seaside setting is vividly drawn, which makes sense, because the Pacific Northwest is JAK’s own stomping ground and quite familiar to her. Technically, one could describe this novel as a "small town romance," though it has not been marketed as such. If it were, I would personally describe it as an ideal example of how to write that popular romance trope in a way that is quite entertaining rather than a boring rehash of a cliche Hallmark movie as, unfortunately, seems to be the case for the majority of romance authors who attempt this trope.
For those who like suspense novels that are gripping and scary, this is not that kind of book—which is fine by me, because I don’t particularly enjoy that kind of novel. There are definitely some mildly scary scenes caused by the villain who killed Rafe’s date eight years ago, after Hannah and Rafe begin working together to solve that particular murder mystery. But I am happy to report that the main plot in this novel is definitely the romance, and a really enjoyable one.
I have read this novel many times over the years, initially as a mass market paperback, later in Kindle format and, most recently, multiple times in audiobook format. The audiobook I own is narrated by the talented voice artist, Joyce Bean, who does an excellent job. I noticed on Audible today that this series has recently been re-recorded by a different voice artist. When such a choice is made, one would hope that the new voice artist would be an improvement over the previous one. But, sadly, that is not the case. I'm glad that I purchased the JB version of this series from Audible before it became unavailable. It will probably be available in CD format through your local library, if you would like to have access to that version. It is not available through Hoopla in electronic format.
I have found this book equally entertaining every time I have read it. Over the years, it has become a comfort read and a fictional palate cleanser for me when I have read one too many disappointing romance novels in a row.