A disappointing continuation of what started out as a fairly a strong series. It may end as such too, but unfortunately this middle volume suffers as a work of filler, not really achieving much other than forming a few relationships and throwing our protagonists into a near-death experience completely of their own making. Sure, this is the volume where Joram falls in love (a flat, lifeleless love affair if ever I read one) and discovers his inheritance and learns of the possibility of War between Merilon and Sharakan but Weis and Hickman make some massive blunders in how these are revealed to us.
For the first half of the book, Joram and company meet some guy Prince Garald who is inexplicably nice to them, has tea and cake and trains Joram how to use his sword better. Since Joram has the Darksword he sees him as a useful allie. This is a lengthy episode and sortof takes the place of Lorien in Lord of the Rings, a useful interlude, not the backbone of the first half of the book.
Still, I wouldn’t have minded this so much if the second half had taken off. However, Joram, obsessed with his heritage walks straight into the belly of the beast, the very city where everyone is looking for him, with no plan of action or other significant purpose. Unsurprisingly, he gets caught. This is not tense, it’s just utterly predictable and in character terms it’s just plain stupid, particularly when Joram had the option of joining Garald and fighting with Sharakan.
Finally, Simkin is over-used and over-relied upon as a character to the extent that he’s becoming as annoying as Fizban in the Chronicles. W&H love using Godlike characters to get their heroes in and out of scrapes but it can unfortunately get tiresome. They also love characters who like this who don’t fit-in to their world (often quoting present day earth popular culture and the like) and I find that somewhat irritating in excess. There's still mystery surrounding who or what he is, but it's not a very intriguing one.
These criticisms aside, it’s still enjoyable. One sortof expects these nonsensicalities from their work from time to time and their strengths usually make me forgive them these idiosyncracies. Narrative padding is not such a terrible crime when you’re not actually bored, and nobody picked up a fantasy trilogy to be done with it too quickly – I’d like more detail and colouring in of this world and I’d like the characters motivations to make sense, but the world and characters still have character and their own kind of charm. Doom of the Darksword certainly doesn’t build on the promises of the first book, but it does still deliver its own pleasing narrative that features all of the required fantasy elements without feeling like it’s going through the motions. There’s just enough here W&H – as usual, you always do just enough to keep me coming back…