I've been reading a lot of Shaun Hutson novels from various stages of his career recently. From the start, it was obvious that his writing style had been developed very early and didn't change a great deal. Whilst this was a good thing in some ways, as his simple language use and short chapters make his novels very readable, it's not so good in others, in his dreadful and repetitive sex scenes and his habit of filling space with sub-plots which rarely seem attached to the main plot and are discarded without resolution when he is finished with them.
In New York, supposed miracle healer Jonathan Mathias claims to have unlocked the secrets of the astral body and believes it can be separated from the physical body. Meanwhile, psychic investigators in Oxford and Paris are looking to see if they can locate the area of the brain which controls this, one by using drugs and the other by hypnosis. However, it seems that this part of the brain may control our dark sides and separating it may not have unpleasant consequences.
What I was not expecting to find in my trawl through his work was a novel so different from the others in almost every way that it was almost recognisable as a Shaun Hutson novel. "Shadows" is a far more focussed and feels like a much better researched work than his others, meaning it only has a single plot and whilst there are several aspects to it, none of them stray too far away from the main story, as has been his habit in the past and all the strands are clearly linked and come together towards the end instead of falling away.
Alongside this, he has also retained his style of writing in simple language and short chapters, which makes the novel very readable. Despite the subject matter, he doesn't let the novel get bogged down in jargon and whilst there may be concepts unfamiliar to some readers, as they were to me, he uses his characters, especially writer David Blake, as a sounding board to explain things through, which is not only helpful, but unusual for many authors.
There are the odd moments where the novel loses a little bit, as it seems that the base urges of all of us in the shadows of our minds revolve around sex and murder. This does mean that similar things do keep happening and his writing of sex scenes isn't much better when it's non-consensual. As his range of vocabulary is limited for these scenes, so to assist with the pace of the writing, I suspect, it does mean that there is the occasional repetitive moment and some scenes are too similar to others.
Even allowing for Hutson's usual limitations, this is the best novel I've read of his by some margin. It feels that, possibly for the first time, he had a plot idea that was sufficient to fill a novel on its own and has allowed this to speak freely. There is much more focus than he tends to have and he's not had to force sub-plots and scenes in between the main plot to take up space and the novel is much the better for all of this.