I, Vampire, Vol. 3: Wave of Mutilation

I, Vampire (collected editions) #3

by Joshua Hale Fialkov (Writer), Andrea Sorrentino (Illustrator)

The world's worst nightmare has come true: Andrew Bennett, the only good vampire, has gone very, very bad!
Now it's up to his lover Mary, Queen of Blood, to stop him but she is human now. She must embark on a quest to learn the truth about Andrew's past and which vampire turned him. But the problem is, it is the most deadly vampire alive: Cain!

Collecting: I, Vampire 0, 13-19

Genres: Comics, Graphic Novels, Horror, Dc Comics, Fantasy, Vampires, Comic Book

192 pages, Paperback

First published October 15, 2013

About the author

Joshua Hale Fialkov is the creator (or co-creator, depending) of graphic novels, including the Harvey Nominated Elk’s Run, the Harvey and Eisner nominated Tumor, Punks the Comic, and the Harvey Nominated Echoes.

He has written Alibi and Cyblade for Top Cow, Superman/Batman for DC Comics, Rampaging Wolverine for Marvel, and Friday the 13th for Wildstorm. He’s writing the DC relaunch of I,Vampire, as well as debuting the new Marvel character The Monkey King. This fall sees the launch of The Last of the Greats from Image Comics with artist Brent Peeples.

He also served as a writer on the Emmy Award Nominated animated film Afro Samurai: Resurrection, and as Executive Producer of the cult hit LG15: The Resistance web series.

Elk’s Run, Tumor, and Alibi are all currently in development as feature films. He has written comics for companies including Marvel, Wildstorm, IDW, Dark Horse, Image, Tor Books, Seven Seas Entertainment, Del Rey, Random House, Dabel Brothers Productions, and St. Martin’s Press. He has done video game work for THQ, Midway Entertainment, and Gore Verbinski’s Blind Wink Productions. He also wrote a Sci-Fi Channel movie starring Isabella Rossellini and Judd Nelson. Unfortunately, at no point in the film does Judd Nelson punch the sky and freeze frame. Joshua grew up in Pittsburgh, PA, went to college in Boston, where he got a BFA in writing and directing for the stage and screen, and then worked in the New England film industry, until finally deciding to move to Los Angeles to do it properly. He lives with his wife, Christina, daughter, Gable, and their cats, Smokey and the Bandit.

Twitter: http://www.twitter.com/joshfialkov

Facebook: http://www.facebook.com/joshuahalefia...

Photograph by Heidi Ryder Photography

Reviews

[Anne · Rating 3 out of 5]

I, Vampire seems to be one of those New 52 titles that no one liked and died a quiet death without much protest.
But I kind of like it.



The art and panel layout are just lovely, and I really liked the plot. I'll be the first to admit the execution of said plot could have been much better, though.



So Andrew Bennet is a vampire who has a pure soul. We find this out because the vampire who turned him was Cain, and when he bit Andrew it caused his curse to be triggered - supposedly destroying the first vampire.
What was the curse?
Well, it was that if he ever tried to bite a pure soul, that it would destroy him. Duh.



Fast forward to the present and Andrew, in an attempt to save the world, has absorbed all the powers of all of the vampires leaving them mortal and himself overtaken by their evil.
The Justice League Dark is naturally involved because of the supernatural element to everything.
The Van Helsings also pop up! <--didn't even realize they were a part of the DC universe.



Andrew's Exs show up, too! Mary Queen of Blood is now just plain old Mary (of the non-evil variety) and even without powers, she's still an ass-kicker on a mission to save her old flame from himself.
Another ex, the human Deborah Dancer, gets unwillingly pulled back into the shenanigans after Andrew and his new female sidekick, Tig, quite literally burn her new life to the ground.



And the battle between good and evil rages on!

I liked seeing vampires in DC, so even if this wasn't perfect it didn't suck.
See what I did there? Har, har, har.

[Danielle The Book Huntress · Rating 4 out of 5]

Andrew Bennett evil brings to mind Angelus from Buffy. Absolutely hateful. I didn't enjoy seeing him that way. I think the world is a much better place without an evil Andrew Bennett!

This is definitely dark Vampire-themed horror. The storyline is twisty and it's not in any way predictable. Villains become heroic and vice versa. We get a little backstory on how human Andrew Bennett became a vampire long ago, and why Mary, his eternal bride, hates humans so much.

Throw in some Biblical lore, such as Cain and Lilith, and some shocking losses, plus a few cameos, and I had to give this four stars. It was very good for what it is. Don't go into this expecting sweetness and light. This is for vampire fiction readers who like their vampires dark and depraved.

[Sud666 · Rating 2 out of 5]

I was not very excited by the 2nd Volume of this series. But, being a sucker for vampire stories (no pun intended), I saw the cover and decided "oh let's give it a chance". Well I wasn't really surprised that it wasn't amazing. The sad part is, just like vol 2, it could have been.

The way the story starts out-with the History of Andrew Bennet is excellent. The parts set in the "current" time are a bit of a mess. Andrew is evil now. Again. Mary (the Queen of Blood) is human. All the vampires are gone and inside Andrew. That's why he is evil. Ok. But now Mary is a good guy. This constant back and forth is REALLY annoying. Somehow, even though vampires are gone, Cain is still running around-explanation being he is older than vampires so he gets to stick around. Ok.

The parts where they discuss the history or past events is quite nice. The whole arc of this story was rather ambitious and grand (get rid of all vampires? a super-vampire-god? meh) and Joshua Hale fails to live up to it. Sadly, in his parts about the past events I see real talent and a great story. It's the modern stuff which just becomes a mess.

So in summation- this was an ok tale. Some really good parts and some mediocre parts. That is what drags this down to an average story. The artwork is nice and works well for this story. If I sound disappointed-I am. I like a good vampire story. This has elements of a GREAT vampire story (the history and origins of Andrew and Cain)..but the whole super-vampire-god who is both savior and destroyer figure (geeze hello Shiva, someone's been reading Hindu texts) who changes between good and evil quicker than I can change a t-shirt sadly can't measure up to the rest of the story. I think I am done with I, Vampire.

[Koen · Rating 4 out of 5]

Oeh, I felt a little confused at times (switching sides, who's with who,...) but still a strong finish!!
Also a minor issue that the artwork kept changing ... They should have stuck with Andrea Sorrentino..

Definitely too bad to see it go though. Would loved to have been able to read more "I, vampire".. It's one of the more grittier, darker comics, and just the way I like it!

Who knows, maybe they'll pick it back up in the future? :) I can only dream!

[47Time · Rating 2 out of 5]

Andrew's origin story explains his link with Cain and how the latter's imprisonment occured. And that's the best part, sadly. Andrew has a new personality and is annoyingly confident in his abilities. Since when do vampires generate deadly blasts of energy from their hands? The story gets so convoluted at the end that I just skimmed through it, rooting for a slow death for all the characters. Constantine is by far the coolest, so I guess I could recommend this book to his fans.

I was unable to pay much attention to the ending. I resonated with one of the characters when he said: 'What the hell is going on?' True words. Then another character asks: 'And what are you? Deus ex machina?' Even the author was making fun of his own mess of story. This almost deserved a star, but for the author, not the story.

Mary, now powerless, and the prof are going after Andrew and Tig. They track down Cain who sired Andrew, but I couldn't find what this achieved.

Andrew doesn't kill all opposition outright to savour their anguish as he destroys everything they love, so he has turned completely phycho. Or almost completely as he is still aware that he needs supporters. He first convinces a young magician named Charles to join his ranks when they attack the Van Helsing fortress and make their way to the armory for an artefact to open a portal to hell.

The whole convoluted thing is wrapped up in the House of Mystery where all the named characters get together in a team-swapping, head-chopping, magic-wielding, dead-character-resurrecting jamboree. What pissed me off was the sheer amount of kisses Andrew was still getting even from his exes.

[Charlos · Rating 4 out of 5]

Really good, and sad to see it go. The gritty artwork is appropriate and doesn't detract, but various artists make it a little dirorienting. A nice portrayal of John Constantine, Hellblazer (NOT Constantine: at this point, they are seeming like two separate entities). The last few ishes seemed dense and a little too easy as far as resolutions, but as the series was closing, it makes sense.

[Dev · Rating 2 out of 5]

Thank god that's over. I feel like this entire series was just them checking off a list of the most cliched vampire tropes ever and then also deciding that every character should turn back and forth from good to evil every other issue because reasons. You know what was infinitely more interesting than this entire series? The idea of Cain and Lilith as vampires. Not the actual few panels that we got in the comic because those basically consisted of 'he's evil because reasons and she, like all female vampires apparently, has no personality and is allergic to clothes', but it could have been an excellent idea if they wanted to put some effort in. However, like everything else in this series, it remained painfully two dimensional. Oh well, still better than Mary and Andrew flipping a coin to see who gets to be the bad guy this week.

[Joshua Adam Bain · Rating 4 out of 5]

Great way to end the series!

This is a series that has progressively gotten better as I read it. I wasn't that fussed with the first volume, but thought it had potential. I'm glad I continued cause the second book picked up it game and got really interesting. And this volume is even better still, definitely the climax the series needed. At the end of the last book we saw Andrew Bennett suck in all the evil "voodoo" from every vampire in the world, not knowing this would make him super evil. This kicks off straight into the action with lots of blood and gore, and it was glorious. As result of this Mary is now a mortal, and she's playing the good guy. Which was really cool to see, I enjoyed her quite a lot in this book where before I wasn't that taken by her. The story is interesting and I loved seeing Constantine in there as well as the House of Mystery, which I was just reading about in Justice League Dark. The use of flashbacks were executed well and we go to find out Cain's backstory, which I was pleasantly surprised with.

The art changes towards the end of the book, but I didn't find this too distracting from the story. There where lots of twists, turns and unexpected deaths throughout the book and I have to say I'm sad to see this title end, but better to end on a high note than to fizzle out. It's not perfect, but who cares it was bloody awesome!

[Josh · Rating 4 out of 5]

A dramatic and emotional ending to an excellent vampire series.

With reversals upon reversals, the consequences of power, revenge, and love draw our characters into a costly conflict over control of the future. With so much happening, there are a couple messy pieces as everything wraps up, but overall it's a bold, violent, and satisfying finale to Andrew Bennett's quest to atone for his past and protect the future. Weaving together backstory, each character thread, and the inevitable conflict that has been building since the beginning--it doesn't all end well for those involved, but with volume 3, it will come to an end.

Also, Constantine's complete detachment from world-threatening events is such a fascinatingly cynical piece of his character.

[Robin · Rating 2 out of 5]

Bon, ça aurait pu etre bien mais ça part vraiment en sucette a la moitié du comic. Et le final est risible. Dommage.

[Fizzgig76 · Rating 4 out of 5]

Reprints I, Vampire #0, and #13-19 (June 2013-November 2012). Andrew Bennett is now the only vampire on Earth and evil. His former lover Mary finds herself in the unique position of being a hero and sets off with Andrew’s former allies John Troughton and Deborah Dancer to restore Andrew. Andrew however has a plan and the gates to Hell might be opened once again…unfortunately, the original vampire Cain might have something to do about it if John Constantine can’t help stop him.

Written by Joshua Hale Fialkov, I, Vampire 3: Wave of Mutilation is the third and final volume of the New 52 series. Following I, Vampire 2: Rise of the Vampires, the series found itself in a unique position due to high sales of trade paperbacks, but low issue sales which lead to DC ultimately cancelling the series.

I, Vampire was a great series when it kicked off and ended as vicious and dark as it started. I enjoyed the idea of vampires in a superhero world as the series was originally portrayed, but the comic eventually just became a standard “dark” comic. This wasn’t necessarily a bad thing, but the dynamics of the comic did change from the series’ onset.

This volume of the comic does have some strong DC ties with John Constantine and the House of Mystery, but primarily it is a horror comic. Though the series’ run was cut short, it doesn’t really feel incomplete due to the big battle and arch of the characters. Here we see Bennett at his worst and are given a logical and timely redemption for both Bennett and Mary who sometimes feels like the real star of this series. Both characters are fun and both deserve continued exploration (though in Mary’s case, it is better that she’s been laid to rest).

The art for the series also is strong. Primarily illustrated by Andrea Sorrentino and Fernando Blanco, multiple artists contributed to the collection. I do like the art for the series and hope that both artists move on to bigger and better series with their unique style (with Blanco being the more traditional of the two).

I, Vampire was a surprise from the start as part of some of the daring choices of the New 52. I never really expected the series to exist, much less live, in the competitive comic market, but it was nice of DC to give it a shot. I like the Bennett character and the resolution, but I do hope that he occasionally pops up around DC’s world.

[K.S. Trenten · Rating 3 out of 5]

Andrew is now bad, Mary is now good (sort of) and the world has changed. Mary finds herself allying with old enemies and rivals in order to stop Andrew from creating a dangerous core of vampire allies and opening the Van Helsing secret toybox of high powered weapons. Only other people have plans for that toybox. The scuffle for it is going to be otherwordly and bloody.

I enjoyed how Andrew’s slashy side come out to play with his old friend turned enemy, the doctor amidst all the ladies from his past and present. One character met a gruesome end, another an epic one. Dogs were messed with in a gut wrenching way, but they got a happy ending. Mary’s background was fleshed out, giving her a horrific reason for her hatred of humanity and why she went down a dark path. The transitions she went through were as fluid and fascinating as Andrew’s. Both Mary and Andrew kept up with John Constantine (who played an interesting role in this story) in the snark department (no mean feat). Cain got a much more interesting part in this volume, although his connection with the House of Mysteries could have been fleshed out more. Tig’s motives confused me, how they changed, although she got some great dramatic moments. Poor John Troughton and Debbie Dancer, I found myself really feeling for them. The story and the artwork lives up to its gory title, yet has striking moments of beauty and vivid characterization. Overall, it’s a fast-paced, intriguing addition to the other books in this series. It’s worth picking up.

[Cale · Rating 4 out of 5]

Considering where the second volume ended, I didn't know what to expect with this. What I got was a great follow-up; the role switch between Mary and Andrew is interesting, and the villain's plans are an intelligent indictment of normal super-villain plans. Also, Constantine shows up for several issues, and this is some of the best characterization I've seen for him outside of Hellblazer. The climax is appropriately over the top, although the resolution is a bit too cliche for my tastes. Still, it seems to earn its resolution. It's unfortunate that this is the end of the series; it still had places it could go, although it did look like it might start retreading ground. Still, the whole series is a refreshing pace for the New 52, and I hope the characters stay involved in the DCU.

[Max · Rating 3 out of 5]

Other than the appearance of Justice League Dark, I found the previous volume somewhat disappointing and expected to be disappointed by this final volume in the reboot as well. Surprisingly, the third volume of I, Vampire did manage to win me back. At least somewhat. I still prefer the original 80s version, but this managed to end pretty well.

This volume starts with the 0 issue, a gimmick DC did a year or so into the New 52 to have a flashback for every comic. I think generally speaking they occurred in the beginning of the new five year compressed timeline. So I'd expected to see an explanation of how Mary and Andrew's truce came about, but instead this issue retells the story of how Andrew Bennett became a vampire. Interestingly, it somewhat retcons the comic by reverting to the Elizabethan origin from the 80s, whereas before it'd been stated Andrew was around 600 years old. And now Cain shows up as Andrew's sire, becoming trapped within Andrew because somebody cursed Cain that he'd be trapped if he ever fed on a pure soul. I can't really find myself believing that Andrew counts, considering how much of a total dick he is in the present day, but what can you do. Honestly, if the series had started with this I probably would've been a lot more welcoming to it.

From there the story jumps back to the present, where Mary is now the protagonist. See, last volume Andrew resolved the vampire versus mummy problem by magically absorbing all vampirism into himself. This turned everybody into mortals except him, and Andrew went crazy for the usual eating lots of evil reason. He munches on Tig, the teen girl vampire hunter, and now he and his new vampire bride run off. This means now it's up to Mary to track Andrew down and fight him, a fun inversion of the usual premise. I also enjoyed that Deborah Dancer from the original comics shows up again, and she even has a dog named Mishkin - though don't get attached to the dog, who soon gets vampirised.

The story turns into a chase as Mary and her allies, including John Constantine, follow Andrew around as he works to gather allies and power to, what else, destroy the world. Admittedly his planned method of destruction is somewhat novel. Andrew steals the top stone of the Tower of Babel from the Van Helsings - apparently that's just been lying around in their extradimensional archive - and brings it to the House of Mystery to use it to open portals to Heaven and Hell simultaneously. This will somehow destroy Earth. The usual wacky magic fights ensue, as well as various deaths, resurrections, swapping of sides, and so forth. Mary's final fate is a nice mirror of Andrew's in the original run of the comic, and it is fun to see that the story ends with things kinda returning to basics - Andrew and some human allies ready to go chase down an evil vampire of Andrew's own creation.

I surprisingly didn't find the large presence of Constantine to be as grating as the previous crossovers, nor the fact that the story climaxes in the House of Mystery that usually serves as the JLD's HQ. Maybe it's because as a Legends of Tomorrow fan I'm always down for more Constantine, plus the fact that since the original comic was published in House of Mystery, it feels like a fun meta coming home thing. And I do appreciate that the story actually gets a conclusion. The comic run as a whole has felt like the pacing is consistently weird and it often rushes through different ideas, and I get the sense that behind the scenes probably things were messy. I mean in general I think the whole New 52 was a mess, and a lot of stuff did get quickly binned. So even if I wasn't the biggest fan of this version of Andrew, I'm glad it got to tell a complete story.

[Tony Laplume · Rating 5 out of 5]

The final and best volume of Joshua Hale Fialkov's I, Vampire, Wave of Mutilation spells and rounds out the whole mythology of the series.

The "New 52" era at DC ended up somewhat ridiculously derided for its creative choices. I never understood that. Fans certainly quibbled, however, and lost a lot of great reading opportunities as a result. On the first anniversary of the era, there was an origins month, where every title had an opportunity to look back at the nominal starting point of their narratives. This wasn't even the last time the company did something like that in the roughly five years it stuck to the era (Futures End was essentially a bookend in that regard, giving creators a chance to see where their stories ended). I found a lot of good material in the resulting "zero issues," but now I think I've seen the best of them.

Fialkov kicks off the volume exploring how Andrew Bennett first became a vampire. By the end of the volume (and series) his story comes full circle, and actually ends in the past. It's brilliant, the best work of truly exceptional storytelling.

The stuff in-between continues the developments of the two previous volumes. Andrew had turned bad, but ironically the chief villain from before, his immortal beloved Mary, has taken his spot with the good guys. Who once and again include John Constantine. If you want to make a long story short, I, Vampire might be considered the best "New 52" John Constantine. He manages to appear throughout the series, and by the end his involvement actually seems necessary (heh).

I cannot say enough good things about it. Falling just shy of a two-year run, Fialkov delivered a series that only got better at the end. How's that even possible? Well, read it for yourself to find out.

[Brian · Rating 4 out of 5]

Okay, so I was very unimpressed by the first volume of this New 52 title. Like a lot of New 52 books, it depends on you being already somewhat familiar with the characters and general idea of the book, and I wasn't. Consequently, I was totally lost as far as who the characters were and why I was supposed to care about them. And then (Spoiler alert, but it's for Vol. 1 so really I'm not worried about it) the protagonist gets his head chopped off by his own irritating hostile sidekick and realizes his true purpose in life only as he is fading into darkness. Good gravy, how that bothered me. I didn't even see any purpose in reading subsequent volumes of the title because that ending turned me off so badly.

But I was bored recently and gave the series another go, and I found that I have enjoyed each subsequent volume more than the others. It helps that there is a lot of backstory thrown in and by the end of Vol. 3 I know a little more of exactly what the hell is going on, and I enjoyed some of the crossover aspects in the second and third volumes.

This third volume especially just felt noticeably more coherent and confident in its writing and its action and was overall much, much more enjoyable than the first two. That said, you really do need to read those first two volumes to know what's going on, even though the first one struck me as being pretty awful both times I read it.

[Viki · Rating 4 out of 5]

SO DAMN GOOD. The only reason I'm giving this four stars instead of five is that they fell for the mistake of overdoing the plot by the end - which is pretty common. You start with small and as a series goes, you always have to up your game but by the end, this was a big mess. But not big enough so that I don't like it. We've got a glimpse at Andrew's past, how he was turned - and I enjoyed this part a lot. Big evil Andrew wasn't necessarily this entertaining but at least this plot brought a lot of characters together you'd not have thought of seeing on the same side. (John Constantine as a guest star.)

I think what really made me fall in love with this book is the art. Andrea Sorrentino has such a unique style and it fits this whole vampire horror story so well, it blew my mind reading every page. It's absolutely breathtaking and makes you shiver and I can't wait to put my hands on physical copies of these books.

I'll be forever surprised this title is part of the New 52 era because I honestly didn't think something good can come out of those years. If you are interested in good vampire stories, I definitely recommend this one.

[Anchorpete · Rating 3 out of 5]

I am so backlogged on my reviews of Comic book trades, I want to make a rating system to make things a little simpler. Honestly, I forget a lot of what happens in these trades. They all start to blend together.

QUALITY OF ART (Out of 10) 9 ---- When Andrea Sorrentino is drawing the book
QUALITY OF DIALOGUE (Out of 10) 7---- Just above generic. The Dialogue is more horror movie then Superhero dialogue, which is a plus
STAND OUT ASPECT OF BOOK- There is a John Constantine Cameo. It reminds me of the "Dark" section of the original New 52 line up, which was the most ambitious aspect of the reboot. It is also disturbingly graphic. There are more occasions where it seems like a horror book as opposed to a superhero book.
FLAWS- The Dialogue gets a seven, because it can be corny at times, trying a little too hard to be edgy and dark
WHO TO RECOMMEND THE BOOK TO- Steve Niles (light), fans of the Dresden files, or people that like Watered down Constantine.

[Ryan · Rating 3 out of 5]

Previously a battle between the Van Helsings and the vampires lead to an interruption with the Stormtroopers. In the process, Andrew becomes corrupted and prepares to destroy the world with his new vampire league. It's up to the Professor, Mary, and former acquaintance Debbie to save him.

The approach follows through a plot of intrigue and new revelations, including more background on Bennett's past. In which, there's more focus on the supporting cast here, but I only see Mary being fleshed out enough. While the ending is not rushed, I did find it weird how both wickedness was defeated and a rather open ended ending was created in the process. It was a good read, but it felt like it lacked a good punch to close it off properly.

[Joel · Rating 5 out of 5]

So I got hooked into this story and read all three volumes back to back. I can't say I didn't enjoy it. I loved both main characters, and the crossovers are really well-thought overall (especially John Constantine, lately I've been loving anywhere he's in). I love that the story concludes in a satisfactory manner, and I especially love when these volumes give you issue #0 for some background and then that background becomes really insightful for the present. I loved the conclusion of Andrew and Mary's arc, and it's at the same time a blessing and a curse that this run stopped here.

[Sean · Rating 2 out of 5]

What started off as a very promising new series suffered from publishing issues and ends with a confusing chapter. The series was obviously rushed to a conclusion and made the last collection a confounding nightmare. It was a muddled mess that made nonsensical moves just for the sake of a big change. It accomplished nothing. The bright side was the art, especially the work by Andrea Sorrentino. Overall, a sad misstep.

[Brandon · Rating 3 out of 5]

Andrew Bennett is evil now and the rest of the supporting cast have to team up to take him on as he roams the world for some newfound big evil plot. There's some stuff with Cain as the first vampire, some stuff with Mary and her relationship with Andrew, and tying up loose ends and plot threads from the beginning of the series. I wish Andrea Sorrentino was kept on for the whole book but Fernando Blanco does an alright job filling in.

[Donna · Rating 1 out of 5]

Andrew Bennett, evil again, forms a new team of vampires.

Ugh. That's my summation. Yuck might be added. The first volume of this series had promise, the second was slow and clunky but ok, and this one was just a total explosion of clichés and vampires tropes combined with needless pages to pull it out longer. This was the end of the series and, in this case, it was deserved.

[Zach · Rating 4 out of 5]

Pretty good. I love the artwork and Andrew & Mary’s backstory. It just gets a little muddled at times with all the jumping around in the present with characters coming in and out of the story. Look forward to reading more of this series.

[Ashley Frank · Rating 4 out of 5]

I’m really not sure why this series was cancelled in the new 52 run, but I loved it. And I guess the up-side to cancellation is they had a chance to write most of an ending.
The story of Andrew and Mary is beautiful and bloody, just as any vampire story should be.

[Lillian Francis · Rating 2 out of 5]

There's a change of artist in the last few issues which allowed me to read them. I wanted to check Andrew was good again so I read the last 3 issues.
It's a shame the art was so bad in previous issues that I couldn't stand to read it. I enjoyed these last few issues well enough.

[Christopher · Rating 4 out of 5]

A really fun series. Too bad it was cancelled.

[Paxton Holley · Rating 3 out of 5]

This was a good series, why did no one read it?

[Will Fenton · Rating 5 out of 5]

Took some bizarre turns, but I enjoyed how it finished out.

[superhero fan · Rating 4 out of 5]

This series gets better and better