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Pacific Rim
Pacific Rim: The Official Movie Novelization
The official novelization of the upcoming sci-fi blockbuster Pacific Rim from visionary director Guillermo del Toro!When legions of monstrous creatures, known as Kaiju, started rising from the sea, a war began that would take millions of lives and consume humanity's resources for years on end. To combat the giant Kaiju, a special type of weapon was massive robots, called Jaegers, which are controlled simultaneously by two pilots whose minds are locked in a neural bridge. But even the Jaegers are proving nearly defenseless in the face of the relentless Kaiju. On the verge of defeat, the forces defending mankind have no choice but to turn to two unlikely heroes-a washed up former pilot (Charlie Hunnam) and an untested trainee (Rinko Kikuchi)-who are teamed to drive a legendary but seemingly obsolete Jaeger from the past. Together, they stand as mankind's last hope against the mounting apocalypse."I wanted to make not a war movie, but an adventure movie, with a huge, romantic sense of adventure, a sense of grandeur, and operatic battles..." - Guillermo Del Toro
339 pages, Mass Market Paperback
First published July 12, 2013
157 people are currently reading
1578 people want to read
About the author
Alexander C. Irvine
189 books198 followersAlexander C. Irvine is an American fantasist and science fiction writer. He also writes under the pseudonym Alex Irvine. He first gained attention with his novel A Scattering of Jades and the stories that would form the collection Unintended Consequences. He has also published the Grail quest novel One King, One Soldier, and the World War II-era historical fantasy The Narrows.
In addition to his original works, Irvine has published Have Robot, Will Travel, a novel set in Isaac Asimov's positronic robot milieu; and Batman: Inferno, about the DC Comics superhero.
His academic background includes an M.A. in English from the University of Maine and a PhD from the University of Denver. He is an assistant professor of English at the University of Maine. He also worked for a time as a reporter at the Portland Phoenix.
In addition to his original works, Irvine has published Have Robot, Will Travel, a novel set in Isaac Asimov's positronic robot milieu; and Batman: Inferno, about the DC Comics superhero.
His academic background includes an M.A. in English from the University of Maine and a PhD from the University of Denver. He is an assistant professor of English at the University of Maine. He also worked for a time as a reporter at the Portland Phoenix.
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Displaying 1 - 30 of 331 reviews
January 9, 2020
UPDATE 3/23/15: An updated version of this review can be found on my blog
I enjoyed everything about this book except for the ending.
Having read the book before seeing the movie in theaters, I was pleased with the details included in the novelization. This book offers a clear view of the world in Pacific Rim and the characters that live therein. While it doesn't deviate from the main script of the movie, this book does give you a little bit of the history and a look into each character's minds.
Now, sadly, for what I didn't like about this novel...
I enjoyed everything about this book except for the ending.
Having read the book before seeing the movie in theaters, I was pleased with the details included in the novelization. This book offers a clear view of the world in Pacific Rim and the characters that live therein. While it doesn't deviate from the main script of the movie, this book does give you a little bit of the history and a look into each character's minds.
Now, sadly, for what I didn't like about this novel...
September 3, 2013
Haven't seen the movie yet, but absolutely loved this book. The story concept and story world was just so intriguing and so well done.
I read this book by accident--I was browsing movie soundtracks and liked the composer for the movie, and saw there was a novelization of the movie, so got a sample of the ebook. I had to wait for something for a couple hours and started the sample to wile away the time, and I was hooked!
Characterization was deeper than expected in an adventure story--it's not as multi-layered as a women's fiction novel, but it still gives really good depth to most of the main characters.
The action was rockin'! The story reminded me a bit of those fantastic anime shows I used to watch as a kid, like Robotech and Voltron, but for adults.
I liked this book so much I bought a copy for my dad, who's a huge science fiction fan and who also likes action movies.
I read this book by accident--I was browsing movie soundtracks and liked the composer for the movie, and saw there was a novelization of the movie, so got a sample of the ebook. I had to wait for something for a couple hours and started the sample to wile away the time, and I was hooked!
Characterization was deeper than expected in an adventure story--it's not as multi-layered as a women's fiction novel, but it still gives really good depth to most of the main characters.
The action was rockin'! The story reminded me a bit of those fantastic anime shows I used to watch as a kid, like Robotech and Voltron, but for adults.
I liked this book so much I bought a copy for my dad, who's a huge science fiction fan and who also likes action movies.
October 8, 2013
No judgments please.
I'm a closet fan of giant robots versus reptilian monsters so when Pacific Rim came out in theaters some months ago, I drug my two extremely-too-young-for-monster-movie daughters and we watched ourselves some alien monsters and anthropomorphic mechs duke it out.
It was magical. 10-year-old Matthew cried silent tears of joy. My kids cried actual tears. Lots of noise. And monsters. Shit-tons of monsters.
The book is exactly what it looks like it will be: self-awarely terrible but aimed at adult fans with disposable income who are hoping to get some juicy cutting room floor details left out of the film. This book, combined with the far-too-short graphic novel prequel Pacific Rim Tales From Year Zero fill that role nicely. I now have my giant fighting fish quota knowledge filled for the next few years.
I feel better about myself having shared this with you. Now let's pretend I never read this.
I'm a closet fan of giant robots versus reptilian monsters so when Pacific Rim came out in theaters some months ago, I drug my two extremely-too-young-for-monster-movie daughters and we watched ourselves some alien monsters and anthropomorphic mechs duke it out.
It was magical. 10-year-old Matthew cried silent tears of joy. My kids cried actual tears. Lots of noise. And monsters. Shit-tons of monsters.
The book is exactly what it looks like it will be: self-awarely terrible but aimed at adult fans with disposable income who are hoping to get some juicy cutting room floor details left out of the film. This book, combined with the far-too-short graphic novel prequel Pacific Rim Tales From Year Zero fill that role nicely. I now have my giant fighting fish quota knowledge filled for the next few years.
I feel better about myself having shared this with you. Now let's pretend I never read this.
August 11, 2013
Yes, I went out and bought the novelization of this movie. That's how badly my adoration for this movie has bitten me. Yes, I was embarrassed. The last time I bought movie novelizations I was like 12, and they were used copies from a library booksale. I mean really, who buys novelizations? I guess the answer is "Crazed fans like you, Sid." Admittedly, they may have been more of a novelty in the past, because you could see material that was cut from the script or left on the cutting room floor in a way that you just didn't hear about. (I forget if the Star Trek II: The Wrath Of Khan or Star Trek III: The Search for Spock was the one that had info about the romance between Saavik and David, but learning about that was cool at the time. Nowadays you can just read about that on Memory Alpha, but in the 80s and 90s we didn't have Memory Alpha or official blogs or industry journalists' blogs; we barely had discussion boards.)
Objectively, as a book, this is not very good. The actual novelization parts, anyway. There are some little extras that are probably worth reading for the hardcore fan, and there are some indications that Alex Irvine or somebody did their homework without venturing too much into shown their work territory. (Except for the Japanese. The Japanese in the book is pretty terrible. That may not be Alex Irvine's fault if he was just working from a script, but it's still unnatural-sounding in places.) I squeed over the one where one of the scientists who developed the neural bridge technology had an office at a university in my town that's very involved in robotics research, and the one where the commercial airliner pilot is describing Oblivion Bay, the Jaeger graveyard. You know - "If you look out your windows, folks, you can see [landmark]." That kind of thing. I've put a full list of these under the spoiler tag, if anyone is curious.
There are various punctuation problems — commas where there should be periods, stuff like that — and the book ends with a scene that they decided to leave on the cutting room floor. It also bugs me that when Mako and Raleigh first Drift that all the people they remember wanting to be when they grow up are male. I mean, I guess theoretically you could have a female Sasuke champion, it's just never happened at this point. :/ Also, Winston Churchill? Seriously?
I haven't had a chance to read them yet myself, but I'd put Pacific Rim: Tales From Year Zero (the prequel graphic novel) and Pacific Rim: Man, Machines & Monsters (art book!) as things to explore before this, unless you are really into this film and know you want to own all three. Also, just in case this doesn't go without saying — watch the movie first.
Objectively, as a book, this is not very good. The actual novelization parts, anyway. There are some little extras that are probably worth reading for the hardcore fan, and there are some indications that Alex Irvine or somebody did their homework without venturing too much into shown their work territory. (Except for the Japanese. The Japanese in the book is pretty terrible. That may not be Alex Irvine's fault if he was just working from a script, but it's still unnatural-sounding in places.) I squeed over the one where one of the scientists who developed the neural bridge technology had an office at a university in my town that's very involved in robotics research, and the one where the commercial airliner pilot is describing Oblivion Bay, the Jaeger graveyard. You know - "If you look out your windows, folks, you can see [landmark]." That kind of thing. I've put a full list of these under the spoiler tag, if anyone is curious.
There are various punctuation problems — commas where there should be periods, stuff like that — and the book ends with a scene that they decided to leave on the cutting room floor. It also bugs me that when Mako and Raleigh first Drift that all the people they remember wanting to be when they grow up are male. I mean, I guess theoretically you could have a female Sasuke champion, it's just never happened at this point. :/ Also, Winston Churchill? Seriously?
I haven't had a chance to read them yet myself, but I'd put Pacific Rim: Tales From Year Zero (the prequel graphic novel) and Pacific Rim: Man, Machines & Monsters (art book!) as things to explore before this, unless you are really into this film and know you want to own all three. Also, just in case this doesn't go without saying — watch the movie first.
August 3, 2013
I am sooooooooooo tempted to give this 2 stars, but out of respect for the movie, I'm willing to be lenient.
The writing was okay, but I didn't expect too much from this book. This is the first time I've ever read a novelization of an original movie that is not an adaptation of another literary work. So, I guess in that sense, Irvine got lucky. His writing style is kind of stilted and weak, but his loyalty to most of the scenes of the movie kept everything very cinematic as I read. Just a tip: I absolutely recommend going to see the movie Pacific Rim if you want to read this. The novelization doesn't really add too much original material (although there are a couple of scenes I'll mention later that are priceless and only included in the book), but Irvine did give us the gift of precious backstory to our secondary characters--specifically, Chuck, Newt, and Gottlieb--that I felt was lacking in the movie.
The writing was okay, but I didn't expect too much from this book. This is the first time I've ever read a novelization of an original movie that is not an adaptation of another literary work. So, I guess in that sense, Irvine got lucky. His writing style is kind of stilted and weak, but his loyalty to most of the scenes of the movie kept everything very cinematic as I read. Just a tip: I absolutely recommend going to see the movie Pacific Rim if you want to read this. The novelization doesn't really add too much original material (although there are a couple of scenes I'll mention later that are priceless and only included in the book), but Irvine did give us the gift of precious backstory to our secondary characters--specifically, Chuck, Newt, and Gottlieb--that I felt was lacking in the movie.
October 8, 2013
My obsession with Pacific Rim knows no end. I loved the movie and I hope the book is a fine piece too.
UPDATES
I read the book because I wanted to relive the moments of loud boom and bang in Pacific Rim. To do that, I had to imagine it. So, to choose between book or movie? I guess in this case, it's the movie then.
Oh, I liked the extra information provided in the book. Thumbs up!
And... I thought they didn't KISS. But... whatever. As long as the original doesn't.
Wait till I get the movie, I'll watch it over and over again.
Read on your own peril.
UPDATES
I read the book because I wanted to relive the moments of loud boom and bang in Pacific Rim. To do that, I had to imagine it. So, to choose between book or movie? I guess in this case, it's the movie then.
Oh, I liked the extra information provided in the book. Thumbs up!
And... I thought they didn't KISS. But... whatever. As long as the original doesn't.
Wait till I get the movie, I'll watch it over and over again.
Read on your own peril.
August 7, 2013
Five Stars?
But it's a book adapted from a screenplay, how can it merit FIVE stars?
Two reasons:
1) It was a really, really good movie
2) It was a really, really, REALLY, good book
(That's five "reallys", so five stars ;)
The story has it's own mythos that was presented fairly quickly in the film. The book explores that mythos a lot further and (I think) presents it in a more interesting way.
"Difting" is a great storytelling tool, and the author used it to its best advantage here. For instance, After watching the movie, I wasn't sure if the Kaiju were meant to be related to dinosaurs or not. Its just something Newt rambles about and its hard to make sense of him. In the book, the readers aren't just watching Newt drift, they're "drifting" alongside him. Experiencing his sometimes manic thoughts and perceptions of the "Antiverse".
In the film, the characters start out being presented as pretty polarized and one dementional. They become less so through developing relationships with other people (...kind of like the opposite of every star Star Trek TOS episode I've ever seen). Understandably, the movie had to focus on the larger plot instead of the individual characters.
However, the book format is much more conductive telling both types of stories. They were able to go into more details about who the characters are and why the act the way the do without slowing down the overall plot. Its really, really cool when you read a story and you feel like every supporting character could have held the main narrative, and that's how I felt about these characters.
Someone said that the writing style irritated them, I honestly thought the narrative was superior to the 15 other books I borrowed from the library this summer. The the files that are attached are a lot of fun to read too.
Plus, Herc Hansen got to be a POV character! (Squee!)
My only gripe is with Raleigh Becket. He's a little more of a snob and a lot more immature in this version. Also, (SPOILER ALERT)
Raleigh and Mako kiss at the end.
yuck.
However, these points didn't bother me enough to nock it down a star. (Besides, that's what perminant markers are for;)
So if you liked the movie and you like to read, definitely try out this book.
But it's a book adapted from a screenplay, how can it merit FIVE stars?
Two reasons:
1) It was a really, really good movie
2) It was a really, really, REALLY, good book
(That's five "reallys", so five stars ;)
The story has it's own mythos that was presented fairly quickly in the film. The book explores that mythos a lot further and (I think) presents it in a more interesting way.
"Difting" is a great storytelling tool, and the author used it to its best advantage here. For instance, After watching the movie, I wasn't sure if the Kaiju were meant to be related to dinosaurs or not. Its just something Newt rambles about and its hard to make sense of him. In the book, the readers aren't just watching Newt drift, they're "drifting" alongside him. Experiencing his sometimes manic thoughts and perceptions of the "Antiverse".
In the film, the characters start out being presented as pretty polarized and one dementional. They become less so through developing relationships with other people (...kind of like the opposite of every star Star Trek TOS episode I've ever seen). Understandably, the movie had to focus on the larger plot instead of the individual characters.
However, the book format is much more conductive telling both types of stories. They were able to go into more details about who the characters are and why the act the way the do without slowing down the overall plot. Its really, really cool when you read a story and you feel like every supporting character could have held the main narrative, and that's how I felt about these characters.
Someone said that the writing style irritated them, I honestly thought the narrative was superior to the 15 other books I borrowed from the library this summer. The the files that are attached are a lot of fun to read too.
Plus, Herc Hansen got to be a POV character! (Squee!)
My only gripe is with Raleigh Becket. He's a little more of a snob and a lot more immature in this version. Also, (SPOILER ALERT)
Raleigh and Mako kiss at the end.
yuck.
However, these points didn't bother me enough to nock it down a star. (Besides, that's what perminant markers are for;)
So if you liked the movie and you like to read, definitely try out this book.
August 17, 2016
Pacific Rim memberikan perpaduan Transformer, Godzilla dan film-film alien yang biasa membosankan jadi aksi seru mendebarkan yang bikin tegang dari awal sampai akhir. Penggambaran di sini lebih mendetail dan dipenuhi data-data teknis lebih dari filmnya.
August 22, 2016
the writing was so bad rip but i love raleigh and mako too much
February 7, 2021
Well, it about the same as the move. Except for few things.
At first, I thought the monsters were just made to fight but after reading the book I know they weren't only made to fight but specially made to fight yagers. they would go for their tanks and their weapon systems. Overall the book was good. well, I didn't like the fight scenes in the book. very few details about the fight
At first, I thought the monsters were just made to fight but after reading the book I know they weren't only made to fight but specially made to fight yagers. they would go for their tanks and their weapon systems. Overall the book was good. well, I didn't like the fight scenes in the book. very few details about the fight
September 4, 2013
Another reviewer said to watch the movie first, please do so. The book is an excellent adaptation of the movie but it kills several key points of the film that are crucial to the characterization of Mako, Raleigh, and Chuck, as well as setting itself apart from other movie stereotypes.
First major thing Irvine kills: the argument between Chuck and Raleigh with Mako off to the side. There is no "apologize to her!" line coming from Raleigh's mouth. Congratulations, you have just reduced Mako to 'the girlfriend' versus the strong, highly independent woman that she is. You have also reduced Raleigh to 'the strong alpha male protecting his woman', which is completely not the case. He's demanding respect for her, not protecting her. Instead of being an equal partnership between co-pilots, Irvine has created a hero/damsel relationship.
Second thing Irvine kills: the head bump at the end. While they filmed a kiss, it was not used as it would have reduced Mako to 'the girlfriend' rather than the equal. Writing in the kiss reduces both Mako and Raleigh to the hero/damsel type characters, in addition to being stereotypical Hollywood.
Overall, I was too busy imagining the movie in my head to really care about Irvine's writing style. Another read of the book will point out more flaws.
First major thing Irvine kills: the argument between Chuck and Raleigh with Mako off to the side. There is no "apologize to her!" line coming from Raleigh's mouth. Congratulations, you have just reduced Mako to 'the girlfriend' versus the strong, highly independent woman that she is. You have also reduced Raleigh to 'the strong alpha male protecting his woman', which is completely not the case. He's demanding respect for her, not protecting her. Instead of being an equal partnership between co-pilots, Irvine has created a hero/damsel relationship.
Second thing Irvine kills: the head bump at the end. While they filmed a kiss, it was not used as it would have reduced Mako to 'the girlfriend' rather than the equal. Writing in the kiss reduces both Mako and Raleigh to the hero/damsel type characters, in addition to being stereotypical Hollywood.
Overall, I was too busy imagining the movie in my head to really care about Irvine's writing style. Another read of the book will point out more flaws.
This entire review has been hidden because of spoilers.
January 5, 2020
wtf was that ending. came out of nowhere, probably because there was only like one Mako POV chapter in the whole book and then that section at the end where suddenly we’re told she’s had feelings for Raleigh the whole time. what. heterosexual garbage.
rife with continuity errors (like just in terms of itself, not getting into its relationship with the movie) in a way that suggests nobody bothered to actually...read it before publishing it...I will say, I guess, that it’s generally better copyedited than Irvine’s Uprising, but I feel more personally victimized by this one because the ending is so bad. some interesting info, but. 2.5 stars.
rife with continuity errors (like just in terms of itself, not getting into its relationship with the movie) in a way that suggests nobody bothered to actually...read it before publishing it...I will say, I guess, that it’s generally better copyedited than Irvine’s Uprising, but I feel more personally victimized by this one because the ending is so bad. some interesting info, but. 2.5 stars.
March 13, 2023
Amo tanto la película de Pacific Rim, por tantas razones, que ya sabía que el libro no sería algo que le hiciera justicia de lleno, pero igual, estaba emocionada de ver todos los detalles de información extra que incluiría, detalles que me parecieron encantadores, sin embargo, no puedo juzgar todo el peso del libro nada más por los dossiers que trae intermedios entre cada capitulo, especialmente porque hubo uno que otro que estuvo de sobra.
YAY.
✓ Los dosieres. Definitivamente son lo mejor de este libro. La parte más fuerte de la película de Pacific Rim, a mis ojos, es su construcción de mundo, y los dosieres te dan tanto de ese mundo, que es simplemente maravilloso.
✓ Más información de los kaiju. Aprendemos un poco más de sus estructuras, de su base de silicona, y también se explica porque van mejorando cada vez más (básicamente, para acabar con los jaeger, su enemigo natural), además, se dan otros datos, como el nombre de "precursores" para los aliens, y de "anteverso" para el otro mundo.
✓ Más información sobre cómo funciona el drift. Incluida una parte en donde los pilotos ya tienen su propio lore respecto a lo que significa conectarse, además de una parte sobrenatural del mismo. Algo muy cierto, el ser humano no puede hacer nada si no le agrega esa parte mistica primero.
✓ Detalles que hasta fueron burla por críticos a la película (cómo el hecho de que, al inicio parece que el drift solo funciona con gente especifica y luego parece funcionar con cualquiera, o la razón por la cuál peleas para encontrar gente compatible) y cosas que podrían parecer agujerillos de trama, aquí fueron explicados.
✓ Los Hansen tienen una escena más. Sí, solo una, pero para mí es positiva. Básicamente no fue algo nuevo, es una escena eliminada de la película, pero cómo se cuenta desde el POV de Herc, se cuentan las razones por las que Chuck le odia, además de cómo no sabe cómo acercarse a su hijo y criarlo, así que le agrega puntos extra a la relación, pero, no es nada que no sepamos por la escena eliminada, o por el comentario de Guillermo del Toro de que ambos se comunican su amor, por medio de Max.
✓ Obviamente la escena final de Chuck me parte el interior. Igual, eso no es cosa del libro, la sola idea de pensarlo, siempre me pone depre. O sea, ya me puse depre, otra vez, nada más de recordar que Max se quedó solito. Así que sí, no sé si puedo contarlo cómo algo positivo del libro.
NAY.
✗ Mantiene el mismo formato que la película. Y esto es un error. Porque cada medio es diferente. Si yo estoy leyendo una novela, novela debe de ser. En vez de eso, es cómo si estuviera leyendo un guión, y nada más, de vez en cuándo, agrega uno que otro verbo como acción para que parezca es algo distinto. Pero el libro no aporta nada, absolutamente nada a la historia. Son exactamente los mismos dialogos, las mismas acciones, y cero momentum, porque mientras que la película ayuda a construir con el soundtrack, las tomas, el formato y la actuación de los actores, aquí te falta todo eso para llegar a sentir algo mientras el escrito te describe, de la forma más desangelada posible, hechos que ya conoces de primera mano.
✗ Pésima narrativa. De la mano con lo de arriba, la narrativa se queda muy corta. Bien pudo ser lo mismo, pero bien narrado y manteniendo tensión, hubiera valido la pena, aqui, solo te describe los hechos cómo si estuviera leyendo la lista del super, como consecuencia no sientes nada con las muertes, las bombas, las pérdidas, porque solo es lo que sigue en el libro, no esta consecuencia que se construyó a base de las palabras anteriores. Y las descripciones son cosas cómo (y literal esto dice): "Newt y Hermann se llevaban cómo pareja de casados de años", claro, porque todos los casados pelean, ajá.
✗ Y lo poco que describe no aporta, sino que te deja más: WTF. Por ejemplo, cuándo describe el shatterdome, aclara que todo funciona cómo maquinaría perfecta, que los técnicos técniquean, los pilotos pilotean, y los mecanicos mecaniquean. Deja en claro, nadie se mete con el trabajo del otro porque todos saben su lugar, un piloto jamás se pondría a jugar con su jaeger, porque no es su trabajo. Si bueno, todo lindo hasta ahí, salvo que en la escena en la que Herc va a decirle a Chuck que no sea tan imbécil, Chuck esta arreglando la patita de Striker Eureka, y eso ¿No es trabajo de mecanicos? Y sí, en la película eso anda haciendo Chuck, pero si el autor ya puso esa descripción del shatterdome, ¿No podía poner a Chuck a hacer otra cosa? Hasta jugando con Max habría tenido más sentido.
No relacionado pero igual lo tengo que decir: también pone que Herc avienta el radio todo furioso, cuándo en la escena Herc tan solo le baja el volumen, y con cuidado.
✗ El POV de Mako ocurre... cómo por medio capitulo y no más. Si Mako es POV dos veces, se me hace mucho. La mayoría del libro esta contado desde la visión de Raleigh, la otra parte por Newt. Y no puede ser posible que Newt tenga más peso en esta historia que Mako, cuándo es LA HISTORIA DE MAKO. Al punto de que ahora reconocemos el Test de Mako Moki, porque es, básicamente el primer gran blockbuster que tiene a una mujer con el peso de la mayoría de la historia y sin necesidad de cargar con hombres. Al contrario, es el hombre blanco (el único hombre blanco), el que cumple el rol generalmente dado a la mujer: el de apoyo. Sin embargo, en este libro sus acciones siempre son contadas a través de los ojos de los demás. Y con el filtro de los demás, en algún punto, Raleigh hasta se atreve a decir que se le nota lo timida y es normal por su raza. O seeeeeeeea.
✗ Raleigh es glorificado. Durante la pelea tanto Chuck cómo Newt ven a Gipsy Danger, describen lo que está haciendo, y dicen que ese Raleight es un campeón, por que, obviamente, el movimiento en cuestión se le tuvo que haber ocurrido a él, el "ranger experimentado", o seeeeea, él hace el trabajo, Mako solo es acompañante. Y la verdad es que no había ninguna necesidad, ninguna, de decir "Gipsy Danger dio un golpe magistral... seguramente fue Raleigh, porque Raleigh es listisimo y capaz".
✗ Raleigh me cayó mal. Newt también. No hay mucho que decir, son pesados y ridiculos. Raleigh, soldado curtido que debería de pensar mejor las cosas, entra a la cafetería pensando que esta listo para ser juzgado, cómo si fuera niño de Prepa. Luego la agarra contra Chuck, y piensa las formas en las que lo golpearía, si bueno, Raleigh, él tiene 21 años, es mucho más joven que tú, once muertes, y TIENE RAZÓN, tú tienes cinco años sin tocar un Jaeger, nadie sabe si podrás con la tarea sin entrar en panico (spoiler alert: entrás en pánico y atoras a Mako con eso), y sobre él esta la tarea de salvar al mundo, perdón si tiene dudas sobre tí.
Además, luego de matar a los Kaiju, es claro que Chuck y Raleigh llegan a un entendimiento, no sé porque Raleigh tiene que seguir en su POV de que Chuck es un idiota que desea golpear, o sea, ¿Esta escena qué?:
Luego, cuándo entra al anteverso a matar a los alien, deja en claro espera tengan mucho miedo, porque ellos mataron a su hermano y ahora él se va a vengar, y yo cómo: o seeeeea, ¿Eso qué? Esto no se trata de la venganza de Raleigh, de uno. De lo que se trata es de salvar al mundo, pero al parecer Raleigh lo olvidó.
Y así, durante todo el libro, sus pensamientos están en base si los demás en el shatterdome ya le deben pleitesia y lo ven como héroe o no. Además, sexualiza a Mako.
Con Newt es parecido el problema, él es ¡tan listo! que desprecia a los demás, y se enoja cuando algo no se le ocurre al primer instante (cómo cuándo Hannibal averigua primero que los kaiju lo buscarán), porque cómo él es ¡más listo! se le debió ocurrir primero. Es insoportable, no por ser arriesgado, sino por ser egocentrico y arrogante.
✗ El punto que mencionaba arriba en lo positivo, sobre los Hansen comunicandose a través de Max, algo que pudo haber sido explorado en el libro, no lo fue.
✗ En algún punto también dice que Chuck sonrió con suficiencia cuándo no les funcionó el enlace a Mako y Raleigh. O seeeeeeeeeeeeea. Pensé que en la película quedaba claro que Chuck tenía dudas y era un "imbécil", pero que solo es fachada, a ver, ¿Cómo va a ser imbécil alguién que da su vida para salvar el mundo? Él quiere lo mismo que todos, sino no estaría en el proyecto. Y aquí dejó abajo su cara, mientras todos andan buscando la forma de desconectar a Gipsy Danger, literal, todos:
✗ Algunos dosieres no venían a cuento. Aunque hay unos geniales, cómo oraciones de las Hermanas del Kaiju, hubo un punto en donde parecía que ya no sabían que poner, así que solo ponían información sobre algún jaeger (dado a que el Jaeger moriria en ese capitulo), y así, esos dosieres solo se convirtieron en un tie-in de la novela tie-in.
✗ La manera en la que Mako es vista por Raleigh. Ya lo mencioné más arriba, no solo sexualiza y juzga por cuestión racial, sino que también la ve cómo él quiere que sea, y no como es. Al menos, eso parece cuándo describe cómo a Mako, se le nota "la rabía", es displicente y hasta "grosera" con él. Ajá, Raleigh, otra que te dice tus verdades y ya ella es la grosera, ¿Verdad? En fin que me describe otra Mako, lo cuál me lleva al siguiente punto.
✗ El cambio de personalidad de Mako. Ahora resulta, que la chica esta llena de rabía y no tiene paciencia. Además, hasta le anda coqueteando a Raleigh -ajá-. Eso, y el hecho de que no hay escena en donde le aclaré a Raleigh obedecer a Pentecost no es miedo. Es respeto. | Esa escena a mí, como persona de cultura familiar, me parece importantisima. Entiendo que a las culturas individualistas les cuesta trabajo comprender culturas familiares, y hasta lo ven cómo algo malo y tóxico. Pero yo, que soy de cultura familiar, pocas veces puedo ver representada sin toxicidad esa unión que existe con tu familia no porque te obliguen, sino porque el cariño que les tienes, y el respeto que les tienes cómo persona es importante. En este caso, Mako era una gran representación de lo que significa ser un adulto que aún escucha a sus padres y los comprende, sin necesidad de rodarles los ojos, pero en la novela eso no se demuestra, al parecer, Pentecost solo la frena, en ningún momento es algo hecho para cuidarla.
(que alguien me explique cómo esta carita es la carita de una femme fatale llena de impaciencia)
✗ No sale la frase final de Mako a Pentecost. O sea, ¿Qué clase de fuboneria es esta? ¿Cómo no pones las últimas palabras de Mako a su papá? Palabras tan hermosas, con tanto significado, y NO SALEN, lo último que le dice es "¡Sensei, no!". O sea, NIEGA la última acción de Pentecost para salvar el mundo, cuándo en su última escena fuera de los Jaegers, Pentecost le pide que lo deje ir, y ella acepta (razón por la cuál sus últimas palabras son hermosas y de resignacion, no una negación a la decisión de Pentecost). En serio, que robo, y que porquería.
✗ El beso de mierda. Noooooooooooooooooooo. Pero si una de las mejores cosas de esta pelicula es que no se besan. O seeeeeeeeeeea, habiendo tantas cosas que pudo cambiar en la obra. TANTAS. El autor decide cambiar solo esta: Mako y Raleigh se besan (y un beso por demás desangelado mal escrito, literal es un: *Se besan*). Y ¿para qué? ¿Para qué se besan? ¿Para dejar en claro que Raleigh todas las puede?
¿Para qué destruyen el arco de Mako en función de que Raleigh tenga novia? ¿Para qué?
Y no lo digo yo, lo dice el propio director:
(Preciosa toma, ¿Por qué necesitariamos un beso?)
Con todo esto no puedo evitar preguntarme, señor escritor, ¿Es que acaso no vio la película?
En conclusión: Esto no necesitaba ser una novelización, porque las partes "novelizadas", no aportan nada nuevo, solo arruinan parte de la belleza de la historia original, inclusive en contra de parte de la visión del creador. Con haber sido un dossier, que incluyera la información extra, más unos cuántos dibujos o planos, habría estado más que perfecto, y habría obtenido cinco estrellas de mi parte. Ahora, tiene dos, pero cómo no me veo a mi misma poniendole a la historia original dos estrellas, le voy a poner dos punto cinco, nada más, porque esta historia si apela a mi sensibilidad.
YAY.
✓ Los dosieres. Definitivamente son lo mejor de este libro. La parte más fuerte de la película de Pacific Rim, a mis ojos, es su construcción de mundo, y los dosieres te dan tanto de ese mundo, que es simplemente maravilloso.
✓ Más información de los kaiju. Aprendemos un poco más de sus estructuras, de su base de silicona, y también se explica porque van mejorando cada vez más (básicamente, para acabar con los jaeger, su enemigo natural), además, se dan otros datos, como el nombre de "precursores" para los aliens, y de "anteverso" para el otro mundo.
✓ Más información sobre cómo funciona el drift. Incluida una parte en donde los pilotos ya tienen su propio lore respecto a lo que significa conectarse, además de una parte sobrenatural del mismo. Algo muy cierto, el ser humano no puede hacer nada si no le agrega esa parte mistica primero.
✓ Detalles que hasta fueron burla por críticos a la película (cómo el hecho de que, al inicio parece que el drift solo funciona con gente especifica y luego parece funcionar con cualquiera, o la razón por la cuál peleas para encontrar gente compatible) y cosas que podrían parecer agujerillos de trama, aquí fueron explicados.
✓ Los Hansen tienen una escena más. Sí, solo una, pero para mí es positiva. Básicamente no fue algo nuevo, es una escena eliminada de la película, pero cómo se cuenta desde el POV de Herc, se cuentan las razones por las que Chuck le odia, además de cómo no sabe cómo acercarse a su hijo y criarlo, así que le agrega puntos extra a la relación, pero, no es nada que no sepamos por la escena eliminada, o por el comentario de Guillermo del Toro de que ambos se comunican su amor, por medio de Max.
✓ Obviamente la escena final de Chuck me parte el interior. Igual, eso no es cosa del libro, la sola idea de pensarlo, siempre me pone depre. O sea, ya me puse depre, otra vez, nada más de recordar que Max se quedó solito. Así que sí, no sé si puedo contarlo cómo algo positivo del libro.
NAY.
✗ Mantiene el mismo formato que la película. Y esto es un error. Porque cada medio es diferente. Si yo estoy leyendo una novela, novela debe de ser. En vez de eso, es cómo si estuviera leyendo un guión, y nada más, de vez en cuándo, agrega uno que otro verbo como acción para que parezca es algo distinto. Pero el libro no aporta nada, absolutamente nada a la historia. Son exactamente los mismos dialogos, las mismas acciones, y cero momentum, porque mientras que la película ayuda a construir con el soundtrack, las tomas, el formato y la actuación de los actores, aquí te falta todo eso para llegar a sentir algo mientras el escrito te describe, de la forma más desangelada posible, hechos que ya conoces de primera mano.
✗ Pésima narrativa. De la mano con lo de arriba, la narrativa se queda muy corta. Bien pudo ser lo mismo, pero bien narrado y manteniendo tensión, hubiera valido la pena, aqui, solo te describe los hechos cómo si estuviera leyendo la lista del super, como consecuencia no sientes nada con las muertes, las bombas, las pérdidas, porque solo es lo que sigue en el libro, no esta consecuencia que se construyó a base de las palabras anteriores. Y las descripciones son cosas cómo (y literal esto dice): "Newt y Hermann se llevaban cómo pareja de casados de años", claro, porque todos los casados pelean, ajá.
✗ Y lo poco que describe no aporta, sino que te deja más: WTF. Por ejemplo, cuándo describe el shatterdome, aclara que todo funciona cómo maquinaría perfecta, que los técnicos técniquean, los pilotos pilotean, y los mecanicos mecaniquean. Deja en claro, nadie se mete con el trabajo del otro porque todos saben su lugar, un piloto jamás se pondría a jugar con su jaeger, porque no es su trabajo. Si bueno, todo lindo hasta ahí, salvo que en la escena en la que Herc va a decirle a Chuck que no sea tan imbécil, Chuck esta arreglando la patita de Striker Eureka, y eso ¿No es trabajo de mecanicos? Y sí, en la película eso anda haciendo Chuck, pero si el autor ya puso esa descripción del shatterdome, ¿No podía poner a Chuck a hacer otra cosa? Hasta jugando con Max habría tenido más sentido.
No relacionado pero igual lo tengo que decir: también pone que Herc avienta el radio todo furioso, cuándo en la escena Herc tan solo le baja el volumen, y con cuidado.
✗ El POV de Mako ocurre... cómo por medio capitulo y no más. Si Mako es POV dos veces, se me hace mucho. La mayoría del libro esta contado desde la visión de Raleigh, la otra parte por Newt. Y no puede ser posible que Newt tenga más peso en esta historia que Mako, cuándo es LA HISTORIA DE MAKO. Al punto de que ahora reconocemos el Test de Mako Moki, porque es, básicamente el primer gran blockbuster que tiene a una mujer con el peso de la mayoría de la historia y sin necesidad de cargar con hombres. Al contrario, es el hombre blanco (el único hombre blanco), el que cumple el rol generalmente dado a la mujer: el de apoyo. Sin embargo, en este libro sus acciones siempre son contadas a través de los ojos de los demás. Y con el filtro de los demás, en algún punto, Raleigh hasta se atreve a decir que se le nota lo timida y es normal por su raza. O seeeeeeeea.
✗ Raleigh es glorificado. Durante la pelea tanto Chuck cómo Newt ven a Gipsy Danger, describen lo que está haciendo, y dicen que ese Raleight es un campeón, por que, obviamente, el movimiento en cuestión se le tuvo que haber ocurrido a él, el "ranger experimentado", o seeeeea, él hace el trabajo, Mako solo es acompañante. Y la verdad es que no había ninguna necesidad, ninguna, de decir "Gipsy Danger dio un golpe magistral... seguramente fue Raleigh, porque Raleigh es listisimo y capaz".
✗ Raleigh me cayó mal. Newt también. No hay mucho que decir, son pesados y ridiculos. Raleigh, soldado curtido que debería de pensar mejor las cosas, entra a la cafetería pensando que esta listo para ser juzgado, cómo si fuera niño de Prepa. Luego la agarra contra Chuck, y piensa las formas en las que lo golpearía, si bueno, Raleigh, él tiene 21 años, es mucho más joven que tú, once muertes, y TIENE RAZÓN, tú tienes cinco años sin tocar un Jaeger, nadie sabe si podrás con la tarea sin entrar en panico (spoiler alert: entrás en pánico y atoras a Mako con eso), y sobre él esta la tarea de salvar al mundo, perdón si tiene dudas sobre tí.
Además, luego de matar a los Kaiju, es claro que Chuck y Raleigh llegan a un entendimiento, no sé porque Raleigh tiene que seguir en su POV de que Chuck es un idiota que desea golpear, o sea, ¿Esta escena qué?:
Luego, cuándo entra al anteverso a matar a los alien, deja en claro espera tengan mucho miedo, porque ellos mataron a su hermano y ahora él se va a vengar, y yo cómo: o seeeeea, ¿Eso qué? Esto no se trata de la venganza de Raleigh, de uno. De lo que se trata es de salvar al mundo, pero al parecer Raleigh lo olvidó.
Y así, durante todo el libro, sus pensamientos están en base si los demás en el shatterdome ya le deben pleitesia y lo ven como héroe o no. Además, sexualiza a Mako.
Con Newt es parecido el problema, él es ¡tan listo! que desprecia a los demás, y se enoja cuando algo no se le ocurre al primer instante (cómo cuándo Hannibal averigua primero que los kaiju lo buscarán), porque cómo él es ¡más listo! se le debió ocurrir primero. Es insoportable, no por ser arriesgado, sino por ser egocentrico y arrogante.
✗ El punto que mencionaba arriba en lo positivo, sobre los Hansen comunicandose a través de Max, algo que pudo haber sido explorado en el libro, no lo fue.
✗ En algún punto también dice que Chuck sonrió con suficiencia cuándo no les funcionó el enlace a Mako y Raleigh. O seeeeeeeeeeeeea. Pensé que en la película quedaba claro que Chuck tenía dudas y era un "imbécil", pero que solo es fachada, a ver, ¿Cómo va a ser imbécil alguién que da su vida para salvar el mundo? Él quiere lo mismo que todos, sino no estaría en el proyecto. Y aquí dejó abajo su cara, mientras todos andan buscando la forma de desconectar a Gipsy Danger, literal, todos:
✗ Algunos dosieres no venían a cuento. Aunque hay unos geniales, cómo oraciones de las Hermanas del Kaiju, hubo un punto en donde parecía que ya no sabían que poner, así que solo ponían información sobre algún jaeger (dado a que el Jaeger moriria en ese capitulo), y así, esos dosieres solo se convirtieron en un tie-in de la novela tie-in.
✗ La manera en la que Mako es vista por Raleigh. Ya lo mencioné más arriba, no solo sexualiza y juzga por cuestión racial, sino que también la ve cómo él quiere que sea, y no como es. Al menos, eso parece cuándo describe cómo a Mako, se le nota "la rabía", es displicente y hasta "grosera" con él. Ajá, Raleigh, otra que te dice tus verdades y ya ella es la grosera, ¿Verdad? En fin que me describe otra Mako, lo cuál me lleva al siguiente punto.
✗ El cambio de personalidad de Mako. Ahora resulta, que la chica esta llena de rabía y no tiene paciencia. Además, hasta le anda coqueteando a Raleigh -ajá-. Eso, y el hecho de que no hay escena en donde le aclaré a Raleigh obedecer a Pentecost no es miedo. Es respeto. | Esa escena a mí, como persona de cultura familiar, me parece importantisima. Entiendo que a las culturas individualistas les cuesta trabajo comprender culturas familiares, y hasta lo ven cómo algo malo y tóxico. Pero yo, que soy de cultura familiar, pocas veces puedo ver representada sin toxicidad esa unión que existe con tu familia no porque te obliguen, sino porque el cariño que les tienes, y el respeto que les tienes cómo persona es importante. En este caso, Mako era una gran representación de lo que significa ser un adulto que aún escucha a sus padres y los comprende, sin necesidad de rodarles los ojos, pero en la novela eso no se demuestra, al parecer, Pentecost solo la frena, en ningún momento es algo hecho para cuidarla.
(que alguien me explique cómo esta carita es la carita de una femme fatale llena de impaciencia)
✗ No sale la frase final de Mako a Pentecost. O sea, ¿Qué clase de fuboneria es esta? ¿Cómo no pones las últimas palabras de Mako a su papá? Palabras tan hermosas, con tanto significado, y NO SALEN, lo último que le dice es "¡Sensei, no!". O sea, NIEGA la última acción de Pentecost para salvar el mundo, cuándo en su última escena fuera de los Jaegers, Pentecost le pide que lo deje ir, y ella acepta (razón por la cuál sus últimas palabras son hermosas y de resignacion, no una negación a la decisión de Pentecost). En serio, que robo, y que porquería.
✗ El beso de mierda. Noooooooooooooooooooo. Pero si una de las mejores cosas de esta pelicula es que no se besan. O seeeeeeeeeeea, habiendo tantas cosas que pudo cambiar en la obra. TANTAS. El autor decide cambiar solo esta: Mako y Raleigh se besan (y un beso por demás desangelado mal escrito, literal es un: *Se besan*). Y ¿para qué? ¿Para qué se besan? ¿Para dejar en claro que Raleigh todas las puede?
¿Para qué destruyen el arco de Mako en función de que Raleigh tenga novia? ¿Para qué?
Y no lo digo yo, lo dice el propio director:
(Preciosa toma, ¿Por qué necesitariamos un beso?)
Con todo esto no puedo evitar preguntarme, señor escritor, ¿Es que acaso no vio la película?
En conclusión: Esto no necesitaba ser una novelización, porque las partes "novelizadas", no aportan nada nuevo, solo arruinan parte de la belleza de la historia original, inclusive en contra de parte de la visión del creador. Con haber sido un dossier, que incluyera la información extra, más unos cuántos dibujos o planos, habría estado más que perfecto, y habría obtenido cinco estrellas de mi parte. Ahora, tiene dos, pero cómo no me veo a mi misma poniendole a la historia original dos estrellas, le voy a poner dos punto cinco, nada más, porque esta historia si apela a mi sensibilidad.
August 23, 2013
Pacific Rim : The Official Movie Novelization is the first movie tie-in I'd read. I never read this kind of book before, for I see that book will always be different from movie. For movie will never capture the essence of the book perfectly (and it's happen too for Lords of The Ring). In this case of novelization, it's interesting how to see the movie turn into book. And Alex Irvine doesn't dissapoint (well, he kinda did it, a little bit)
The story is very much alike the movie, with a note, you had seen the movie. If not, well, see the movie first. Like I'd said in my review of
, the movie will never become blockbuster. Simply because the overused apocalypse theme, American think robotic movie just for children (you are so wrong here, guys), Japanese think that Pacific Rim just copy what they had done with Gundam and Evangelion. Yes, I'm kinda a nerd here, even I'm not see mecha animes a lot, I see some same parts between Pacific Rim and Japanese mechas. Also, the story of the movie is too rushed, the acting also not too good. And that, sadly come from both Charlie Hunnam and Rinko Kikuchi as Raleigh Becket and Mako Mori.
Okay, enough with the movie. The book give us more insight into how if Pacific Rim developed better by Guillermo del Toro. There's soooo much info, so much detail that not explained in the movie. We know that Raleigh lost Yancy, his brother. So, he should look as tortured hero in the movie right? But I can't feel it when watch for I think Raleigh movie version is just a goody guys (even I admit his abs and pecs are yum!). Raleigh's book version come out snob, arrogant, even to Mako. But I feel his pain and emotions. I feel his lost over Yancy. How it's still affect him after 5 years.
The good part is how Alex Irvine mix some Japanese words, especially from Mako. The movie is too American, everyone talk in English. In the book both Mako and Raleigh (and Stacker Pentecost too) also talk in Japanese. Another character such as Herc and Chuck Hansen, Dr Gottlieb and the essentric Dr Newt, the LOCCENT technician Tendo Choi, Hannibal Chau also playing important part. Surprisely, the pilot of Cherno Alpha and Crimson Typhoon also have dialogue! While in the movie they just like side characters.
Alex Irvine explore some scenes that not described in the movie. Like the fight Raleigh did when he work at the Wall, other characters thought, and so many others. Make sense if the director cut it, even I will love to see it. Each chapter end with personnel dossier, jaeger characteristic, funny tidbits about the Kaiju's cult, and trivia. For the fans of the movie, it's will give they more information about Pacific Rim
Well, I do have complaint for Alex Irvine write the ending sooo differently with the movie. If you see the movie, and this is kinda spoilerish, you see that after Mako and Raleigh save themselves, they just hug each other while waiting the coppers arrive. Nothing special, yet I know that they become more than friend. Sadly, Alex Irvine decide to make them.. kissing! Also write that Mako want to kiss Raleigh when she see him scarred and alone when first arrived from Alaska. I know about that when see the movie, Mister! But I appreciate for them to become partner first and not let sexual tension to cloud their feeling to each other. Even, my romantic side kinda approved about their kiss. Just.. a bit.
Overall, Alex Irvine do a god job to write this movie tie-in. Not perfect since his writing style kinda weird for me (is he can't write dialogue in the book??). Whether you enjoy Pacific Rim or not, this movie tie-in is worth to read
The story is very much alike the movie, with a note, you had seen the movie. If not, well, see the movie first. Like I'd said in my review of
, the movie will never become blockbuster. Simply because the overused apocalypse theme, American think robotic movie just for children (you are so wrong here, guys), Japanese think that Pacific Rim just copy what they had done with Gundam and Evangelion. Yes, I'm kinda a nerd here, even I'm not see mecha animes a lot, I see some same parts between Pacific Rim and Japanese mechas. Also, the story of the movie is too rushed, the acting also not too good. And that, sadly come from both Charlie Hunnam and Rinko Kikuchi as Raleigh Becket and Mako Mori. Okay, enough with the movie. The book give us more insight into how if Pacific Rim developed better by Guillermo del Toro. There's soooo much info, so much detail that not explained in the movie. We know that Raleigh lost Yancy, his brother. So, he should look as tortured hero in the movie right? But I can't feel it when watch for I think Raleigh movie version is just a goody guys (even I admit his abs and pecs are yum!). Raleigh's book version come out snob, arrogant, even to Mako. But I feel his pain and emotions. I feel his lost over Yancy. How it's still affect him after 5 years.
The good part is how Alex Irvine mix some Japanese words, especially from Mako. The movie is too American, everyone talk in English. In the book both Mako and Raleigh (and Stacker Pentecost too) also talk in Japanese. Another character such as Herc and Chuck Hansen, Dr Gottlieb and the essentric Dr Newt, the LOCCENT technician Tendo Choi, Hannibal Chau also playing important part. Surprisely, the pilot of Cherno Alpha and Crimson Typhoon also have dialogue! While in the movie they just like side characters.
Alex Irvine explore some scenes that not described in the movie. Like the fight Raleigh did when he work at the Wall, other characters thought, and so many others. Make sense if the director cut it, even I will love to see it. Each chapter end with personnel dossier, jaeger characteristic, funny tidbits about the Kaiju's cult, and trivia. For the fans of the movie, it's will give they more information about Pacific Rim
Well, I do have complaint for Alex Irvine write the ending sooo differently with the movie. If you see the movie, and this is kinda spoilerish, you see that after Mako and Raleigh save themselves, they just hug each other while waiting the coppers arrive. Nothing special, yet I know that they become more than friend. Sadly, Alex Irvine decide to make them.. kissing! Also write that Mako want to kiss Raleigh when she see him scarred and alone when first arrived from Alaska. I know about that when see the movie, Mister! But I appreciate for them to become partner first and not let sexual tension to cloud their feeling to each other. Even, my romantic side kinda approved about their kiss. Just.. a bit.
Overall, Alex Irvine do a god job to write this movie tie-in. Not perfect since his writing style kinda weird for me (is he can't write dialogue in the book??). Whether you enjoy Pacific Rim or not, this movie tie-in is worth to read
May 5, 2016
I liked it. But before reviewing the book version, a reflection on the film may help. I saw the movie “Pacific Rim” after it was released for home video. For the life of me, two or three years later, I can’t remember a single scene. It’s not that I remember it being bad. It’s that I don’t remember it at all.
I have a theory on why the movie left no lasting impact on me. Unlike “King Kong” and “Godzilla,” there wasn’t a single kaiju (monster) in “Pacific Rim” to focus on. There were a half a dozen. None stood out. I think “Pacific Rim” tried to compensate for this by turning Gipsy Danger, the main robot, into a central “character.” That may have worked visually in the movie, but in the novelization, Gipsy Danger is difficult to picture. There are minimal if any descriptions of the robot’s appearance (color, size, shape, etc). If Gipsy Danger was intended to be a character, she was a sadly flat one in the book.
Secondly, the human characters in the movie were cookie cutter. On that score, the novelization made much more of an impact. The backgrounds of the characters are laid out carefully and are well-explored. There was more nuance to the Stacker Pentecost character (the officer in charge of war robot operations) in the book than I recall in the movie. The relationship between robot ranger Raleigh Beckett and the female lead, Mako Mori, was engaging. The B-story of Dr. Newt Geiszler’s attempt to mind-meld with a kaiju were a bit silly, even off-putting, but good for a chuckle.
The book was also more effective than the movie in establishing the reason why robots were the most effective means of fighting the kaiju (as opposed to conventional or nuclear tactics). A book format gave the author more latitude to describe the context and historical background of the international defense against the monsters. The premise is still cheesy and contrived, but for some reason it was easier to swallow in the book.
The author used very vivid language and sharp comparisons to convey complex science fiction type material succinctly. Fight scenes, which can be easier to choreograph than to write, were handled well. On the basis of the colorful writing, I would definitely read another Alex Irvine book.
I listened to the novelization in audio format. Narrator Christian Rummel did impressive, captivating work as the narrator.
Pacific Rim is fun. If the movie didn’t float your boat, you might enjoy the book a little more.
I have a theory on why the movie left no lasting impact on me. Unlike “King Kong” and “Godzilla,” there wasn’t a single kaiju (monster) in “Pacific Rim” to focus on. There were a half a dozen. None stood out. I think “Pacific Rim” tried to compensate for this by turning Gipsy Danger, the main robot, into a central “character.” That may have worked visually in the movie, but in the novelization, Gipsy Danger is difficult to picture. There are minimal if any descriptions of the robot’s appearance (color, size, shape, etc). If Gipsy Danger was intended to be a character, she was a sadly flat one in the book.
Secondly, the human characters in the movie were cookie cutter. On that score, the novelization made much more of an impact. The backgrounds of the characters are laid out carefully and are well-explored. There was more nuance to the Stacker Pentecost character (the officer in charge of war robot operations) in the book than I recall in the movie. The relationship between robot ranger Raleigh Beckett and the female lead, Mako Mori, was engaging. The B-story of Dr. Newt Geiszler’s attempt to mind-meld with a kaiju were a bit silly, even off-putting, but good for a chuckle.
The book was also more effective than the movie in establishing the reason why robots were the most effective means of fighting the kaiju (as opposed to conventional or nuclear tactics). A book format gave the author more latitude to describe the context and historical background of the international defense against the monsters. The premise is still cheesy and contrived, but for some reason it was easier to swallow in the book.
The author used very vivid language and sharp comparisons to convey complex science fiction type material succinctly. Fight scenes, which can be easier to choreograph than to write, were handled well. On the basis of the colorful writing, I would definitely read another Alex Irvine book.
I listened to the novelization in audio format. Narrator Christian Rummel did impressive, captivating work as the narrator.
Pacific Rim is fun. If the movie didn’t float your boat, you might enjoy the book a little more.
August 6, 2013
WATCH THE MOVIE FIRST. REALLY. On it's own it's only a 2.5 at best.
It does what it says on the tin. Was written, I assume, off an older version of the script; some scenes were slightly different and a few times a line of dialogue went to a different character or was missing. The *feel* and pacing were very different in that the novelization's rate of revelation isn't great--too much stuff is anvils with spotlights on them-- and there's a thick fug of machismo hanging over everything. A lot of what made the characters likeable is missing because the writing is more summary and report so we're stiffed on characterization. Also this version of Raleigh is a dick and I wanted to smack him on three separate occasions. Most conflict was of the punch-him or man-I-wish-I-could-punch--him variety. Too much machismo, not enough Mako.
I DID love all the structurefuck--lots of employee dossiers, news clips, mission reports, and newspaper OpEds. Also a goldmine of canon info. I loved the expanded view of life in the Shatterdome and detail about Tendo's job and the day-to-day maintenance of the Jaegers. On a prose level the writing was workmanlike with the occasional moment of beauty--"Thousands of people had been trying to qualify in those days, with the paint still drying on the Academy's front door and the first kaiju attacks still open wounds in the psyche of humankind, bleeding fallout and fear." So I am glad I bought it and read it but unlike, say, the Men In Black novelization it cannot stand alone.
Overall, you're better off hitting the Pacific Rim tag on AO3. Sorry Alex :C
EDIT Just remembered some of the great moments in that last fight scene :) Raleigh does redeem himself i just found the dickbag-to-awesome moments ratio skewed too far in the dickbag direction--if I hadn't seen the movie first I'd not have wanted to finish
It does what it says on the tin. Was written, I assume, off an older version of the script; some scenes were slightly different and a few times a line of dialogue went to a different character or was missing. The *feel* and pacing were very different in that the novelization's rate of revelation isn't great--too much stuff is anvils with spotlights on them-- and there's a thick fug of machismo hanging over everything. A lot of what made the characters likeable is missing because the writing is more summary and report so we're stiffed on characterization. Also this version of Raleigh is a dick and I wanted to smack him on three separate occasions. Most conflict was of the punch-him or man-I-wish-I-could-punch--him variety. Too much machismo, not enough Mako.
I DID love all the structurefuck--lots of employee dossiers, news clips, mission reports, and newspaper OpEds. Also a goldmine of canon info. I loved the expanded view of life in the Shatterdome and detail about Tendo's job and the day-to-day maintenance of the Jaegers. On a prose level the writing was workmanlike with the occasional moment of beauty--"Thousands of people had been trying to qualify in those days, with the paint still drying on the Academy's front door and the first kaiju attacks still open wounds in the psyche of humankind, bleeding fallout and fear." So I am glad I bought it and read it but unlike, say, the Men In Black novelization it cannot stand alone.
Overall, you're better off hitting the Pacific Rim tag on AO3. Sorry Alex :C
EDIT Just remembered some of the great moments in that last fight scene :) Raleigh does redeem himself i just found the dickbag-to-awesome moments ratio skewed too far in the dickbag direction--if I hadn't seen the movie first I'd not have wanted to finish
April 21, 2015
Co-opting Puja's description:
I don't think I've ever bothered reading a movie novelisation before, but I eagerly devoured this one due to all the extra worldbuilding info that went into this book -- I'm fascinated with the Pacific Rim universe, okay. Of especial interest and intrigue were the cross-media epistolary bookends between chapters; the chapters were all bridged with psychological dossiers, scientific reports, newspaper articles, transcripts, etc. Cross-media experiments in fiction are some of my absolute favourite things, due to the level of veracity that they add, so this was an absolute treat.
Some scenes played better in the movie, others played better here, and I found myself just wishing it was longer and had more, more, more, because what we had was great. I love all these characters and they rip my heart out. I'm not sure how much resonance this would have for anyone who hasn't watched the movie (though I'm sorta inclined to think it'd make a great fast sci fi read anyway) -- but for anyone who's an enthusiastic fan of the film? This is absolutely essential reading.
It's pretty hard to rate this independently given my love for the movie, but this affected at points the movie didn't, and that alone made it worth it.
Just when I thought I couldn't love the characters from this movie more, Raleigh and Mako and Chuck tear my heart out.
I don't think I've ever bothered reading a movie novelisation before, but I eagerly devoured this one due to all the extra worldbuilding info that went into this book -- I'm fascinated with the Pacific Rim universe, okay. Of especial interest and intrigue were the cross-media epistolary bookends between chapters; the chapters were all bridged with psychological dossiers, scientific reports, newspaper articles, transcripts, etc. Cross-media experiments in fiction are some of my absolute favourite things, due to the level of veracity that they add, so this was an absolute treat.
Some scenes played better in the movie, others played better here, and I found myself just wishing it was longer and had more, more, more, because what we had was great. I love all these characters and they rip my heart out. I'm not sure how much resonance this would have for anyone who hasn't watched the movie (though I'm sorta inclined to think it'd make a great fast sci fi read anyway) -- but for anyone who's an enthusiastic fan of the film? This is absolutely essential reading.
September 11, 2014
I decided to read this because people I knew who are fans of the movie were talking about it.
It's awful. The writing is stilted, it somehow has less story and flatter, less sympathetic characterization than the movie despite being longer, it's clearly based on an earlier and inferior version of the script, and was written by someone who didn't understand the characters, and not only is it not consistent with the movie, it doesn't even manage to create an internally consistent universe of its own - it contradicts its own timeline and worldbuilding. And the science is worse than in the movie, which I wouldn't've thought possible.
Only read it if you really really want a source for all the tiny background details, most of which were written out of the official canon anyway. And actually you can find all the good bits of it on the internet anyway.
It's awful. The writing is stilted, it somehow has less story and flatter, less sympathetic characterization than the movie despite being longer, it's clearly based on an earlier and inferior version of the script, and was written by someone who didn't understand the characters, and not only is it not consistent with the movie, it doesn't even manage to create an internally consistent universe of its own - it contradicts its own timeline and worldbuilding. And the science is worse than in the movie, which I wouldn't've thought possible.
Only read it if you really really want a source for all the tiny background details, most of which were written out of the official canon anyway. And actually you can find all the good bits of it on the internet anyway.
August 7, 2020
Incredible book.
Pacific Rim is my absolute most favorite movie of all time..so when I saw there was an official novel too I had to read it.
I must say this was hands down the BEST book I've read in 2020 because I have not enjoyed anything else quite on this level.The movie was Phenomenal so of course the book was too.
I would give this all the stars in this universe and the Antvers (if it existed,which it doesn't anymore;)) bit I have to settle for 5/5 stars.
Pacific Rim is my absolute most favorite movie of all time..so when I saw there was an official novel too I had to read it.
I must say this was hands down the BEST book I've read in 2020 because I have not enjoyed anything else quite on this level.The movie was Phenomenal so of course the book was too.
I would give this all the stars in this universe and the Antvers (if it existed,which it doesn't anymore;)) bit I have to settle for 5/5 stars.
January 20, 2025
I have to start with "I LOVE THE BOOK FORM!!!"
I love the movie ver and I love the novel ver as well 🖤
Very timely to have read this as the events happened in 2025! 😱
I thought it would be just a narration of what happened in the movie but it's more than that. We get an in-depth look into the characters' thoughts and there were added scenes! The end of chapter stuff like dossier, newspaper clippings, project reports– love that so much 🤩👌🏻
Funny story: it took me days (more than a week actually) to finish this because I'm savoring it AND I've been watching the whole film every time I read even just a chapter. 😅
I love the movie ver and I love the novel ver as well 🖤
Very timely to have read this as the events happened in 2025! 😱
I thought it would be just a narration of what happened in the movie but it's more than that. We get an in-depth look into the characters' thoughts and there were added scenes! The end of chapter stuff like dossier, newspaper clippings, project reports– love that so much 🤩👌🏻
Funny story: it took me days (more than a week actually) to finish this because I'm savoring it AND I've been watching the whole film every time I read even just a chapter. 😅
February 13, 2020
Fun reading for a casual fan of Pacific Rim, I guess, but as a big fan of the film this is disappointing. The characters feel, odd? I can’t explain it but I don’t quite feel like the author had their voices down. Hermann randomly being blonde and able-bodied when this is a direct novelisation of the film was certainly bizarre. But I did enjoy being able to read how the drift feels, as opposed the the visual representation we see in the film.
March 6, 2025
definitely watch the movie instead... this novelization did have a few interesting pages of bonus material (newspaper clippings from the world, government info files on characters), and more backstory for herc hansen (which i enjoyed), but overall... just skip this and check out the wikis instead if you want more pacific rim content. this one is not it... especially with how they changed the ending moment!
October 19, 2020
Jednak oglądanie to co innego. Plus w książce jest pocałunek na końcu, how rude.
March 12, 2021
Much better written than most novelizations
September 13, 2022
the chokehold this movie has on me has made it impossible for me to objectively rate this book.
March 9, 2025
"My father always said: if you have the shot, take it."
Read
July 22, 2025i was fighting demons to finish this novel. had to renew it from the library like three times but i finally did it bc the only thing more embarrassing than reading the pacific rim novel is starting the pacific rim novel and not finishing it.
is it really beneficial to novelize an action movie that's mostly about the spectacle of seeing big robots and monsters fight each other? probably not but honestly there's some good lines in this and there's more lore about the kaiju dinosaurs, so, like, what the hell. i think there should be random novelizations of every movie that doesn't really need them. good for the soul.
is it really beneficial to novelize an action movie that's mostly about the spectacle of seeing big robots and monsters fight each other? probably not but honestly there's some good lines in this and there's more lore about the kaiju dinosaurs, so, like, what the hell. i think there should be random novelizations of every movie that doesn't really need them. good for the soul.
February 14, 2025
Great book! This version of the original Pacific Rim is interesting, with more Jaegers mentioned by name than in the movie. It feels familiar yet alien as someone who watched the movie recently, but it still covers the main plot points of the movie. Reccomended!
November 22, 2016
This book was an exceptional read and kept me hanging on to every word. While reading this book I found it to be eye catching and it flowed through very well. This book's theme was a bit cliche and it was still well done despite that. I found the fight scenes to be extremely detailed and they were quite intriguing. The author did an extremely well job of painting the picture from the movie in my mind.
Rights and Wrongs
I gave this book a 4 star for numerous reasons, outstanding and inferior. This book demonstrated a multitude of excellent possibilities when you create a movie novelization. Many others agree that this book had perfectly synced with the movie. It demonstrated the true capabilities of a movie novelization. Similar to most books, this book showed how authors can use language to bring the reader into the fight scene. For the image of what is happening in the story to be clear, you must watch the movie before reading the book. This is because the author did a poor job of creating the image of what the robots look like. So watching the movie is a huge help to enjoying the book even more. Although the fighting sections were gorgeously portrayed (with a lack of detail) it did have another flaw. The fight scenes were very short at the beginning which doesn't show the reader what comes next. Which after in the later fight scenes it shows ver solid detail and it feels more like a real fight then a quick battle. My other issue with this book was the bluntness of the characters. I feel like the characters started to sound more emotional and human towards the end. While at the beginning the characters were very bland and had no emotion to them.
Theme
While reading this book I found a theme to be popping out at me. I found the theme to be around the bases of people who knew nothing of each other creating a bond equal to that of a brother and sister. This story is filled with these dyads. For example another pair, father and son who have broken apart
The characters in this book were not deeply explained at the beginning, but soon developed into strong deep characters. I disagree though that some of the characters were not “multi-layers” there were still the main characters who were built up to become “multi-layered” characters.
"Characterization was deeper than expected in an adventure story--it's not as multi-layered as a women's fiction novel, but it still gives really good depth to most of the main characters."
I completely disagree with what you said here. The target audience seemed to be aimed at kids and anyone interested in science fiction books. I can agree with the fact that people would read this book because of the extra details that help make the story even better.
"self-awarely terrible but aimed at adult fans with disposable income who are hoping to get some juicy cutting room floor details left out of the film.”
Rights and Wrongs
I gave this book a 4 star for numerous reasons, outstanding and inferior. This book demonstrated a multitude of excellent possibilities when you create a movie novelization. Many others agree that this book had perfectly synced with the movie. It demonstrated the true capabilities of a movie novelization. Similar to most books, this book showed how authors can use language to bring the reader into the fight scene. For the image of what is happening in the story to be clear, you must watch the movie before reading the book. This is because the author did a poor job of creating the image of what the robots look like. So watching the movie is a huge help to enjoying the book even more. Although the fighting sections were gorgeously portrayed (with a lack of detail) it did have another flaw. The fight scenes were very short at the beginning which doesn't show the reader what comes next. Which after in the later fight scenes it shows ver solid detail and it feels more like a real fight then a quick battle. My other issue with this book was the bluntness of the characters. I feel like the characters started to sound more emotional and human towards the end. While at the beginning the characters were very bland and had no emotion to them.
Theme
While reading this book I found a theme to be popping out at me. I found the theme to be around the bases of people who knew nothing of each other creating a bond equal to that of a brother and sister. This story is filled with these dyads. For example another pair, father and son who have broken apart
The characters in this book were not deeply explained at the beginning, but soon developed into strong deep characters. I disagree though that some of the characters were not “multi-layers” there were still the main characters who were built up to become “multi-layered” characters.
"Characterization was deeper than expected in an adventure story--it's not as multi-layered as a women's fiction novel, but it still gives really good depth to most of the main characters."
I completely disagree with what you said here. The target audience seemed to be aimed at kids and anyone interested in science fiction books. I can agree with the fact that people would read this book because of the extra details that help make the story even better.
"self-awarely terrible but aimed at adult fans with disposable income who are hoping to get some juicy cutting room floor details left out of the film.”
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