Although the concepts of needs versus wants and the importance of being a good friend are perhaps a bit on the surface and obvious, thankfully and appreciatively, the presented narrative of Maribeth Boelts' Those Shoes is generally realistic and neither too preachy nor sugar-coated. For one, young Jeremy does not immediately and smilingly accept his grandmother's claims that he needs new winter boots more than "those shoes" that everyone at school is oohing and ahhing about (which I for one consider a much more realistic scenario than if Jeremy had immediately accepted that the latter are beyond his grandmother's financial means). And for two, the author has also and again quite realistically depicted Jeremy as not all that immediately grateful to guidance councellor Mr. Alfrey finding replacement shoes for Jeremy when his shoes come apart during a school kickball game. I mean, considering that the only shoes in Mr. Alfrey's collection of hand-me-outs for students in need which are of Jeremy's size are bright blue with velcro instead of laces and that Jeremy's classmates except for Antonio Parker all laugh at him, it is in my opinion both understandable and even acceptable that Jeremy cannot really all that much and immediately appreciate Mr. Alfrey's kindness, but instead feels sad, left out and embarrassed at having to wear shoes that as he states his toddler cousin Marshall should be wearing (and it is indeed truly wonderful that Maribeth Boelts portrays Jeremy as a typical boy with strong likes and dislikes and has not strived to make him appear as holier than thou, as someone who always and immediately accepts and understands life's struggles and disappointments).
Furthermore, and perhaps even more importanly, while I just love that Jeremy finally decides to give the thrift store version of "those shoes" (which he cannot wear because they are much too small for his feet) to Antonio Parker (to the only boy in class who has not laughed at the blue velcro shoes and who is wearing shoes that are falling apart, shoes that are being held together by tape), I think I even more appreciate that it takes Jeremy a while to to consider, that he does not immediately give Antonio the shoes, and again very much realistically, that even after having given the shoes to Antonio, Jeremy still does feel both sad and a bit angry at now being the only student in class to not have "those shoes" to wear and that the shoes he must wear are the blue Mr. Alfrey pair about which the other students have been laughing so much. Jeremy's act of kindness and frienship towards Antonio Parker is therefore also tinged with some regret and a bit of anger (not at Antonio, but at the whole scenario and the reasons why Jeremy cannot have "those shoes" namely that his grandmother cannot afford to buy him a new pair and that the thrift store shoes just do not fit).
As to Noah Z. Jones' accompanying illustrations, although as artwork in and of itself, his pictures are a trifle too cartoon-like and stylised for my aesthetics, for my eyes, in conjunction with Maribeth Boelts' featured narrative, they provide a realistic and colourful mirror, showing both the ambience and general feel of young Jeremy's clearly inner city neighbourhood, as well as depicting in a subtle manner his feelings and thoughts, both negative and positive (but furthermore, Noah Z. Jones' illustrations of Jeremy's and his grandmother's apartment also show and demonstrate that while Jeremy and his grandmother do not live in abject poverty, the sparse furnishings do demonstrate that the grandmother clearly does have to scrimp and save in order to make both ends meet, that money is tight and the universally popular shoes Jeremy so desires are truly an unafforable luxury and too expensive). Four stars!