These six stories, with their eccentric Catholic irreverence and puerile heterodoxy, are the nascent material of Rolfe's brilliant Hadrian the Seventh. The latter is a masterpiece of Catholic satire in which a poor Englishman, repeatedly rejected for ordination, becomes pope by serendipity and, with a compelling brand of fervent but quixotic piety, reforms the papal states. These stories have a similar tone. Among my favorites: "Beata Beatrice and the Mamma of San Pietro", which tells the story of Toto's hidden love of an androgynous youth and digresses into a moral tale about the greedy mother of Saint Peter; and "About the Heresy of Fra Serafico", in which Toto comforts his brother accused of heresy by telling the story of Fra Serafico who was indicted for heresy by a Jesuit, though as it turns out, his words came from Saint Gregory and then from Saint Paul himself. The stories almost always involve a legalistic but somewhat befuddled Eternal Father dealing with his quirky cadre of saints, and there is a lot of in-house banter about Jesuits and Capuchins.
The stories are sometimes Aesopic and fabulistic, other times comic and ridiculous (for example Sts. Peter and Paul competing for the best church in Rome). Although not explicitly homoerotic, Rolfe's gaze often falls on male nudity: saint Sebastian's lithe unclothed body, the androgynous Beatrice who is gendered female but looks male, and the boy in "About One Way in Which Christians Love One Another" who enjoys himself (unclear if a euphemism) naked in the peach orchards. Rolfe is a bizarre figure of English Catholicism and queer history, a kind of Venetian side-story running adjacent to the Oxford Movement.