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Torsdagsbarn
Harper Flute växer upp på den dammiga landsbygden i Australien under 1930-talets svåra depression. Hennes familj försöker desperat överleva fattigdomen och misären. När livet blir allt hårdare försvinner Harpers yngre bror Tin ner i jorden under husets veranda. Där gräver han en labyrint av tunnlar – en underjordisk värld full av mörka hemligheter.
Sonya Hartnett är en av Australiens mest uppmärksammade författare. 2008 tilldelades hon Litteraturpriset till Astrid Lindgrens minne med motiveringen:
”Sonya Hartnett (Australien) är en av den moderna tonårsromanens främsta förnyare. Med psykologiskt djup och ett under ytan vibrerande raseri skildrar hon ungas villkor utan att väja för livets mörka sidor. Detta gör hon med språklig virtuositet och lysande berättarförmåga: hennes verk blir en kraftkälla.”
Torsdagsbarn blev Sonya Hartnetts internationella genombrott. Boken är flerfaldigt prisbelönt, med bland annat 2002 års Guardian Children´s Fiction Prize, och år 2008 av DN:s kritiker framröstad som en av alla tiders viktigaste ungdomsböcker.
”Det är rakt och obönhörligt, väjer för ingenting och genomlyses samtidigt av en lågmäld svindlande livskänsla som liknar musik. Storartat tillvaratagen i Helena Ridelbergs precisa, glimrande översättning." Ingegärd Waaranperä, Dagens Nyheter
"Det känns som om Hartnett har klippt ut ett stycke liv utan början eller slut och lagt fram det till beskådande. Sådan här är tillvaron."
Ying Toijer-Nilsson, Svenska Dagbladet
"När jag läser Sonya Hartnetts Torsdagsbarn händer just detta, och jag känner en enorm lättnad över att det trots allt finns en fundamental, känslomässig intelligens i världen."
Aase Berg, Expressen
Sonya Hartnett är en av Australiens mest uppmärksammade författare. 2008 tilldelades hon Litteraturpriset till Astrid Lindgrens minne med motiveringen:
”Sonya Hartnett (Australien) är en av den moderna tonårsromanens främsta förnyare. Med psykologiskt djup och ett under ytan vibrerande raseri skildrar hon ungas villkor utan att väja för livets mörka sidor. Detta gör hon med språklig virtuositet och lysande berättarförmåga: hennes verk blir en kraftkälla.”
Torsdagsbarn blev Sonya Hartnetts internationella genombrott. Boken är flerfaldigt prisbelönt, med bland annat 2002 års Guardian Children´s Fiction Prize, och år 2008 av DN:s kritiker framröstad som en av alla tiders viktigaste ungdomsböcker.
”Det är rakt och obönhörligt, väjer för ingenting och genomlyses samtidigt av en lågmäld svindlande livskänsla som liknar musik. Storartat tillvaratagen i Helena Ridelbergs precisa, glimrande översättning." Ingegärd Waaranperä, Dagens Nyheter
"Det känns som om Hartnett har klippt ut ett stycke liv utan början eller slut och lagt fram det till beskådande. Sådan här är tillvaron."
Ying Toijer-Nilsson, Svenska Dagbladet
"När jag läser Sonya Hartnetts Torsdagsbarn händer just detta, och jag känner en enorm lättnad över att det trots allt finns en fundamental, känslomässig intelligens i världen."
Aase Berg, Expressen
256 pages, Hardcover
First published January 1, 2000
33 people are currently reading
1091 people want to read
About the author
Sonya Hartnett
42 books311 followersSonya Hartnett (also works under the pseudonym Cameron S. Redfern) is, or was, something of an Australian child prodigy author. She wrote her first novel at the age of thirteen, and had it published at fifteen. Her books have also been published in Europe and North America. Her novels have been published traditionally as young adult fiction, but her writing often crosses the divide and is also enjoyed by adults.
"I chose to narrate the story through a child because people like children, they WANT to like them," says Sonya Hartnett of THURSDAY'S CHILD, her brilliantly original coming-of-age story set during the Great Depression. "Harper [the young narrator] is the reason you get sucked into the characters. Even I, who like to distance myself from my characters, felt protective of her."
The acclaimed author of several award-winning young adult novels--the first written when she was just 13--Australian native Sonya Hartnett says she wrote THURSDAY'S CHILD in a mere three months. "It just pulled itself together," she says. "I'd wanted to set a story in the Depression for some time, in an isolated community that was strongly supportive. Once the dual ideas of the boy who tunneled and the young girl as narrator gelled, it almost wrote itself--I had the cast, I had the setting, I just said 'go.' " Accustomed to writing about edgy young adult characters, Sonya Hartnett says that identifying with a seven-year-old protagonist was a challenge at first. "I found her difficult to approach," she admits. "I'm not really used to children. But once I started, I found you could have fun with her: she could tell lies, she could deny the truth." Whereas most children know "only what adults want them to know," the author discovered she could bypass that limitation by "turning Harper into an eavesdropper and giving her older siblings to reveal realities."
In her second book with Candlewick Press, WHAT THE BIRDS SEE, Sonya Hartnett once again creates a portrait of childhood. This time the subject is Adrian, a nine-year-old boy living in the suburbs with his gran and Uncle. For Adrian, childhood is shaped by fear: his dread of quicksand, shopping centers, and self-combustion. Then one day, three neighborhood children vanish--an incident based on a real case in Australia in the 1960s--and Adrian comes to see just how tenuous his safety net is. In speaking about Adrian, the author provocatively reveals parallels between herself and her character. She says, "Adrian is me in many respects, and many of the things that happen to him happened to me."
Sonya Hartnett's consistently inspired writing has built her a legion of devotees. Of THURSDAY'S CHILD, Newbery Honor-winning author Carolyn Coman says, "Hartnett's beautifully rendered vision drew me in from the very start and carried me along, above and under ground, to the very end. This book amazed me." The achingly beautiful WHAT THE BIRDS SEE has just as quickly garnered critical acclaim. Notes PUBLISHERS WEEKLY in a starred review, "Hartnett again captures the ineffable fragility of childhood in this keenly observed tale. . . . Sophisticated readers will appreciate the work's acuity and poetic integrity." Sonya Hartnett's third young adult novel, STRIPES OF THE SIDESTEP WOLF was named an American Library Association Best Book for Young Adults.
Sonya Hartnett lives near Melbourne, Australia. Her most recent novels are SURRENDER, a mesmerizing psychological thriller, and THE SILVER DONKEY, a gently told fable for middle-grade readers.
"I chose to narrate the story through a child because people like children, they WANT to like them," says Sonya Hartnett of THURSDAY'S CHILD, her brilliantly original coming-of-age story set during the Great Depression. "Harper [the young narrator] is the reason you get sucked into the characters. Even I, who like to distance myself from my characters, felt protective of her."
The acclaimed author of several award-winning young adult novels--the first written when she was just 13--Australian native Sonya Hartnett says she wrote THURSDAY'S CHILD in a mere three months. "It just pulled itself together," she says. "I'd wanted to set a story in the Depression for some time, in an isolated community that was strongly supportive. Once the dual ideas of the boy who tunneled and the young girl as narrator gelled, it almost wrote itself--I had the cast, I had the setting, I just said 'go.' " Accustomed to writing about edgy young adult characters, Sonya Hartnett says that identifying with a seven-year-old protagonist was a challenge at first. "I found her difficult to approach," she admits. "I'm not really used to children. But once I started, I found you could have fun with her: she could tell lies, she could deny the truth." Whereas most children know "only what adults want them to know," the author discovered she could bypass that limitation by "turning Harper into an eavesdropper and giving her older siblings to reveal realities."
In her second book with Candlewick Press, WHAT THE BIRDS SEE, Sonya Hartnett once again creates a portrait of childhood. This time the subject is Adrian, a nine-year-old boy living in the suburbs with his gran and Uncle. For Adrian, childhood is shaped by fear: his dread of quicksand, shopping centers, and self-combustion. Then one day, three neighborhood children vanish--an incident based on a real case in Australia in the 1960s--and Adrian comes to see just how tenuous his safety net is. In speaking about Adrian, the author provocatively reveals parallels between herself and her character. She says, "Adrian is me in many respects, and many of the things that happen to him happened to me."
Sonya Hartnett's consistently inspired writing has built her a legion of devotees. Of THURSDAY'S CHILD, Newbery Honor-winning author Carolyn Coman says, "Hartnett's beautifully rendered vision drew me in from the very start and carried me along, above and under ground, to the very end. This book amazed me." The achingly beautiful WHAT THE BIRDS SEE has just as quickly garnered critical acclaim. Notes PUBLISHERS WEEKLY in a starred review, "Hartnett again captures the ineffable fragility of childhood in this keenly observed tale. . . . Sophisticated readers will appreciate the work's acuity and poetic integrity." Sonya Hartnett's third young adult novel, STRIPES OF THE SIDESTEP WOLF was named an American Library Association Best Book for Young Adults.
Sonya Hartnett lives near Melbourne, Australia. Her most recent novels are SURRENDER, a mesmerizing psychological thriller, and THE SILVER DONKEY, a gently told fable for middle-grade readers.
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Displaying 1 - 30 of 165 reviews
June 20, 2022
The title Thursday's Child, refers to the character called Tin, he has far to go, the rest of the characters must have all been born on Wednesday because this book is completely full of woe. I understand these were bleak times but this book was unrelenting gloom.
The story is told by Harper, younger sister to Devon and Audrey and we begin our gloom-fest when Tin is 5 yrs old and his mother is about to give birth. During the birth of his younger brother
After a high action start the next 80 or so pages are about Tins new hobby and nothing much happens. This was a read aloud but my daughter said she wanted to bail out after this long period of nothing happening so I continued reading this to myself to see what happened.
More doom arrives...
This slight reprieve in the doom wasn't enough to change the sadness this book brings. Although there were things I loved about the writing and the characters this was really bleak and heavy for a children's book and you really had to suspend disbelief about the practicalities of Tin's new way of life.
A very sad read.
The story is told by Harper, younger sister to Devon and Audrey and we begin our gloom-fest when Tin is 5 yrs old and his mother is about to give birth. During the birth of his younger brother
After a high action start the next 80 or so pages are about Tins new hobby and nothing much happens. This was a read aloud but my daughter said she wanted to bail out after this long period of nothing happening so I continued reading this to myself to see what happened.
More doom arrives...
This slight reprieve in the doom wasn't enough to change the sadness this book brings. Although there were things I loved about the writing and the characters this was really bleak and heavy for a children's book and you really had to suspend disbelief about the practicalities of Tin's new way of life.
A very sad read.
January 20, 2024
This was my second Sonya Hartnett book by the Australian author and very different from The Ghost's Child. A story narrated by young Harper of the struggles of her family during the depression. A location is never mentioned, but probably America or maybe Australia. Thursday's child is Tin, Harper's younger brother, who early on moves underground, digging tunnels under their home and living separate from his family.
This was a very strange, yet amazingly readable book by a very talented writer. I really enjoyed this one, although it was often a sad and uncomfortable read. 4+ stars.
This was a very strange, yet amazingly readable book by a very talented writer. I really enjoyed this one, although it was often a sad and uncomfortable read. 4+ stars.
April 26, 2017
A different sort of plot - almost 'At the Edge of the Orchard' for children
4.5 stars
A family lives in near poverty after World War I in a forest clearing with poor soil, many children, and few prospects. On the day a new baby arrives, there is an accident and 4-year-old Tin is buried in the earth, feared dead. When he miraculously finds his way back to the surface, it starts his obsessions with tunnelling, and narrator Harper tells us about the subsequent years of hardship - little food, hunger, growing up. Tin now lives underground permanently, his little brother doesn't know him.
Harper narrates the Flute family's trials over the next few years, and how Tin's world delicately tunnels through them.
It's an unusual story, I couldn't see where it was going for a while, the idea of Tin living underground, but it does mesh with Harper's world through the years. Their lives are hard a lot, though the family feeling is there, the love and loyalty. It is a surprise to discover more about Harper's parents later on, and to see just where the plot goes.
Not for the youngest of primary children, there are some more mature themes and also violence and death in these pages. I would recommend ages 12 and above as its intended audience. It may upset.
It's a hard book to classify, Harper grows from a naive girl of 7 to a teenager, seeing death, siblings fall in love, parental conflict, hardship.
For readers who like historical-set stories, family novels, and books with something a little different.
4.5 stars
A family lives in near poverty after World War I in a forest clearing with poor soil, many children, and few prospects. On the day a new baby arrives, there is an accident and 4-year-old Tin is buried in the earth, feared dead. When he miraculously finds his way back to the surface, it starts his obsessions with tunnelling, and narrator Harper tells us about the subsequent years of hardship - little food, hunger, growing up. Tin now lives underground permanently, his little brother doesn't know him.
Harper narrates the Flute family's trials over the next few years, and how Tin's world delicately tunnels through them.
It's an unusual story, I couldn't see where it was going for a while, the idea of Tin living underground, but it does mesh with Harper's world through the years. Their lives are hard a lot, though the family feeling is there, the love and loyalty. It is a surprise to discover more about Harper's parents later on, and to see just where the plot goes.
Not for the youngest of primary children, there are some more mature themes and also violence and death in these pages. I would recommend ages 12 and above as its intended audience. It may upset.
It's a hard book to classify, Harper grows from a naive girl of 7 to a teenager, seeing death, siblings fall in love, parental conflict, hardship.
For readers who like historical-set stories, family novels, and books with something a little different.
December 13, 2010
This is another book that leaves a lasting impression. Hartnett's style and simplicity of writing directs all focus to the troubled Tin and his family, who live in a state of poverty and struggle. Despite its setting in outback Australia, Hartnett's book feels timeless. It is a dark and dreamy tale of a secreted and almost mythological family life. Its a beautiful but slightly chilling tale that leaves you feeling edgy and moved.
January 28, 2016
It takes Harper and her family a while to realize that Tin is not meant from this above-ground world. It's Harper that finally figures it out, since Tin's her younger brother and all, and since she's charged with watching him. Living during the Great Depression, their barren farm and shack of a house are little comfort to Harper as she and Tin grow older and further apart.
Thursday's Child is a growing up story. A Depression story. A broken-family story. A story of a boy who's happier underground and his sister who always seems left behind at home to deal with the struggles of her family. Harper is a brilliantly written character - the responsibilities and worries of an adult but with the frustrated understanding of a child. Hard, hard things happen to her and her reactions resonated with sincerity.
The author is Australian and in my mind I pictured this story taking place in the dry Australian outback, although no cities or countries are ever mentioned by name. Their poverty and Harper's parents' ways of coping create a life of serious hardship for Harper and yet there is a strange hope that she clings to, a strength that allows her to keep loving. While it wasn't so gripping that I couldn't put it down, it was an incredible story of family and the things we do to each other and for each other. I think I just believed it. I fell under the spell of the era and the people - and Tin is a fascinatingly bizarre character. It took me to another world for a time and I have a feeling these characters won't leave my mind any time soon.
(4.5 stars)
Thursday's Child is a growing up story. A Depression story. A broken-family story. A story of a boy who's happier underground and his sister who always seems left behind at home to deal with the struggles of her family. Harper is a brilliantly written character - the responsibilities and worries of an adult but with the frustrated understanding of a child. Hard, hard things happen to her and her reactions resonated with sincerity.
The author is Australian and in my mind I pictured this story taking place in the dry Australian outback, although no cities or countries are ever mentioned by name. Their poverty and Harper's parents' ways of coping create a life of serious hardship for Harper and yet there is a strange hope that she clings to, a strength that allows her to keep loving. While it wasn't so gripping that I couldn't put it down, it was an incredible story of family and the things we do to each other and for each other. I think I just believed it. I fell under the spell of the era and the people - and Tin is a fascinatingly bizarre character. It took me to another world for a time and I have a feeling these characters won't leave my mind any time soon.
(4.5 stars)
June 11, 2019
this book is W.E.I.R.D. The idea of a ferral child is just down right sad to me. Im 50 pages into the book as a preview for goose and Im thinking that I won't continue. Im wondering why others on goodreads rated it so high? I thought it would be an interesting read about a family in the depression but instead,they let one of their many children live UNDER THE DARN HOUSE (!) and never come out to see the light of day because he likes it there. The author said that she got the idea for the book after watching ants work and tunnel outside. Maybe it is the Mom in me that finds this disturbing??
November 26, 2017
Pleasant read with a bittersweet insight of life during the great depression.
I wish this book was more popular.
I wish this book was more popular.
June 18, 2013
Recommended by my Creative Writing Tutor, I was completely enchanted with the story of this family making their way through difficult and troubling times. It is beautifully observed, The forgiveness and understanding of how things are in a family where faults are always most apparent to the other members is masterful.
The strangeness of one of the members of the family within the story is wonderfully interwoven with the day to day living; so effectively that you accept it as part of the family.
One of the most poignant things is the outside worlds effect on this family's fortunes, their struggle and endurance to withstand the hardships and torments and their getting on with life. The ending is strange, wonderfully crafted, telling in respect of the personalities within the family and above all satisfying. I let out a huge sigh after reading the last line and there are very few books that can make you do that.
The strangeness of one of the members of the family within the story is wonderfully interwoven with the day to day living; so effectively that you accept it as part of the family.
One of the most poignant things is the outside worlds effect on this family's fortunes, their struggle and endurance to withstand the hardships and torments and their getting on with life. The ending is strange, wonderfully crafted, telling in respect of the personalities within the family and above all satisfying. I let out a huge sigh after reading the last line and there are very few books that can make you do that.
November 24, 2016
It's a strange book, very creative with a mixture of real and surreal storylines.
Narrated by Hannah from the age of 7 to 21. She lives in a post-WWI soldier settlement with a father who is not a farmer, a mother of great patience and her four siblings. They are poor, they struggle, they live off the rabbits the father traps, the father turns to drink, the eldest son runs away to find work and the eldest daughter is forced to work for a local sleaze-bag farmer as his housekeeper. The Great Depression hits and the poor are hit hardest. That is the real bit.
The surreal bit is the second youngest boy Tin. He does not utter a word in the whole book. He begins to dig and dig and dig. He digs burrows. Lives underground. Goes missing in his world of darkness for long periods and his parents are happy that he has found his happy place. He becomes almost mythological.
It is quite chilling in parts as the story charts Hannah's emotional journey to adulthood.
Narrated by Hannah from the age of 7 to 21. She lives in a post-WWI soldier settlement with a father who is not a farmer, a mother of great patience and her four siblings. They are poor, they struggle, they live off the rabbits the father traps, the father turns to drink, the eldest son runs away to find work and the eldest daughter is forced to work for a local sleaze-bag farmer as his housekeeper. The Great Depression hits and the poor are hit hardest. That is the real bit.
The surreal bit is the second youngest boy Tin. He does not utter a word in the whole book. He begins to dig and dig and dig. He digs burrows. Lives underground. Goes missing in his world of darkness for long periods and his parents are happy that he has found his happy place. He becomes almost mythological.
It is quite chilling in parts as the story charts Hannah's emotional journey to adulthood.
October 20, 2020
A spur of the moment read. I was rearranging my bookshelves and picked this one up - it’s languished unread on my shelves for years. I’ve read several other novels by Australian author, Sonya Hartnett, and loved them - she’s been called ‘the finest Australian writer of her generation’. This one won the Guardian Children’s Fiction Prize, but I can’t imagine many children enjoying it! It describes the Depression years seen through the eyes of a child, but it’s grim and gritty and weirdly surreal. Harper’s family live in abject poverty, her parents are inept and hopeless, and her young brother Tin has turned into a wild, half-human, half-mole creature who digs a network of tunnels underground with his bare hands. Did I say surreal?
March 23, 2022
I love this book.
October 18, 2011
When I first began reading this book, I found it to be incredibly strange. It does not seem plausible that a family would allow their child to dig tunnels under their house, let alone live in those tunnels. As I kept reading though I realized that Sonya Hartnett is not merely telling a story of a family during the Great Depression in Australia. Instead, she has done an incredibly amazing job of telling the story of Harper and exploring Harper's psyche through her portrayal of Tin. Sonya Hartnett is an impressive author though, one of the best I've ever read. I would recommend this book to anyone! Loved it!
May 12, 2025
(I don’t think there is any way I can explain this amazing story. I will try, but I will fail.)
Harper Flute and her family struggle during Depression times in rural Australia. Her little brother Tin takes to tunneling as life for the family gets more and more desperate. As Tin spends more and more of his time tunneling, the family begins to let Tim go.
How would you classify this story? Historical fiction? Maybe. Science fiction? Maybe a little of that, too.
In any case, it’s truly a story like no other that I have read.
Harper Flute and her family struggle during Depression times in rural Australia. Her little brother Tin takes to tunneling as life for the family gets more and more desperate. As Tin spends more and more of his time tunneling, the family begins to let Tim go.
How would you classify this story? Historical fiction? Maybe. Science fiction? Maybe a little of that, too.
In any case, it’s truly a story like no other that I have read.
September 1, 2016
Young adult and children's authors seem to convey emotion and situations so much better than adult fiction
Don't ask me how, but it's believable that the family got so caught up in other things that they let Tin go wild and dig all over the place.
That's the premise that made me pick up the book. The story, as seen through Harper's eyes, isn't happy, but it's not horribly sad either. It's just how people survive bad times and bad choices.
It's worth reading for the writing if that makes sense. It's like being with Harper through everything.
Don't ask me how, but it's believable that the family got so caught up in other things that they let Tin go wild and dig all over the place.
That's the premise that made me pick up the book. The story, as seen through Harper's eyes, isn't happy, but it's not horribly sad either. It's just how people survive bad times and bad choices.
It's worth reading for the writing if that makes sense. It's like being with Harper through everything.
August 31, 2022
An accurate account of family life post war - poverty & hardship.
A heavy read as the despair is huge and to think our history is this - to feel the anguish of people who had no means of any welfare as there was just none in that era
This is a story that makes you realise more so why it’s important to care for those who fit this pain.
A heavy read as the despair is huge and to think our history is this - to feel the anguish of people who had no means of any welfare as there was just none in that era
This is a story that makes you realise more so why it’s important to care for those who fit this pain.
January 2, 2021
I always forget how amazing Sonya Hartnett's writing is until I read another of her books.
November 20, 2017
This is a dark book, in many ways. Told through the eyes of Harper Flute, a girl growing up during in Australia during the depression, it's in some ways a coming of age and family story. The family is struggling to make a living on a plot of land given to the father for his service and injury in World War I, but they know nothing about farming and instead eke out a living by selling rabbit skins. There's clearly tension between the mother and father, she more concerned with food on the table and shoes and clothes for the kids, he with half-baked ideas about raising cattle (he buys several cows but no bull) or finding gold, combined with a weakness for the bottle. But beneath all of this "normal drama" is the case of the young boy named Tin, who at around the age of 4 starts burrowing underneath their shanty, eventually creating a labyrinthine network of tunnels whose extent is unknowable and seldom emerging from the darkness to join his family. As they try to make ends meet and lurch from crisis to crisis, Harper is left largely on her own to try to make sense of Tin—is he a monster or beloved but peculiar little boy—as well as of her older siblings as they look beyond the family for ways to help, of her warring parents, and of herself as she approaches adolescence and greater maturity. It's a very original story and well told.
December 19, 2017
This one follows the story of a young girl and her family in Australia during the Depression, living in a rough shack and barely getting by. The writing is good, but there issues for me with the plot: one of her brothers lives almost exclusively in the system of tunnels that he digs (starting when is only something like 5 years old) under their house and spreading for what seems like must be miles. I can't quite put my finger on what didn't work for me; the story seems a little directionless and I just couldn't quite be okay with that tunneling brother or his part in the story. However, the suspense of the thing kept me reading despite my quibbles.
March 2, 2020
This was a great read; 4.5 stars.
I thought the writing style excellent and I loved the accuracy of Harper’s child POV. It gave the book an interesting angle. So many strange elements with the digging, wild brother and the extreme poverty.
I loved that Tin’s family fully supported him being him, even though he didn’t fit into any concept of humanity that the rest of the world can/could recognize. What a concept. If only we could all do that for our kids. I know I try but I don’t know if I could have done what Tin’s family did. It’s beautiful to me though.
I’m not fully sure about the ending. I think I like it, but then I’m not sure.
All in all, I loved this book.
I thought the writing style excellent and I loved the accuracy of Harper’s child POV. It gave the book an interesting angle. So many strange elements with the digging, wild brother and the extreme poverty.
I loved that Tin’s family fully supported him being him, even though he didn’t fit into any concept of humanity that the rest of the world can/could recognize. What a concept. If only we could all do that for our kids. I know I try but I don’t know if I could have done what Tin’s family did. It’s beautiful to me though.
I’m not fully sure about the ending. I think I like it, but then I’m not sure.
All in all, I loved this book.
May 2, 2021
This is a book that will grab you from the first page and never let you go with its charming and young narrator. And what an emotional rollercoaster it was! It truly shows all the horrors of the Great Depression. I cried several times and yet again at the end because it was over. What a hauntingly beautiful book. It just felt so real. Even Tin. Even the bad guys.
But despite how heartbreaking it is, it also taught me many lessons. Lessons on how hard times pass too. On how to love your family even when it is falling apart. On how to appreciate the things I have.
I finished this book in one day and can promise you will too.
5 stars. I won't forget this story anytime soon.
But despite how heartbreaking it is, it also taught me many lessons. Lessons on how hard times pass too. On how to love your family even when it is falling apart. On how to appreciate the things I have.
I finished this book in one day and can promise you will too.
5 stars. I won't forget this story anytime soon.
November 14, 2019
I don't know what I expected out of this. I definitely did not expect for this book to feel so much like reality and so much the exact opposite. It gave me something to chew on. But I don't know if it is easily digestible: in one of the better ways.
I think leaving the review this vague and open ended will hopefully encourage you to read this book, without having formed any preconceived notions.
That's what I hope.
I think leaving the review this vague and open ended will hopefully encourage you to read this book, without having formed any preconceived notions.
That's what I hope.
May 16, 2021
probably read this book back in 2003, when it first came out in the U.S. I absolutely loved it then! Just read it again for a class and loved it every bit as much.
Also, found I have a signed copy in my daughter's name (I started doing that when I met authors at signings in hopes that Erin would find it harder to throw out all my books when I die), and Hartnett had inscribed it, "Dig It", which makes me smile.
Also, found I have a signed copy in my daughter's name (I started doing that when I met authors at signings in hopes that Erin would find it harder to throw out all my books when I die), and Hartnett had inscribed it, "Dig It", which makes me smile.
August 11, 2013
SPOILER ALERT: THEY ALL DIE. Only kidding they all live happily ever after mr cable dies, caffy's dies, tin becomes an animal, Devon sells champion, they lose their cattle to passer-bys, their house falls down, da becomes an alcoholic, Audrey gets raped, and Devon goes to war. But tin, tin finds gold that frees them all until BAM!
This entire review has been hidden because of spoilers.
March 5, 2019
This is beautifully written. Dark, lyrical, confusing, compelling story about poverty, and finding your strength. I read it before. I've read all Sonya Hartnett's books. I've lived some and hated some but have always been impressed with her story weaving. Surrender is the darkest and the best, but Thursday's Child is the one I recommend the most.
April 13, 2021
This book is incredible, it truly makes you think and analyse what is happening, the ending is curious too, as you must infer as to what meaning you will take out of it. This book is excellent to read to those who love books that make you ponder and contemplate on it. This book is not hard to read and involves heavy topics, although I belive is what makes it so interesting.
June 3, 2022
Sonya Heartnet is maybe one of the best writers there is
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January 28, 2022The most enchanting interpretation and commentary on Meister Eckheart's idea of one ground. This description of godhead is refreshing verging on sublime.
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November 19, 2022
A strange tale about a feral, burrowing boy who creates and lives in an underground tunnel complex, and his poverty stricken family.
February 11, 2021
A strange, dream-like little book, but I did enjoy it! A well-written, skilful depiction of the harshness and hardship of life for families in the Great Depression - no money and no prospects, but still love remained - and the coming of age of the three remaining children in the same family. The loss of babies was commonplace - in Harper's words, "they either came and stayed or came and didn't". The death of her toddler brother was sadly all too real. The two older children yearned for their independence, which came at a price for both. Although central to many events in the book, I found Tin's character very odd, as well as the parents' attitude to his strange ways. They seemed to find it quite normal that he would want to burrow under and live in tunnels beneath the house, but I guess in those times you just accepted eccentricities. "Born on a Thursday and so fated to his wanderings" is an odd way to explain it, but the story works. I'd like to read more from this author.
November 10, 2015
This author started to write at 13 and one wonders what experiences she had seen that allow her to write such well written but hard-rending stories of hardships and downright neglect of children. This book is written as the hardships of the Depression gradually affect the family and the community, but where the kindness of the community still thrives. The relationships within the family and especially with Tin, their boy who gradually leaves them to live in his tunnels, is brilliantly described. The story builds to an unexpected climax and becomes quite suspenseful. While some of her books are downright tragic, this one is more hauntingly sad.
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