Oh, wow. Where to start?
I've been a fan of Elora Bishop since day one, and was really excited to see her working with her wife on their lesbian fairytale series. I was waiting for this omnibus since they announced the start of the project, and gods above it didn't disappoint!
Let's go in order...
Seven, the Snow White re-telling by Diemer, set the tone for the series/omnibus at once: gorgeous and wildly original while still staying true to the 'heart' of the story. Told from the perspective of the stepmother, Seven contains everything you'd expect from a Snow White story - the beautiful princess/step-daughter, the mirror, the apples, the huntsman, and the glass coffin - but in a wonderfully new way: the step-daughter Neve is the witch (and so sensual my heart was fluttering right alongside Catalina's!), the mirror is magical in a very unexpected manner, the apples are - well. I don't want to spoil you. Suffice to say the apples are important!
But what makes the story, even more than the mingling of Bluebeard-esque themes, quests for immortality and beautiful fairies, is the writing. Neve's gaze is 'like a bite'; Catalina is so sweetly innocent you can't help but love her; 'fairest of them all' is a statement important not because of obsession and revenge but because of love. Even more than a love story, Seven is Catalina's journey into her strength and confidence, and watching her grow was a true pleasure, as was the quiet suggestion that every woman and girl possesses the same strength. I hope that message gets through to all Diemer's readers.
Next, Braided. This was without a shadow of a doubt my favourite of the collection (although it was a near thing!) Again, the expected motifs were all in place: the tower, the long, long hair, the witch, the garden, the bargained-for baby, and even (if you don't blink and miss it!) a prince. And again, they are woven into a wholly new and unexpected pattern that had me hooked from the first sentence 'I was born cursed'; a sacred tree and its priestess, wishes braided into hair, a dream quest and a magical fair that I would love to visit myself, complete with delightfully snarky wisdom-dispensing cats and very special music.
Where Seven reminded me a little of Celtic and Greek myths Braided is like a dream - appropriate, since dreams feature in the story. I loved Gray and Zelda's story down to the tiniest details; the love potion for the king's son, Gray fixing the pieces of the broken cup by 'gluing them back together with little scraps of magic', and the wishes petitioners tied into Zelda's hair. And the fair! Gorgeous. But one of my favourite parts have to be how Bishop managed to keep the witch from being evil - keeping her human and sympathetic, even with her flaws. It takes real skill to manage that with the characters readers expect to be villians.
Last but certainly not least is Crumbs. Hansel and Gretel set in a post-apocolyptic, zombie-plagued world (well, they're not QUITE zombies, but similar enough). I wasn't sure I was going to enjoy Crumbs, because dystopian settings are very rarely my cup of tea, and I have never yet enjoyed a story featuring zombies (or anything similar). But Bishop won me over almost at once through one simple fact: Greta is afraid. And really, both Catalina of Seven and Braided's Zelda are afraid for themselves and their lovers in their stories, but Greta is fearful of, it seems, everything. That's not a common trait in the fantasy genre, and I loved Greta just for that, for being so clearly human; I loved her even more as she tapped into her inner strength over the course of the story to protect herself and her brother.
Again, we have the motifs you'd expect - the brother and sister, the loss of the parents, the journey to find them, and the house of sweets. And again, none of them are as you'd expect - the candy house, for example, is actually an abandoned factory that used to make cakes and sweets, and I loved it.
My favourite part of Crumbs, though, was the difference in understanding between the reader and Greta. By which I mean: Greta has grown up in this world, post zombie apocolypse, and we haven't. Bishop describes things and concepts that Greta doesn't recognise, but the reader can, because of that difference in worldview, such as Sabine's unicorn bracelet - which Greta describes as a horse 'but there's something pointy sticking right out of its forehead' - or the abandoned city, which Greta calls the steel forest. Again, Bishop pays careful attention to detail - Greta and her brother are given shots to make sure they don't get sick when they eat themselves full after months, maybe years, of near-starvation. That's the kind of thing so many authors forget about, so kudos to Bishop or her editor for paying such careful attention!
So many retellings aren't really retellings at all, just the original story with a bit more detail - a fantasy kingdom, Prince Charming replaced by Prince Insert Name Here. Diemer and Bishop's story are true retellings that never let go of the heart of each story; more, each one is exquisitely told and never hesitates to reaffirm that love and magic will always triumph, no matter what. I can't wait for the rest of this series.