The Litter of the Law
By Rita Mae Brown & Sneaky Pie Brown
A Mrs. Murphy Mystery
Rita Mae Brown is a prolific author, having authored 8 books in the Sister Jane Arnold series, 2 in the Mags Rogers series, this Mrs. Murphy series, plus several other fiction and non-fiction works.
Rita Mae Brown’s Mrs. Murphy mysteries are always fun. I have all but one of the Mrs. Murphy books – all of the fiction, but I didn’t purchase the Cook Book. This is the 22nd novel in the series. By now, I almost feel like Brown’s characters, both animal and human, are a part of my family.
There is a lot to like about this series. The reader will run across few editing/proofing mistakes, although the occasional ones pop up. There are lots of returning characters, all either animal or human residents of Crozet, Virginia, and who by now feel like old friends. Brown usually tackles important issues in the books; this one tackles the lack of federal recognition of Virginia’s Native American tribes, as well as the ages old struggle between working good farm land or selling it for residence or business use. Brown can write some pretty spectacular prose, such as this example, which is the first paragraph of Chapter 28:
“Halloween colors, orange and black, gave way to shimmering slate on Thursday night as twilight fell over the rolling Virginia countryside. Those trees without leaves appeared outlined in charcoal, and the conifers swayed blue and silver. The pin oaks, dried leaves till attached, rustled in the light breeze. When the wind lifted their leaves upward, the pale underside contrasted with the tree’s dark bark. Then as the wind died down, they turned right side up.”
In this novel, Brown’s main human character, Mary Minor “Harry” Haristeen, and her husband, Phararond (“Fair”), discover an unusual scarecrow made of a human body. Soon after, another body is discovered disguised as a witch in a Halloween display. Who is killing these Crozet residents, and why? In a novel spliced with agri-lore, Virginia history, and the struggle to preserve historical lands and places, Brown paces her novel with precision and dash, leading the reader ever onward in a desperate attempt to find the person or persons responsible for the murders, and to protect Harry’s friends and family. Her climactic action scene is fast-paced and interesting, bringing the final show-down to a satisfying conclusion. Brown’s characters are, by this far along in the series, very well fleshed out. Even the non-human characters are well known to those who have followed the series. Not only Mrs. Murphy, a cool tiger cat, Tee Tucker, and feisty corgi, and Pewter, the couch-potato feline, but also recurring characters such as Simon, the opossum who lives in Harry’s hayloft, alongside Matilda, the blacksnake, and Flatface, the great horned owl. And who doesn’t love Lucy Fur, one of the Lutheran minister’s cats?
Yes, the animals in the novel talk. But unlike the cats in the Joe Grey mysteries, these animals only talk to each other, not to humans. Readers get the story through the viewpoint of the animals (often a more expansive viewpoint than that of the humans) and the human characters, as well.
So, what’s not to like? There are a couple of things that bother me about Brown’s writing. I’m not a big fan of extravagant verbal identifiers. ‘He said’ and ‘she said’ are good enough for me. I mean, how many times does she need to describe the character as part of the dialogue, as here, on page 23: “….the cat replied as the attractive forty-one-year-old woman returned to her task.” First, remember I said the animals in the story couldn’t converse with humans, so what the cat said wasn’t understood by Harry. Second, do I need to know Harry’s age? I don’t think it’s particularly important to this dialogue, nor do I think her being described as “attractive” is necessary. If the author wants to put these two things in the story, a better place might be in describing her as she is getting ready to go to one of the events, or mentioning it in relation to how another person (human) sees her. Also, she often uses the same words to describe multiple characters. A little later in the story, as Harry is speaking, her own dialogue is described as “…said the attractive woman…” and also uses similar wordage to describe another character “The attractive police officer shook her head.” I’m not sure what exactly bothers me about this. Perhaps it’s because so often any dialogue is full of modifiers describing action that I should have been able to infer from the context: so and so shouted, so and so teased, so and so sighed, so and so smiled, so and so insulted. Maybe it seems overly simple to my eye. Whatever it is about the way Brown uses modifying language with her dialogue, it leaves me feeling like she’s talking down to the reader, over explaining because she doesn’t believe the reader capable of making correct inferences. One instance of that can be found on page 999:
“”Harry, did you see where the USDA” – he used the initials for the United States Department of Agriculture – “predicts the drought reduced our economic growth by almost half a percentage point?...” Umm, I know what USDA stands for, thank you, especially when the entire dialogue revolves around farming!
Or maybe it’s just that the wording often feels awkward to me. I can’t quite put my finger on the reason, I just know it bugs me. I attempt to read over the top of it, but I always notice it.
Another problem – and this isn’t just Brown’s problem, but the problem a lot of authors of series novels run into – is bringing in new or previously minor characters in order to have someone to kill off. In this story, both the murder victims were characters who had not appeared in former books in the series, or, if they did appear, weren’t prominently enough featured to be remembered. I realize that killing off ones major characters isn’t the best idea, but after 22 books, as soon as a new character is introduced, one begins to wonder when that character will get killed. I liken it to the Star Trek “red shirt” syndrome.
Nevertheless, I still look forward to each new adventure and will undoubtedly pre-order the next in the series, “Nine Lives To Die,” which is due out in June of 2014.