Clara is a teenage prodigy pianist, competing for a prestigious scholarship to Julliard. Her parents and teacher pressure her to push her skills to the limit, practicing for hours each day, digging deep inside herself for the talent and artistry needed to win. But Clara is unsure whether a career in piano is where her passion lies. She enjoys dancing in the ballet, and finds a joy in dancing that she has lost in her piano playing. However, she isn't a professional level dancer, and there is no future for her in ballet. She is intrigued by a fellow competitor, Marshall, flirting with him in her own serious way, and the two form a precarious romantic relationship based on their love of the piano.
I didn't exactly like Clara's character. I liked that she is serious, sensitive, and a deep-thinker. But she has no spark or energy. (I think she's actually depressed throughout most of the book, but she doesn't realize it until the end. There is no mention of her being depressed, but the way she coasts through her days without any joy, checking off the to-do list of her obligations to other people, sounds like high-functioning depression.)
The plot is good with some suspense about the outcome of the competition and the repercussions for Clara's future career and her relationships with her family. There is a lot of emotional tension in Clara's family, since her parents are both professional musicians and they expect a lot from her. It was wonderful to see those relationships changing as Clara develops her own identity separate from her parents expectations.
There is one thing in this book that really weirded me out. Clara has a very strange relationship with her piano teacher, a Russian pianist nicknamed Tashi. Apparently, the teacher, an elderly woman, is an old family friend who is very close with Clara's parents. So close that Clara actually goes to spend the night at her teacher's house! I mean, I don't care how close a family friend you are, that is just weird. And then the other competitor, Marshall, doesn't have anywhere to stay for the Thanksgiving holiday, and stays with Tashi at her home for the holiday. I mean, she's old enough to be his grandmother, but she's also his teacher! Where is the professional distance? That would be so awkward and inappropriate. I found it unrealistic. Music teachers do tend to work very closely with students, especially if they are preparing for a major event like a competition, but that is just ridiculous.
The best thing about this story is the way it describes musicians and how passionate they are about their music, how it feels to prepare for a performance, how musicians think and contemplate the music they play. That part was very powerful and real, but the rest of the story is just okay.