Preface The Themes Years of crisis Totality magical thinking Timelessness The Chiliastic vision The triadic rhythm of humanization Perspectives of reality humor The crisis of language The Structures The Gospel of Demian Siddhartha the landscape of the soul The Steppenwolf a sonata in prose Narziss & Goldmund a medieval allegory The symbolic autobiography of Journey to the East The Glass Bead Game beyond Castalia Epilogue Between Romanticism & Existentialism Index of Works General Index
An excellent study of the themes and structure of Hesse's mature novels from "Demian" to "The Glass Bead Game", inductively exploring the process of their creation and the development of Hesse's vision, and attempting to place Hesse's work in the larger context as marking the transition from romanticism (as a typological category, not a strictly historical movement) to existentialism (likewise). Along the way, Hesse's texts are also discussed in the wider context of other European modernist writers during the interwar period (Thomas Mann, Hermann Broch, Andre Gide, Joyce, Proust, Kafka, and others). Goethe, Novalis, Nietzsche and other important influences on Hesse's stylistic and thematic choices are discussed extensively.
Hermann Hesse was one of the great favorites of my high school crowd, recommended to me first by some of the girls, Rachel and Betsy in particular. I started with Demian, then proceeded to pick up or borrow every novel I could, branching off into his nonfiction and spending a great deal of money at Stuart Brent Bookstore on Michigan Avenue for some of the more obscure titles.
By 1974 I'd read all of his major fiction. This review of his work was, in consequence, a pleasant trip down memory lane which raised to consciousness many of the devices of his art which had worked so effectively on me. Subsequently I went on to find and read a biography of the author.
This was an interesting take on analyzing Hermann Hesse’s work. Unlike the majority of the evaluations of Hesse’s work that I’ve read, Ziolkowski is much more reticent to emphasize the influence of Hesse’s personal story in his work. Instead, he seeks to place his work and thought along the progression from the Romantic to the Existentialist movement. Without attempting to pigeonhole him – and, in fact, dedicating an entire chapter to acknowledging the difficulty of finding where along that line Hesse might be better placed – Ziolkowski tackles each of Hesse’s “major” novels and explores the themes Hesse expressed and how he choose to do so. Right from the beginning, however, the reader familiar with Hesse’s work will find that Ziolkowski chose to focus only on the novels that distinguished him from the common writers of his epoch and ignored the early works that won him popular, but not critical, acclaim. This goes far in explaining the bias that underlies this work. Ziolkowski, by trying to place Hesse in the position of a forerunner to the Existentialist movement leaves him little room to grow as a person. While many commentators are quick to point to the evolution in his thought and theme, Ziolkowski curtails that growth by starting right after the point where he has changed the most. Nonetheless, Ziolkowski does give the reader not only a brilliant elucidation of Hesse work and impact but also hands them a looking glass through which to better view all his innovations and experiments.